Posts Tagged ‘singer songwriter’

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Joseph Arthur‘s new album, “Lou” (Vanguard), is a moving tribute to the composer with Arthur singing 12 Reed songs with only his piano, acoustic guitar and a few, poignant vocal overdubs for company. “I made a rule,” Arthur writes in his liner notes, “no drums or electricity.” He stuck to it in a canny selection of hits and hidden genius.

The first track is “Walk on the Wild Side,” tenderly sung at a wounded crawl. But Lou really starts with the sharply drawn peril of “Sword of Damocles” from 1992’s Magic and Loss Album, framed in martial strumming and haunted piano. Arthur adds a high, distant vocal to “Stephanie Says,” as if Stephanie is in the room, singing back to him; “Heroin,” stripped of its original amplifier heat and John Cale‘s scalding viola, is a blues again; and “Wild Child,” a Velvets-era orphan revived by Reed for his self-titled 1972 debut, gets a gingerly hypnotizing third life.

Arthur, a friend of Reed‘s, says making this album was like “getting to hang out with Lou again. This was the only way to get close.” There is plenty of room for the rest of us too.

Joseph Arthur is a singer songwriter from Akron Ohio, Best known for his solo material, Combining Poetic Lyrics, building his catalouge through constant touring and acclaimed releases his live performances feature his skill using distortion and looping pedals with his shows being recorded live from the soundboard then made available to punters directly after the show. Discovered and signed by Peter Gabriel to his Real world Label. Arthur is also an acclaimed painter actually while performing Live singing his songs he will paint a canvas with a distinctive style  also for sale at his gigs.

 

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23-year-old Brooklyn newcomer Mitski Miyawaki releases her new album ‘Bury Me At Make Out Creek’ on November 11, an album that doesn’t flinch once detailing the brutalities of love and the fringes of insanity it pushes us towards. “One word from you and I would jump off this ledge, baby,” she pledges sternly over melancholy keyboards on woozy, last-dance-at-prom slow grind ‘First Love / Late Spring’, after yearning for “A love that falls as fast as a body from a balcony’ over noise-pop guitars on ‘Townie’. With fuzzy echoes of ‘Myra Lee’ era Cat Power, it’s a record that doesn’t tug at your heart-strings as much as it mercilessly pounds at them,
‘I Will’ is one of the album’s sweeter moments: Mitski pleading a lover “stay with me” over a slurring bass line and washy keyboards that bubble over into epic, stadium-sized synth-pop granduer as the song climaxes. .
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Kristian Matteson is a singer-songwriter from Dalarna, Sweden. Since 2006, he has released three full-length albums and two EPs. He performs under the stage name The Tallest Man on Earth. He is known for recording and producing his own records in whichever home he is currently living and states that the connection between his voice and guitar is so strong, he rarely records them as separately tracked performances.He is also known both by critics and his fans for his charismatic stage presence.
Compared to Bob Dylan both in terms of songwriting ability and vocal style.When asked about his lyrical style, Matsson explains that he began listening to Bob Dylan at fifteen, and upon hearing Dylan’s cover material, he “tried to figure out where those songs came from” and became slowly exposed to early American folk, such as Pete Seeger and Woody Guthrie. This is how I play. This is how I write songs.
With regards to his guitar technique, Matsson uses a variety of open tunings, and standard tuning to a lesser degree. He had classical guitar training in his youth, but says he “never really focused on it” and that by the end of high school he “got bored playing guitar because it was like maths, until he then discovered open tunings while listening to Nick Drake in his early twenties. He was drawn to this style of playing because it allowed him to focus on singing while still performing intricate music.

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Last February Savoretti released the song “Hate & Love”, featuring Sienna Miller, Then in May Savoretti released a third single called “Take Me Home” along with a music video. Savoretti’s third album, “Before the Storm” With a band he recorded at Kensaltown Studios and mastered the LP at Abbey Road Studios. The new album shows a new side to Savoretti, yet keeps the same poetic charm seen in previous albums. Starting his UK leg of the tour at The Borderline, Savoretti showcased the new material whilst also appearing to have something else up his sleeve with a song called “Crazy Town”.
 

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With his band, The Dirty Romantics, they recorded at Kensaltown Studios and mastered the LP at Abbey Road Studios. The new album shows a new side to Savoretti, yet keeps the same poetic charm seen in previous albums.  Savoretti showcased the new material whilst also appearing to have something else up his sleeve with a song called “Crazy Town”. 

What began with his first ever major record deal has blossomed into a stunning new album (due early 2015) and a new single ‘Tie Me Down’ out October 20th on BMG Chrysalis.

Written by Jack Savoretti, co-written and produced by Matty Benbrook (Paolo Nutini and Jake Bugg), from ‘Tie Me Down’s’ first note you can hear Jack’s new infatuation with rhythm at its most obvious and most glorious. The song combines a recurring acoustic guitar riff, tribal bass drum beats and a galloping groove with an infectious and near hypnotic vocal The heartbeat of the album is rhythm. It’s all about groove, drums and bass.” Savoretti says of his new way of songwriting. “The sound was key – it came before the songs or the subject matter. I completely changed the way I’d previously written, abandoning structure for a looser, loopier, almost circular approach.“ Other songs on the new EP are the folk tinged ‘Last beat’, the stripped back ‘Jackie Blue’ and the almost a cappella closer ‘Solitude’.

 

 

with a new series of Daryl’s House now moved to a new location at Pawling in New York City, one of my favourite Hall and Oates tracks and a track performed with Smokey Robinson,

Daryl’s House, and often abbreviated as LFDH) is a television show that features singer/songwriter Daryl Hall of Hall and Oates fame performing with various artists and preparing and eating various styles of food with them at his home in Milltown The show provides a performance space that is an alternative to live concerts and studio sessions for popular artists. This allows the artists to “…have fun and be creatively spontaneous.” Live from Daryl’s House was first created in 2007 as a web series by Hall and has since expanded to many TV networks. The show now tapes in a restaurant and music venue club in Pawling, NY that Hall purchased in 2013, called “Daryl’s House

Live At LSO St. Luke’s, London, England, 10th February 2008. Setlist: Precious Time. Magic Time, I’m Not Feeling It Anymore, Song Of Home, Playhouse, End Of The Land, Van Lose Stairway, Help Me, One Irish Rover, Thats Entertainment, Keep It Simple, Behind The Ritual.

this is one incredible show, please just listen to the lyrics in “I’m Not Feeling It Anymore” the music is so infectious the whole set just leaves you smiling with joy.and what a band

Joseph Arthur is truly an awe inspiring musican and also an incredible painter and artist, he has just released an album of Lou Reed songs, titled “Lou” . Lou Reed was a mentor and good friend to Arthur.

KEXP presents Joseph Arthur performing the songs of Lou Reed live in the studio. Recorded June 5, 2014.
Songs: “Coney Island Baby”, “Sword of Damocles”, “Dirty Boulevard” and “Heroin”

 

Perfume Genius brought “Queen” to Letterman last night. Rocking an all-white suit with a collar around his neck, Mike Hadreas gave a stunning performance for his late-night TV debut. His voice sounds a little shot, but he’s been on tour non-stop since the end of August so that’s understandable. What he lacks in vocals, he makes up for in his characteristic intensity.

Mike Hadreas, aka Perfume Genius is a singer/songwriter from Seattle, Washington, US. Perfume Genius began when he moved from New York to his mother’s home in Everett, WA. In these relatively isolated conditions, Hadreas felt a compulsion to make music and began composing fragile yet brutally honest songs on the piano.

 

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Finally, Folkadelphia is pleased to present the premiere of Chelsea Wolfe‘s Folkadelphia Session, recorded 5 months ago from today, but what an absolutely perfect one for Halloween. The genesis of our session with Wolfe can be tracked to the end of 2012 when we saw she was performing at the tiny and intimate First Unitarian Church Chapel. Jump forward in time through two albums (Unknown Rooms and last year’s Pain is Beauty), various tours, we finally were able to welcome Wolfe and her band to the WXPN studio.
Chelsea Wolfe is basically a genre unto herself. Unclassifiable not only because she seemingly stands apart from easy stylistic boxes, but also because she integrates so much into her sound. On the one hand, a minimalist and achingly somber ballad where silence speaks volumes and words are no consolation, like some tracks from Unknown Rooms, or a Lynchian industrial nightmare straight to the earhole, like some tracks from Pain is Beauty, on the other. What remains consistent is an expansive musical world that feeds on both darkness and light, as much as the brisk cold emptiness of silence. Yes, there is brutality there, but a tenderness too. I think that Wolfe has only touched the tip of the iceberg of her immense imagination and creative powers
Chelsea Wolfe, along with Ben Chisholm and Andrea Calderon, performed a stripped down set of music for us, one that was well worth the wait. We think you’ll agree, so please listen to Wolfe’s Folkadelphia Session.