Posts Tagged ‘Kelly Winrich’

Peel Dream Magazine is the musical vehicle for NYC’s Joe Stevens, who launched the band in 2018 with the critically acclaimed album “Modern Meta Physic,” a mysterious, liminal tribute to the hazy end of ‘90s dream-pop that found its place on numerous “Best of 2018” lists. Now Peel Dream are back with “Agitprop Alterna,” an album that pays homage to sonic and spiritual influences ranging from early Stereolab and Broadcast through stateside groups like Lilys and Yo La Tengo.. “Agitprop Alterna” finds Stevens channeling the collaborative spirit of the band’s live incarnation in the studio, deepening the connection between the existential and the interpretive first explored on “Modern Meta Physic.” It is a rejection of manipulation in all its forms and a buzzsaw against complacency; it’s a rare trick to agitate without being obvious, and perhaps that makes “Agitprop Alterna” the most Peel Dream Magazine-like statement yet.

What have you wound up doing with your free time during lockdown? Some online yoga classes? A walk in the park? Maybe finish the the novel that’s been lying beside your bed?

Well, New York outfit Peel Dream Magazine embarked on an intimidating creative pull. Their rightly lauded album ‘Agitprop Alterna’ was a significant statement, a sign that their dreamy, effects-laden guitar pop contained some unexpected depths, as well as a commitment to emotional rigour.

Mere weeks later, however, Peel Dream Magazine dropped a surprise – an eight track EP that drew upon those same sessions, acting as a kind of parallel statement to ‘Agitprop Alterna’.

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Taken as a whole, that’s more than 20 songs, a universe that moves from neat Neu!-esque cosmiche moments through to My Bloody Valentine leaning pedal stompers. Something to adore.

Joe Stevens – Vocals, Guitars, Organ, Synth, Drones, Drum Machine
Jo-Anne Hyun – Vocals
Brian Alvarez – Drums on Pill, Escalator Ism, Too Dumb, Do It, and Eyeballs
Kelly Winrich – Drums on Emotional Devotion Creator, Brief Inner Mission, NYC Illuminati, and Up and Up

All songs written by Peel Dream Magazine
Mixed by Peel Dream Magazine and Kelly Winrich

Released April 3rd, 2020

Delta Spirit? more like belter spirit! every single one of these anthemic americana pop sizzlers has been kissed under the Californian sun and – fortunately for us – imported into England.

As much as it reflects their journey thus far, it also ushers them into new territory as both musicians and, most importantly, friends. in the end, Delta Spirit not only return but move forward together on ‘what is there’. “the album has a Side A and Side B feel to it with the first half comprised of layered, dense tunes as is mixer Blake’s penchant. ” – glide magazine.

“…it’s tempting to frame What Is There, their first record in six years, as a comeback. There are several moments that make the case. Opener “The Pressure” is a spirited, up-tempo track guided by a screeching guitar and a sing-along chorus. “It Ain’t Easy” recalls the soul of their earliest work and makes good use of the band’s biggest strength, frontman Matthew Logan Vasquez’s passionate voice. “Home Again” feels like the best example of what Delta Spirit could have been, beginning with their characteristic sound before gradually deconstructing it in a mind-bending solo designed for headphones.”

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Releases September 11th, 2020

Delta Spirit is:
Matthew Logan Vasquez
Kelly Winrich,
Will McLaren,
Jonathan Jameson,
Brandon Young,

All songs written, arranged and performed by Matthew Logan Vasquez, Jonathan Jameson, Kelly Winrich, Brandon Young, and Will McLaren

When it came time to record Delta Spirit’s third album, the band members knew one thing: It was time to shake off the stylistic labels that have shadowed them since they formed in San Diego, CA, in 2005. Though lyricists Matt Vasquez and Kelly Winrich were grateful for the warm reviews that their previous albums “Ode To Sunshine” (2008) and “History From Below” (2010) received, they were perplexed at being called “rootsy Americana” or “twangy folk.” In their eyes, Delta Spirit has always been a thoroughly modern rock band, and, with their self-titled new album, they set out to prove it.

We found the sound that we’ve been looking for, that we’ve been growing into, and as soon as we hit on it, we ran with it,” Vasquez says. “That’s why it’s a self-titled record, so we could connect our identity with the album, because this album is what we think Delta Spirit is. People make records for their time and we wanted to make one for our time. Just like novelists want to write the Great American Novel, we wanted to make a Great American Record. Not one about yesterday, but one about right now.”

To help them realize their vision, Delta Spirit recruited producer Chris Coady, not only for his indie-rock credentials (he’s worked with Yeah Yeah Yeahs, TV on the Radio, Beach House, and Smith Westerns, among others), but also because, with five strongly opinionated band members, Delta Spirit needed a producer who wouldn’t be pushed around easily. “We also wanted a great engineer and someone who knew how to make sounds that didn’t sound stock and average,” Vasquez says of Coady, who brought in a home-built synthesizer, which was used on the song “Home.”

The band also experimented sonically, creating layers of texture by using previously verboten instruments like MPC samples and drum machines. They also empowered their new guitarist, Will McLaren, to create stand-alone parts, and to go to town on electric instruments. The experimentation can be heard throughout the album, which opens with the rollicking opening number “Empty House,” and serves as a transition between Delta Spirit’s previous sound and its new one. “The intention was to introduce the album with something that hints at what we used to sound like,” Winrich says. “We wanted to ease people into it.” The band, who recorded the album at Dreamland — a converted church built in 1896 in Woodstock, New York — also upended traditional song structures, playing around with writing songs with no choruses (“California”) and generally throwing off simple verse-chorus-bridge conventions, making sure each verse felt different from the one that preceded it.

Several (though not all) of Vasquez’s songs tend to make their points through the perspective of others, a style favored by some of his favorite songwriters, including Tom Waits and Nick Cave. On “Empty House,” he takes on the persona of a construction worker who is seeing the Dharma in his work. “This guy is mixing concrete and suddenly notices the tiny glinting specks in it,” Vasquez explains. “He begins to wonder ‘What got me here? Where am I headed?’ and relating that little speck to his life.” “Tellin’ The Mind” is about Colton Harris Moore, the teenager known as the Barefoot Bandit who became an internet sensation after committing several burglaries, and stealing and crashing a plane. “I loved him,” Vasquez says. “I thought he deserved an anthem.” “Tear It Up” was originally inspired by the events in Egypt during the Arab spring, but morphed into a more universal song about what can happen with people get together with a common goal. Vasquez’s most personal song is “Yamaha,” which he wrote for his wife when she grew upset about his being away on tour for long stretches of time. “I felt like shit but I couldn’t do anything. A guy’s first instinct is to fix it, but you can’t when you’re three time zones away, so I wrote this song for her.”

The album’s raucous energy and no-holds barred performances will appeal to Delta Spirit’s fanbase, which has grown consistently thanks to their explosive live shows. The Band are looking forward to hitting the road and playing the new songs. “There’s no other experience on earth like playing music with people and feeling that kinetic energy,” Vasquez says. “I want to do it even when I’m old and it’s ridiculous to see me on stage. If I can hold on to even a tenth of the feeling we have when we’re playing, I’ll be happy.”