Posts Tagged ‘Seattle’

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Indie rockers Chastity Belt are fans of dark humor, and know just when to use it to their advantage. Case in point their new single “Joke”. Chastity Belt is not the kind of band to shy away from making a statement. Back in 2010, Julia Shapiro, Gretchen Grimm, Lydia Lund, and Annie Truscott formed the band in Walla Walla, Washington, and they’ve since relocated to Seattle where they’re part of the city’s thriving music scene. They sing about feeling antisocial in a place with a reputation for social freeze,” chips and dip, and nip-slips—among other delights. One of their publicity shots ranked number one on a list of the most painfully awkward band photos,” and they’ve earned a reputation for their tongue-in-cheek approach to pretty much everything.

The band’s first album, No Regerts was a gently sardonic (and well reviewed) gem, and on March 23rd, Chastity Belt will release their second album Time to Go Home, on Hardly Art. Take a first listen to their new track, “Joke,”

“Let’s light everything on fire,” singer Julia Shapiro utters matter-of-factly, plotting a perfectly sardonic escape plan for when life gets to be too much to handle. Later on the track (arguably the best off the forthcoming Time To Go Home LP), Chastity Belt’s strategy is put into motion, as the Seattle natives fade away into a blaze of dreamy and meandering guitars,

The women of Chastity Belt hit the streets of Seattle’s Capitol Hill neighborhood, searching for a good time in this woozy video for their song “Time to Go Home.” star as the coolest, most jaded band in the world as they wander around Seattle’s Capitol Hill in search of a meaningful night, in this Bobby McHugh-directed video for the group’s new single and one of our favorite jams of the year so far, “Time to Go Home.” Instead, they get wasted, take a few selfies, dance around with some shirtless dudes in Macklemore masks, then go home together and pass out. Actually, it does all feel kind of meaningful. Chastity Belt’s very tight track “Time to Go Home” LP is out on March 24th on Hardly Art Records.

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The last several days, a number of music blogs were abuzz with the song “Time To Go Home,” the title song to the new album by the Chastity Belt which came out on March 24th on Hardly Art records.
Featuring guitarists Julia Shapiro (the singer and primary songwriter) and Lydia Lund, bassist Annie Truscott, and drummer Gretchen Grimm, the band are from the Seattle area, Walla Walla, Washington. They released their debut album, “No Regrets”, which got favourable reviews when it was self-released in 2013, Then following two EPs they released in 2012 (available on their Bandcamp page). About their new album, The music is an indie-rock swirl of guitars and careening drums that recalls the team efforts of classic bands like the Raincoats.
title song “Time To Go.” It’s a heartfelt, straight forward rock and roll song, touched by punk, fuzzy guitars, and reverbed vocals that just hits all the right chords.

On the surface, Seattle punk band Chastity Belt is just plain silly. Its members wear mom jeans and turtle necks in its press shots, for crying out loud. But there’s more than just frivolous nostalgia at play on the group’s Hardly Art debut, Time to Go Home.

The song that rightfully gets the most attention is “Cool Slut,” as guitarist and vocalist Julia Schapiro trashes tired rock tropes that cast sexual conquests as a measure of manhood and point of shame for women. Satire gives way to solemnity on other standout tracks, as “IDC” (“I got drunk out of boredom/I did not want to be there”) and the title-track sum up the end of the night, when regret sets in and there’s a chance you’ll be holding back a puking friend’s hair.

While the lyrics are strong, the music itself will hook in repeat listeners. “Lydia” is wistful enough to have been from a popular indie songstresses’ songbook, while “The Thing” is lightning-fast West Coast punk that begins and ends with a blood-curdling scream. Sure, other well-written, feminist friendly albums have been released in 2015, but those artists are not likely as clever, fun, and free as these girls.

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Originally released in 1988 on cassette, the debut album by Seattle power-poppers The Posies represents an important part of the Pacific Northwest music scene that wasn’t Sub-Pop or Grunge. “Failure” was a young sounding, yet very strong set of uber melodic pop songs that spiritually connected fans of Big Star, early R.E.M., The Replacements, Velvet Crush, and the Hollies. The band’s principals – Jon Auer and Ken Stringfellow – went on to become members of Big Star – and while fans would make the case that The Posies’ major labels were better albums than “Failure”, it’s inspiring to hear the pop bliss of a band struggling to find their voices, as The Posies certainly did.

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MOTOPONY
Throughout history, individuals have been playing with the delicate balance between polarities. Often, the combination of two opposites makes for a harmony previously unknown, a sum greater than its parts. Motopony is the embodiment of this notion – a band built on a bedrock of contrasts and the gorgeous alchemy of seemingly conflicted sounds, and the feelings mapped over them. Guided Daniel Blue and Buddy Ross along with guitarist Brantley Cady and drummer Forrest Mauvais, there is a warm efficiency to the hard-soul/glitch-folk contained on the quartet’s self-titled debut.

Perfume Genius brought “Queen” to Letterman last night. Rocking an all-white suit with a collar around his neck, Mike Hadreas gave a stunning performance for his late-night TV debut. His voice sounds a little shot, but he’s been on tour non-stop since the end of August so that’s understandable. What he lacks in vocals, he makes up for in his characteristic intensity.

Mike Hadreas, aka Perfume Genius is a singer/songwriter from Seattle, Washington, US. Perfume Genius began when he moved from New York to his mother’s home in Everett, WA. In these relatively isolated conditions, Hadreas felt a compulsion to make music and began composing fragile yet brutally honest songs on the piano.

 

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Bruce Springsteen and the E.St Band perform “The River” live at the Seattle Centre Coliseum, October 24th 1980. from the new fan based recording coinciding with the 34th anniversary of the concert and “The River” album

theriver

 

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A band formed as long ago as 1995 in Southern California but now settled in Seattle Anna-Lynne Williams and Matt Brown described as Shoegaze and Folk split the band in 2012 but with so much material and demos the band have still been issuing material.

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the NO REGRETS album is out now released in the middle of last year from Julia Shapiro and her band, her former band Childbirth and this project have been performing in Seattle awhile now.

Night Beats are a American psychedelic, garage, R’n’B band straight out of Seattle , Washington