Posts Tagged ‘Haley Shea’

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New year, new Sløtface album—the political Norwegian punks are slated to dish out their second LP, “Sorry for the Late Reply”, at the end of January, which touches on everything from climate change to frontwoman Haley Shea’s expatriatism from her native U.S.

Today, the four-piece is sharing the fifth single from the album, an exhausted acknowledgement of the need for meaningless New Year’s resolutions. “Keep hoarding books I’ll never read, keep making plans I’ll never keep,” sighs Shea in a matter-of-fact tone recalling Sadie Dupuis, over a grungy take on pop-punk that would sound right at home on a Speedy Ortiz record.


“This one is about all the promises we keep to ourselves, and all the good advice we give but never take,” she shares of the track. “I’m a master of thinking I can always be better, work harder, sleep less, do more, but maybe that’s not always possible. It’s about working on taking care of yourself and taking advice you would give to someone else.”

Band Members
Haley Shea – Vocals
Lasse Lokøy – Bass
Tor-Arne Vikingstad – Guitar

SLOTFACE – ” Sink or Swim “

Posted: September 29, 2019 in MUSIC
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Norwegian indie punks Sløtface have shared a song about their own pollution worries in new single ‘Sink or Swim’. Frontperson Haley Shea explains:

“[‘Sink or Swim‘ is] about the desperation that comes when I think about climate change. It’s supposed to be an honest description of how I’m definitely not doing enough to stop it, and how it feels so massive and difficult, but at the same time it in part comes down to lots of small and every-day choices.”

It’s surely a creeping worry in the backs of the minds of all conscientious people in the world, and Sløtface brilliantly capture the overwhelming feeling you get when you let those thoughts free to run rampant in your mind. Shea worries about plastic filling up oceans, it being “too warm for October”, and her grandchildren dying – and her delivery comes with earnest discomfort, as if she’s sick with the thoughts. The usually effervescent band hold back their boisterousness to add gravitas to these notions, but their sparking electricity is still sending mini musical shockwaves beneath, adding a pointedness to the fury and desperation. They maintain this crackling balance right up until the end when the floodgates truly open with the cathartic statement: “it’s not politics, it’s sink or swim.”

Appropriately, a video for ‘Sink or Swim’ highlighting these issues, Please support your local and global environmental initiatives & charities

Slotface sit in the middle of the street

From performing for inmates in a Norwegian jail chapel to hitting up the Art Rock festival stage straight from a hospital ward, Sløtface don’t do things by halves. Informed, intellectual, badass and upfront, the young band from Norway’s Stavanger have not only made waves thanks to their pop punk hooks and sharp, relatable lyrics, but also their steadfast belief that a band can do more than just make music.

That approach has already afforded them some rare experiences, like, as lead singer and songwriter Haley Shea puts it, their own version of Johnny Cash’s Folsom Prison performance. “That was our reference point,” she says.

“We did a government-funded tour of these Norwegian high schools that have this cultural program and the inmates at this prison receive the same high school education, so obviously they have the rights to the same cultural exchange program. We played in their chapel in the prison to like 30 inmates who were between 18 and 60 years old. We had no idea what to expect, but it was really interesting. It was a really special experience.”

Intimate performances have been the group’s preferred gig of choice since they spent their formative years kicking around Stavanger, cutting their teeth as Slutface (before social media censorship prompted a slight name change). An obsession with classic high school movies meant it was a natural step for the band to smash out sets at parties whenever possible, and they came to love the tight confines of Norwegian living rooms.

But regardless where in the world they play, Shea is just happy if they reach like-minded people, bring them together and – most importantly – entertain them.

“Obviously it’s really fun to play big stages with, you know, thousands of people, but we still enjoy a really sweaty atmosphere, whether it’s at a tent at a festival or club, just because you’re closer to people and you can feel their energy levels.

“But then we did Sløtface karaoke,” she laughs, “as the closing slot at this big Norwegian festival where we were the band and the audience members came up and sang. We had like five or six people up onstage at all times and that felt like it was a giant house party – one with like 2,000 people.”

She pauses for a moment; reflects. “When we go to a show, we want to be entertained, have a really good time and make friends with other fans, so we hope that that’s what people get out of listening to our band and coming to our shows. We are kind of being inspired by each other, and by all of the cool things that young people all over the world are doing to make the world a better place.”

This month Shea, along with guitarist Tor-Arne Vikingstad, bassist Lasse Lokøy and drummer Halvard Skeie Wiencke, get to broaden their reach even further as they head to all corners of the globe, playing their first shows on our soil just before the release of their debut album Try Not To Freak Out.

The anticipation is high on both sides. “We’re really excited. It’s also the farthest away from home we’ve ever played; it’s like the exact opposite of the world from where we live.”

When it comes to their live show set-up, Shea and her bandmates embrace their punk sensibilities, and they like to use gigs as a chance to let loose. “We’ve always tried to lean as close towards a punk live show and a punk aesthetic as we can,” she says.

“People use their stage personas for different things, but they also provide a chance to release a lot of anger and frustration. That’s kind of what I use those stage performances for: to be like the gassiest, angriest version of myself; the person that I can’t really be in real life because I want people to like me too much. Onstage it doesn’t really matter if you piss a few people off.”

Try Not To Freak Out is a pure, undiluted expression of the band’s intentions, an album that melds the Scandinavian hard rock and metal scene’s trademark energy and intensity with the pop sensibility Sweden has been championing over the last few decades.

With each member bringing demos to jamming sessions, the group built the record from cherry-picked parts, trying a swathe of different directions before Shea began carving out the lyrics. Indeed, it’s their differing musical tastes that she attributes to the idiosyncrasies on the record, although at the end of the day, Freak Out takes the nostalgic, familiar hum of American high school movies and makes it the band’s own.

That’s not even to mention the lyrics, which seem more nuanced and referential than those that carried Empire Records, their 2016 EP. Lead single and feminist pop opener ‘Magazine’ makes clear Shea’s intentions as a songwriter from the very outset.

“Patti Smith would never put up with this shit,” she snarls, the song going on to challenge the patriarchy while both addressing and rubbishing societal pressures. There is a reason, after all, Shea has been called the heir apparent to musicians like Kathleen Hanna and PIL-era Johnny Rotten.


There are times when the record slows – when Shea takes the time to address her intense, often anxious thought patterns, as on mid-record stand out ‘Night Guilt’.

Part of the reason that Shea can talk about anxiety so honestly is that she still finds herself hounded by it. Some might think that success and acclaim have a calming effect on shattered nerves, but often the opposite is the case, and Shea still has to fight hard to conquer her negative thought spirals.

“Some days it’s really, really tough,” she says. “When you work really hard on something, you want it to be the best that it can be, and you get that sort of fear about not quite meeting expectations that you have for yourself.

“So there were days when I was really struggling with anxiety and then had to sing a song about anxiety. That was a little bit tough.”

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Sløtface are a quartet consisting of vocalist Haley Shea, guitarist Tor-Arne Vikingstad, drummer Halvard Skeie Wiencke and bassist Lasse LokøySløtface sound is short, sharp blasts of pop-punk; rapid drum beats fused with chiming guitars. We’re instantly taken back to the early-noughties, indie nightcluubs where Rilo Kiley and We Are Scientists filled the floors. Sløtface formed back in 2012, and despite limited releases have slowly developed a reputation as a hardworking, hard touring band. They released their debut EP, We’re Just Ok, back in 2014, and have recently released the follow-up, Empire Records, through Norwegian label, Propeller Recordings. Their debut album should be due out in 2017.


Sløtface are from the Norwegian city of Stavanger. Along with the neighbouring city of Sandnes, Stavanger forms a conurbation of over 210,000 making it Norway’s third largest urban area, or as they’re known in Norway, tettsed, literally meaning dense place. One of Norway’s oldest cities,

When it comes to their live show set-up, Shea and her bandmates embrace their punk sensibilities, and they like to use gigs as a chance to let loose. “We’ve always tried to lean as close towards a punk live show and a punk aesthetic as we can,” she says. With each member bringing demos to jamming sessions, the group built the record from cherry-picked parts, trying a swathe of different directions before Shea began carving out the lyrics. Indeed, it’s their differing musical tastes that she attributes to the idiosyncrasies on the record, although at the end of the day, Freak Out takes the nostalgic, familiar hum of American high school movies and makes it the band’s own.

Sløtface’s debut album Try Not To Freak Out is available now on vinyl, CD and digital formats via Caroline Australia, Nancy Drew is the Second single from Sløtface’s debut album ‘Try Not To Freak Out’. Available order now at:

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Like A Version is a segment on Australian radio station triple j. Every Friday morning a musician or band comes into the studio to play one of their own songs and a cover of a song they love.

Norway’s Sløtface have been kicking goals all over the place lately. Fresh from performing a number of killer gigs on their debut tour, the group found time to drop into triple j’s studios to deliver an absolutely awesome cover of Lorde’s ‘Supercut’. Ducking into the triple j studios to help promote their debut record, Try Not To Freak Out, which is released next week, the Norwegians first delivered a blistering run-through of their track ‘Magazine’, before turning their attention to our Kiwi neighbours.

Stripping away the rippling synths, and layered vocals of Lorde’s original, Sløtface’s Haley Shea delivers the track’s lyrics with pure pop-punk conviction, while the rest of the group dutifully re-imagine the track with some typically brilliant punk-rock instrumental.


Of course, this isn’t the first time that Like A Version has delivered the goods this year, with Maggie Rogers recently giving us a sublime performance of The xx’s ‘Say Something Loving’, while Something For Kate’s Paul Dempsey dropped into the studios back in May for an astonishing cover of Middle Kids’ ‘Edge Of Town’.

Make sure you catch Sløtface soon while they were in the country, the group’s debut record, Try Not To Freak Out, is set for release on Friday, September 15th. So be sure to grab a copy and support some brilliant musicians doing what they love.

Try not to freak out, but what could be your new favourite band are releasing their debut album this September. Following a handful of EPs, four in their native Norway, two in the UK, Sløtface are finally about to make the step up into the big leagues.

“It’s time for it to come out now,” explains bassist Lasse Lokøy. “I feel like we dared to do a bit more than we’ve done before on this record. We have our first song that’s over five minutes, which feels like a big thing for us.”

“We moved back in with our parents for six months to write the album because we couldn’t afford to pay rent and just write every day,” continues vocalist Haley Shea. With the four-piece writing everything together, there’s a lot of back and forth over every movement. They spent a long time writing because they wanted thirty songs to play with. They ended up with 25, “which is a lot for us.” Hacking it down to ten brand new cuts saw the band get rid of songs they loved a lot, but just didn’t fit with the rest of the record.


A big part of ‘Try Not To Freak Out’ is about dealing with anxiety. The record’s title is the band “telling ourselves not to freak out,” to not worry. “It’s a lot about the anxiety of such a big project and that thing a lot of people feel in their twenties where you don’t completely know what’s going on. You don’t have a plan, and you’re a little bit lost. Being back home makes me question ‘Am I doing things I thought I wanted to be doing? Is this how I wanted my life to go?’ A lot of those feelings came out on the record.” There’s also a tongue in cheek grin alongside it. “As if people would freak out because we’re releasing a record, it’s super cocky,” grins Haley. “We found it funny though,” adds drummer Halvard Skeie Wiencke.

The band’s debut is less plug in and play than everything that’s come before. They had time in the studio to redo bits they weren’t happy with, play with the song a little more and add extra textures. There’s apparently a little bit of everything, from trumpet and cello to one song where everything is completely live. “Even the vocal take is live in the same room,” explains Haley. “We got to do all the different things we like to do, [and so] the album has a lot of directions within it because we just wanted to write the ten best songs we could. We didn’t spend much time thinking about ‘Is going to be our pop punk record, or this is going to be our rock record?’ It has all the different sides to us.”

Lead single ‘Magazine’ was inspired by college as well as a long conversation that saw the band asking, “Can we actually do this? Can we write a four-chord song?” and realising, “this sounds like it should be in one of those high school movies, is that a good thing?” The answer is a resounding yes from us and the band alike. “A big part of the album was accepting that songs that are more popper than we’ve done before are okay. It doesn’t make us a lazy band to do poppier stuff; sometimes it’s just good.”

The songs might have a bit more fizz in their glass, but the lyrics aren’t holding anything back. “I wanted to tell all of the stories that your favourite indie rock bands that are all male have told, and been really good at telling,” starts Haley, referencing both Arctic Monkeys and Los Campesinos!. “They’re really good at telling specific stories about youth but from the male perspective. College rock has this bad rep for being this misogynistic genre, so we wanted to turn that on its head and tell those coming of age stories from the female perspective. Lyrically I hope that people think that things are relatable or hear things that have happened to them but we also wanted to show people that we’re a more versatile band than we may have got the chance to be in the past.”

“We enjoy being in the studio but the type of music we play, it’s supposed to be onstage,” adds Lasse. “It’s where we belong.”

Sløtface’s debut album ‘Try Not To Freak Out’ is out 15th September.

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Sløtface have  unveiled their new video for ‘Bright Lights’ – tackling the subject of the dangers that face young women walking home at night.

Taken from their acclaimed new EP ‘Empire Records’, the new video from the rising Norwegian punks seeks to raise awareness of the ‘everyday sexism’ that faces females at night time. “We wanted to show people all of the things women do to feel safer when they’re walking home at night alone,” singer Haley Shea  “We think it’s wrong that you should feel less safe being a woman on the streets, and worry that people don’t pay enough attention to it as an issue. It’s all about removing everyday sexism and making the world a safer place for everyone. We think awareness is a good place to start.”

“Maybe sometimes it feels like you’re putting someone on the spot when you’re asking them to have real opinions, which seems like a weird way to approach music in general but for our sake our whole thing is trying to write pop music that’s catchy enough but it’s actually about something important,” Shea told NME about the band’s approach. “Like we’re tricking you into listening to this feminist anthem with like super-clear tendencies but you never realised it.”

The ‘Empire Records EP’ is out now.

Meanwhile, as well as appearing at The Great Escape, South By South West and Eurosonic Noorderslag in 2017, Sløtface’s upcoming UK headline tour dates are below.

The Castle, Manchester (13)
Oporto, Leeds (14)
Nice N Sleazy, Glasgow (15)
Kamio, London (17)
Green Door Store, Brighton (18)

Technically, “Sponge State” is Sløtface‘s first single. Well, the first name under the name of Sløtface, anyway. You see up until 1st April 2016, the four-piece band, who hail from Stavanger in Norway, were known instead as Slutface. The change came about because of “social media censorship”, but what the band didn’t change was their brilliant brand of feminist pop punk.

Clearly it hasn’t been a set back for the band, either. “Sponge State” is the first single off an EP of the same name due to be released 27th May 2016 via Propeller Records. From the outset it’s a typhoon of heavy punk guitars and defiance, reminiscent of bands like Bully and Doe. “All my friends are making names for themselves,” singer Haley Shea spits in this anthem to disenfranchised, angsty youth. It’s so relatable that the chorus literally features the line “I keep thinking about that summer we discovered Bon Iver.” We all, and I think I speak for pretty much for the entire planet, remember where we were for that summer,

The EP is set to feature new versions of some of the band’s previously released songs, including the anthemic “Get My Own”, which finds Haley pushing out her own space, not just for herself, but for all women. “We refuse to scared to walk all alone,” she shouts in a particularly rousing cry. It’s the kind of song that is necessary at the moment, the kind of song that people can unite around.

Sløtface are a band that you need to get behind; a band with that rare blend of passion, politics and great song writing.


New single ’Sponge State’ out now via Propeller Recordings

Now that they’ve admitted liking Fall Out Boy and My Chemical Romance, Norway’s Slutface can get on with the business of making mainstream garage/glam/pop rock songs that are t-a-i-l-o-r-m-a-d-e to takeover radio stations the world over.

Just check the hooks on this latest one, which is the follow-up to last year’s unmistakably infectious ‘Shave My Head’.

‘Kill Em All With Kindness’ is another bratty gem that owes a lot to The Black Parade’s and Pretty Odd’s of this world: it’s knowing enough to chuck in pop culture refs every twenty seconds (air guitars, line cutting VIP’s and Time magazine all get shouts), while singer Haley Shea’s vocals are where Gwen Stefani and Mary Timony meet. Excitingly, it sounds massive. God knows what people will make of the band name if they do break through, but if the tunes continue to be as strong as this they’ll find it difficult not to be loved.

Slutface: We must admit, we first went to see this band based purely on the name alone. What we discovered may well just be the best new band we've heard in a long, long time. With the riot-grrrl attitude of Sleater-Kinney met with the pure rush of Blood Red Shoes, the emerging Norwegian quartet Slutface throw out infectious pop punk riffs and irresistible choruses that demand every moment of your attention. Check out 'Bad Party', 'Shave My Head', 'Angst' and 'Call To Arms' if you don't believe us. We have seen the future, and its name is Slutface.

One of 2016’s most exciting new bands Slutface have announced details of a UK and European tour.

The Norwegian exports are heading this way for a run of dates kicking off in their home country before rolling into the UK at the end of February.

05 – Revolver – Party In The UFA, Oslo
06 – Trondheim Calling
25 – Shipping Forecast, Liverpool
26 – Headrow House, Leeds
28 – Nice N Sleazy, Glasgow
29 – Head Of Steam, Newcastle
01 – Seabright Arms, London

On stage, they’re an explosion of raw youthful exuberance, riot-grrrl bravado and general don’t-give-a-fuckery. This is a tour you don’t want to miss, as we’re in no doubt they’ll explode later this year.

Oh, if you’re new to the band and want the name explaining…

“We want you to think about female sexuality and what it means to be a ‘slut’, the way we portray women in music and in popular culture,” singer Haley Shea  “We’re really not dicks – we just want you to think about women more than you do.”