Posts Tagged ‘Hilang Child’

Proof rings out with force and feeling on Hilang Child’s superlative second album, “Every Mover”, released on Bella Union Records. In 2018, Riman delivered a serene, textured debut album in Years, rich in sound and feeling. The “lonely, pressured” aftermath of Years found Riman grappling with “rough self-esteem and anxiety issues”, amplified in part by social media’s ‘fulfilment narratives’. Duly, he set out to navigate and overcome these mindsets, drawing deeply on his own insecurities and those he recognised in others.

These themes converge emphatically on Every Mover, an album steeped in everyday emotional states and crafted for cathartic, communal performance. Drawing on a rich spread of collaborators, sounds and themes, Riman uses his frustrations as the impetus to transform the brimming promise of Years into upfront and expansive new shapes.

Good to be Young serves swift notice of this leap, its banked synths and twinkling sound clusters leading to an assertion of fresh force when the main beat lands and a congregation of friends – AK Patterson, Paul Thomas Saunders, Dog in the Snow, Ellen Murphy, members of Penelope Isles – unite for the gang-vocal refrains. “It’s all iridescent colour I’m on,” Riman exults, a claim lived up to on the full-flush folktronica of Shenley. A reflection on spiralling insecurity,Seen the Boreal ups the ante again with its monk-ish chorales, looping samples, spectral woodwinds (from multi-instrumentalist John ‘Rittipo’ Moore, of Public Service Broadcasting and Bastille previous) and ecstatic chorus, Riman transforming a meditation on hindsight’s limiting effects into a spur to look forwards. And surge forwards he does with the glittering synths, spacey guitars, and Krautrock propulsion of King Quail, developed in jam sessions with dream-pop wonder Zoe Mead (Wyldest) in her basement studio.

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Riman’s sounds are enriched wherever you turn, from the epic prog-tronica of The Next Hold to the vocal release and layered arrangement of “Play ’Til Evening”; a kind of summit meeting between Surrender-era Chemical Brothers and Fleet Foxes in the high church of ecstatic sound. The treated chorales of Magical Fingertip and naked lyrics of the festival-sized “Anthropic (Cold Times)” showcase a fertile push-pull of lush arrangements and wide-open emotions in Riman’s sound; on the latter, Rittipo’s horns brim with expressive power.

Brought to a sublime close with Steppe, the resulting album projects its own epiphanic force. The birth was not always smooth: due to Covid-19, tours were cancelled and studios closed. Thankfully, most of the main parts were recorded pre-lockdown between East London, Gateshead, Brighton, Wandsworth and elsewhere, before mixing proceeded remotely.

That sense of passion lights up Every Mover, an album that hymns the redemptive qualities of richly expressive music crafted in simpatico unison with friends.

Over the moon that my new album Every Mover is out TODAY via Bella Union/PIAS!! It’s available on 180g red vinyl (with signed print), CD or digital download. 

Also check out the music video for ‘Pesawat Aeroplane (English)’ on YouTube or at the bottom of this email, featuring some trippy mountain visuals using stunning footage captured in Komodo by Tobias Brent and Lifted Imaging. Thank you to Everyone who was involved in the making of this album, from the bottom of my heart. You helped me make something I’m proud of and focus my energy during a difficult time. Onwards xxx

Taken from the new album Every Mover, available on vinyl,

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Hilang Child is the project of London singer-songwriter Ed Riman. You may have heard him last year on the debut album from Lost Horizons, the new project from Cocteau Twins’ Simon Raymonde, whose Bella Union label is putting out Hilang Child’s upcoming album YearsRiman is sharing a video for the album’s new single “Crow.”

The track is characterized by a U2 dramatic, boundless crashes, but Riman’s voice evokes the gracefully hollow harmonics of Robin Pecknold and Fleet Foxes. Its lyrics move with a bright and earnest determination, and the video feels appropriately meditative.

Riman spoke of the new single:

“Crow” is the most hopeful song on this album. I wanted to write something that sonically created the feeling of glimpsing at a brighter future; a release of euphoric energy in anticipation of better times incoming. I went for a more ‘live’ and visceral approach rather than the measured/layered songwriting that features on the rest of the album, as I always knew it was going to form the album’s crashing climax despite being one of the earliest songs I wrote for it.

“Crow” is taken from the debut album by Hilang Child.

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Hilang Child is a name that could well be familiar to you. A songwriter and producer of remarkable depth, his work has progressed and evolved, a gradual transition that has been beautiful to watch.

Working with Bella Union Records, Hilang Child – real name Ed Riman – is now ready to tackle his first full length project. ‘Years’ will be released on August 17th, with the songwriter able to share bewitching, engrossing, wholly fascinating new song ‘I Wrote A Letter Home’.

It’s a song that gradually washes over you, and it emerged at a key point in the album process. “I was playing this live as a solo piano thing for a while, but realised I wanted a bit more from the song,” he said. “I demoed it with my friend Sam Delves (who plays Microkorg on it) in his flat, we added some drums and it came alive into something completely new.”

“So I took it away to rethink the final version and eventually built it into something bigger and more energetic than most of what I’d written previously. In terms of sound, I think what it eventually became then dictated what I decided wanted to do with the rest of the album.”

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He continues: “Lyrically ‘I Wrote A Letter Home’ is written from the perspective of someone feeling totally lost and overwhelmed at the prospect of navigating the big wide world alone. It’s a reflective letter, accepting that on the road to this point he didn’t appreciate what he had and so is yearning to be back home with those he held dear.”

A beautiful new song, Hilang Child seems to approach ‘I Wrote A Letter Home’ with remarkable openness, combined with a beautiful sense of assurance.

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Hilang Child the alter ego of London based multi-instrumentalist Ed Riman.

Releasing an EP online last year, the songwriter was able to get his songs out there without much of the machinery, the apparatus which often filters new music. A bold, new voice, Hilang Child matches powerfully emotive songwriting to arrangements which both soothe and challenge. This is the first of a double single, to be released through Akira Records on June 15th.

Engrossing and sweetly poetic, New single ‘Thule’ will be released on June 15th,  able to bring you the premiere. Opening with near martial drums, the soaring vocal zips atop a lush arrangement which uses layers of sound to give sparse sounds an epic feel.