Ariel Pink released his latest album “Dedicated to Bobby Jameson” on September 15th, the follow-up to his critically acclaimed release pom pom from 2014, and first full-length since joining forces with the Brooklyn-based independent label Mexican Summer Records.
The album is Dedicated to Bobby Jameson, who’s a real-life Los Angeles musician whose story instantly resonated with Pink. Bobby Jameson was long presumed dead and resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.”
Ariel Pink is set to tour across North America this winter, where his new material will be aired live and fans should expect to be treated to songs from his back catalogue which he has accumulated over the last couple of decades.
Ariel Pink has also released a powerful new video for his single ‘Time to Live’, Ukranian three-piece art collective, Gorsad directed the video and are known for their striking imagery and their focus on youth culture.
Ariel Pink – “Time To Live “ From the album Dedicated To Bobby Jameson
Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.”
Standout tracks from Dedicated to Bobby Jameson include “Feels Like Heaven,” a lovelorn insta-classic paying tribute to the promise of romance, “Another Weekend,” which encapsulates the lingering euphoria of a regrettable weekend over the edge, “Dedicated to Bobby Jameson,” a rah-rah psych romp paying homage to L.A.’s punk history, and “Time to Live,” an ironic anti-suicide anthem that promotes survival as a form of resistance before devolving into a grungy, “Video Killed the Radio Star”-style breakdown that supposes life and death as being more or less the same fate and embraces the immortal anarchy of a rock song as an alternative to the prison of reality.
Alternately contained and sprawling, Dedicated to Bobby Jameson is a shimmering pop odyssey that represents more astonishing peaks and menacing valleys in the career of a man who, through sheer originality and nerve, has become an American rock and roll institution. The album marks his first full-length release with the Brooklyn-based independent label Mexican Summer.
Building upon his singular vision of pop songcraft, established by such seminal records as The Doldrums, Worn Copy, House Arrest, Loverboy, Before Today, Mature Themes, and pom pom, Pink revisits themes that have haunted his sonic cinemascapes since the late 1990s: mismanaged dreams, west coast mythologies, itinerant criminals, haunted boulevards, Hollywood legends, the impermanence of romance, bubblegum artifice, movie stardom, childhood terror, acceptance of self, and narcissism projected through a celluloid filter of controversion.
Pink attracted the attention of Animal Collective’s Paw Tracks label, earning his home recordings a small and devoted fan base through a series of limited edition reissues. Drawing upon a list of long-forgotten iconoclasts and trailblazers like the Shaggs, the Cure, the Velvet Underground,Destroy All Monsters, the Godz, Cabaret Voltaire, and R. Stevie Moore, Pink set himself to the task of redefining the musical lexicon for himself and others. “This mission,” he says, “remains mine to this day.”
The Fat Angel Sings 