Posts Tagged ‘Shana Falana’

The first single “Come and Find Me” is out now, with a stunning video directed by D. James Goodwin. We spent a night in July in his pool, filming all sorts of dark, under water passages…but after hours of doing that, we dropped everything, and shot this, in one take.

The latest from NY psych/shoegaze rocker Shana Falana, “Darkest Light” (Arrowhawk Records) explores extreme contrasts and the process of conversion. From anthemic pop (“Go Higher”) into gutsy sludge rock (title track) and moments of elegant, minimalist beauty (“Come and Find Me”), Darkest Light is described by Falana as “druggy music by sober people.” In her 40s and owning it, the veteran of the San Francisco and Brooklyn experimental pop scenes finds themes of rebirth and empowerment in the darkest materials.

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Falana worked for the third time with producer D. James Goodwin (Kevin Morby, Wand) to craft a record of great sonic and thematic substance. Shana combines live looping of reverb-drenched vocals and guitar with tribal drums and stunning visual projections. Her live experience has often been described as transcendental.

‘Darkest Light’ is out 10/25 on Arrowhawk Records

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When the world does not look the way you want it to, you have to create your own. I’ve been dreaming of silhouettes and mystical creatures, existing in total darkness where even the smallest light can illuminate everything.

I have always loved the dark edges of this Depeche Mode song, many thanks to Anna Hafner (makeup/wardrobe), Bon Jane (film) and D. James Goodwin (Producer, The IsOkOn studio) for helping bring this to life!

Shana Falana is an experimental dream-pop band emerging from New York’s vast drone/psych scene. Combining live looping of reverb-drenched vocals and guitar with tribal drums and stunning visual projections, Shana’s live experience has often been described as transcendental. “Contrary to the light-infused title, Lightning Fire is a record of psychedelic dream pop dashed on the rocks of goth defiance” listen to her 2nd LP “Here Comes The Wave” is out on Team Love Records.

Band Members
Shana Falana & Michael Amari

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New York’s experimental dream pop/psychedelic outfit Shana Falana (Shana Falana and Michael Amari) premieres their new video for “Cloudbeats” today, sharing some upcoming tour dates where you can enjoy the live version of this magic in person. The video itself is quite beautiful, beginning with the watercolor palette of a rising sun over the horizon. It basically chronicles a day in the life of Shana, which – yes – does involve some time on the phone before even getting out of bed. Shot by Shana and edited by Michael, the video is very DIY. It brings excitement to every day tasks, and reminds us of the power in our own two hands.

Shot by Shana Falana
Edited by Michael Amari

from the 2016 LP “Here Comes The Wave’ (Team Love Records)

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Today see’s the release of San Franciscan songwriter Shana Falana’s second album, Here Comes The Wave. The album is a series of dark pop anthems, many of which were written during a burst of productivity the best part of a decade ago that accompanied her recovery from what Shana describes as, “drug-related financial ruin.”

Ahead of the release this week, Shana has shared the album’s sublime highlight, Cool Kids. A burst of daylight in an album of gritty darkness, Cool Kids is a message to her younger self, and young people everywhere, to embrace who they are and be themselves in the face of peer pressure and self-doubt. Musically it’s huge, a wall of pounding drums, multi-layered vocals and driving, bassy rumble. A euphoric reminder that being anyone else’s idea of cool isn’t being yourself, as Shana puts it, “the cool kids are the ones you forgot.”

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Here Comes The Wave is out today via Team Love Records.

Shana Falana

“I was pretty lost in addiction, living in Bushwick, Brooklyn, in 2006.” That’s how Shana Falana sets up “Cloudbeats,” the mist-wreathed new single from her roaring new record “Here Comes The Wave”.  She spells out that same backstory explicitly in the lyrics, sighing, “Pills I take/ cocaine, too/ call in sick/ ‘I have the flu.’” The music that surrounds the confession is drifting and dreamlike—a stark change from the thundering roar for which Falana has become known.

But the song goes deeper than mere confession, starting with addiction but gradually moving on to address loss and pain. “This is a song about looking for a home, both physically and emotionally,” Falana says. “Shortly after I wrote this, I reconnected with my father and learned he was ill. Three months later, he passed away. I feel like I’m still processing his death, even nine years later. When I went to record the vocals for this song, I became totally overwhelmed with grief.” You can hear that in her voice, the way it drifts disconsolately along, a spirit looking for a home. But, in the end, “Cloudbeats” is about more than just sorrow. “There’s a lot of closure in this song for me now,” Falana says. “It’s like I was reaching out to my future self for help and, nine years later, I was able to answer the call. That’s the underlying message of this record: It’s never too late. Never give up. Life keeps on getting better.”

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Shana Falana lives in New York’s picturesque Hudson Valley where she works painting houses, volunteers in her community, and collaborates on music with her partner and musical collaborator Mike Amari. By the guitarist/songwriter’s own accounts, life is good, but the path to get to where she is today came with many twists and turns.

Raised in California, Shana Falana spent time in San Francisco’s D.I.Y. scene and sang in a Bulgarian women’s choir before following her heart to New York. By 2006, Falana found herself grappling with addiction and money woes when she lost part of her index finger in a work-related incident. Under usual circumstances, that might be considered entirely unlucky, but the settlement money she received after the accident provided her a period of financial stability that allowed her the time and space to finally overcome her addictions and find new focus in her life and music.

Much of the music on Shana Falana’s second album, Here Comes the Wave (Team Love) were conceptualized in the years that followed and refined over time. Produced with D. James Goodwin (Bob Weir, Whitney, Kevin Morby), the record shows the duality of Falana’s “then and now” in its diverse moods, lyrical themes, and sonic palette that incorporates shoegaze, gothic pop, and rock. But while many of its songs are at least outwardly exuberant and dreamy, its first single, “Lie to Me,” treads darker waters, starting with a trudging, bottom-heavy riff before exploding into a trippy mass of guitar feedback, Moog, and anguished, layered vocals.

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Check out the premiere of “Lie 2 Me” learn more about how Shana Falana’s background in traditional music has continued to impact her songwriting, channeling difficult times and emotions into music, and how giving back to others struggling in their lives has helped her stay centered in her own. Here Comes the Wave comes out on October 21st via Team Love Records.

Second Skin · Shana Falana, released 2015 Team Love Records , Experimental dream-pop band emerging from New York’s vast shoegaze scene. Combining live-looping of reverb-drenched vocals and guitar , Shana Falana is an American shoegazing band from Brooklyn, New York, currently based in Kingston, New York. They are currently signed to Team Love Records. The band consists of musicians Shana Falana and Michael Amari, who has been writing and recording songs for nearly two decades, and the easy confidence of a veteran comes through, even if this is technically her debut record. “I would have two or three bands at one time,” she admits, and they ranged from “a sludge rock band, a Bulgarian women’s choir, and a pretty, dreamy organ and guitar duo.” On this record, she’s combining all of those influences and adding one more: The addition of Mike Amari to her life as both a percussionist and a boyfriend fans Lightning Fire into a roaring, crackling blaze. There’s hints of new wave here as well, which can probably be credited to producer Dan Goodwin (Devo). On “Know UR Mine” Falana assumes various robotic vocal effects to chuckle through power plays, but during ’80s-leaning power ballad “Shine Thru” her voice is closer to Dido, or even Enya, in tissue-paper delicacy. This is an album that pivots on a resistance to any sort of central tenet, constantly moving forward, shedding skin as it goes

“The quiet-loud-quiet formula has been the dynamic foundation of many a contemporary band, but Shana Falana might have perfected it.

“Set Your Lightning Fire Free” (Team Love Records), the new album from the Brooklyn duo of guitarist Shana Falana and drummer Mike Amari, certainly feels touched by ’80s and ’90s shoegaze, heavy on reverb and amber waves of feedback. However, there’s a pulse in there. The blissful “Heavenstay” wraps necks with the heavy trudge of “Go” and 4AD strains of “Shine Thru.” So many new-gaze bands attempt to hide a lack of ideas behind a wall of sound, but Falana’s voice is its own muscled instrument, which keeps the music from falling into a reverb slump.”

 

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It’s safe to say that Shana Falana’s recent release of “Set Your Lightning Fire Free” is knocking some socks off. That’s because each of the ten songs on her new EP are pretty much completely different from each other in terms of genre and general feeling. What starts as a lush, almost new age Enya reminiscent vocal chorus quickly morphs into post-punk revival and then to frenetic new wave dance tracks. It’s that sort of intense energy and versatility that makes for a great live show, TO HEAR MORE SONGS FROM SHANA FALANA and download please visit http://shanafalana.bandcamp.com
In the Light EP was released 17 August 2011 Written and played by Shana Falana

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Shana Falana may be gearing up to release her solo debut, but the Kingston-based psych goddess is hardly new to the game. Before she packed up and moved upstate, Shana Falana was cutting her teeth in Brooklyn and on tour, constantly working on volumes of material that clutched at the hem of various genres and wavelengths. Everything from chanting with an Eastern European lilt (she sang in a Bulgarian women’s choir for a bit) to increasingly undeniable wails to heady drum fills to distortion so fuzzy it puts Jim Henson’s whole output to shame make an appearance on Set Your Lightning Fire Free, out April 7th on Team Love Records, and it’s a strong new start for the incendiary indie talent.

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Take “Go,” for example: While the latest track to be released from Set Your Lightning Fire Free hits the ear as a kaleidoscopic, trippy gem that shines as brilliantly in 2015 as it would’ve in a Berkeley drug den during the Summer of Love, there’s so much going on from start to finish that you can’t help but lose yourself in Falana’s crowing or Mike Amari’s pugilistic way with the drum kit.