Jenny Hval has revealed her second collaboration with Norwegian noise artist/producer Lasse Marhaug. Due out September 30th through Sacred Bones, Blood Bitch was initially described as “her bold, new vampire blood solo album.” This being Jenny Hval, it’s of course not that simple. According to a statement from the singer/multi-instrumentalist, the concept record actually revolves around “the purest and most powerful, yet most trivial, and most terrifying blood: Menstruation. The white and red toilet roll chain which ties together the virgins, the whores, the mothers, the witches, the dreamers, and the lovers.”
‘Blood Bitch’ is also a fictitious story, fed by characters and images from horror and exploitation films of the ’70s. With that language, rather than smart, modern social commentary, I found I could tell a different story about myself and my own time: a poetic diary of modern transience and transcendence.
There is a character in this story that is a vampire Orlando, traveling through time and space. But there is also a story here of a 35-year old artist stuck in a touring loop, and wearing a black wig. She is always up at night, jet lagged, playing late night shows – and by day she is quietly resting over an Arp Odyssey synthesizer while a black van drives her around Europe and America.
So this is my most fictional and most personal album. It’s also the first album where I’ve started reconnecting with the goth and metal scene I started out playing in many years ago, by remembering the drony qualities of Norwegian Black Metal. It’s an album of vampires, lunar cycles, sticky choruses, and the smell of warm leaves and winter.
Tour Dates in the UK
10/17 Glasgow, Scotland – Stereo
10/18 Manchester, England – Soup Kitchen
10/19 London, England – Oslo
Jenny Hval is a an ambient/electro-indie/art rock singer-songwriter and novelist from Oslo. In the late 1990s, she was in a goth-metal band, but since then, she’s been making music that people often compare to the likes of Laurie Anderson and Björk. She released two albums under the name Rocettothesky, and has released two under her own given name. Next week, her third album “Apocalypse, Girl” comes out on Sacred Bones Records.
I didn’t know too much about Jenny Hval Anyway, the point is that Jenny Hval is often compared to Björk, so I kinda feared that it was the “weird Björk” that people compared her to. The MedullaBjörk. When I listened to a couple of the new Jenny Hval songs I was immediately smitten with her voice . Sure, this is some stuff that most people would consider “weird”, but I like it. If this is like Björk, this is like the late-90s Björk. Like Vespertine,
While I haven’t tracked down any of the older stuff, I’ve heard the new album, and I really like it. There’s some harsh moments though. The album is strewn with some pretty graphic references to male and female genitalia, and to sex. It’s actually fairly erotic. It’s not an album that you can listen to with your grandmother. It is, though, an album that rewards the listener for patience and thorough listening. Here’s one of my favorites:
This song has some elements that remind me of Broadcast, Oviously I’m not saying that Jenny Hval sings like the late Trish Keenan or like Björk. The synths and the drums sound like Broadcast. The overall “feel” of the song is kinda Björk-esque. Sexy and mysterious and weird. In the best kind of way.
“Apocalypse, girl” comes out next week. You can pre-order it via bandcamp here. You can also buy physical versions of the album, or bundle an LP with a t-shirt at the label’s web shop. If you’re looking at that t-shirt wondering what “soft dick rock” means, it’s a reference to a line in the first song from the album. That first song “Kingsize” is itself a reference to a collection of poems by Danish poet Mette Moestrup. The first line of the song is a line from one of Moestrup’s poems.
Hval’s latest novel is called Perlebryggeriet, (which means “Pearl brewery”) and it hasn’t been translated from Norwegian. So if you’re fluent in Norwegian, you should buy her book . They say it’s set in a “fictional town somewhere between Glasgow and Melbourne” and that it’s about some kids living together while their house turns itself inside out. I got a big kick out of that “between Glasgow and Melbourne” line. That’s a distance of 17,000 km approx.
Ine Hoem is an exceptional song writer with an equally as exquisite voice. Hoem has been apart of some notable Norwegian acts, like when she fronted the “genre-defying” band Pelbo. She also had a central role in the acclaimed the jazz album Den blåaste natt og tolkninger av sommersanger by The Source. She’s received several Spellemann(Norwegian Grammy) nominations for her previous work.
Ine has a wide range of influences including Bon Iver, Lykke Li, Feist, Asgeir, The xx, James Blake, and the Fleet Foxes. Her 2013 EP, The Island, announced, at least to those who were familiar with her background, a change in musical direction. The more straight forward, pop-centric approach suits Hoem, Time to start saving for a trip to Scandinavia. Ine Hoem comes from Oslo and has been making music for, best I can tell, her entire life.
This spring, the playful Oslo studio-pop bandCold Mailmanwill release their third album “Heavy Hearts”, and the video for first single “My Recurring Dream” is something you should check on even if you’ve never heard of the band. Directed by André Chocron, it’s a series of dizzying tracking shots that employ a ton of different techniques (time-lapse, backwards film) and show fantastical scenes of underwater dancers, apocalyptic landscapes, skateboard commutes, and mysterious women on trains. It’s got that “Virtual Insanity” sensibility — hypnotic enough to keep you glued, complicated enough to keep you wondering how.
Susanne Sundfør continues the expansion of her musical universe with her new album, ” Ten Love Songs” her fifth album not available until February 2015, The previous album “Silicone Veil” (2012),which was a follow-up to the critically acclaimed, platinum-selling The Brothel (2010), which spent 30 weeks in the Norwegian album charts and sold more than 40 000 copies.
After the demise of PORT O’BRIEN founding member and frontman Van Pierszarowski moved to Oslo Norway, spent his time swimming in Fiords enjoying the change of seasons and the cold and making some music, he then went travelling in Alaska worked a season on his fathers salmon fishing boat before moving back across the states firstly to Brooklyn New York and then some time in california before missing the fiords of Norway once more there he picked up a band of Norwegians bringing them back to the states to record an album, the sound was slightly more stark more emotional and more aggressive with crashing drums and fuzzy guitars.