Posts Tagged ‘David Ramirez’

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David Ramirez was a great folk singer, but he hasn’t been for some time. To be clear, it’s not because he’s fallen off, but because he’s moved so far from the sounds of his early albums. That sound peaked with 2015’s Fables, a stunning collection of Americana. Ramirez followed that one up by listening to the Cure and releasing the surprising but equally good “We’re Not Going Anywhere” just two years later. Now Ramirez moves further away – consider the folk and country influences gone – with the complex, R&B-driven My Love Is a Hurricane. While the music surprises once again, it also keeps Ramirez’s strengths (his song writing and his vocals) at the fore, focusing the proper narrative on Ramirez’s career, not on his unexpected changes but the remarkable consistency at the centre of his art.

In a live setting, it becomes apparent how big Ramirez’s voice is; he sings more coolly on record much of the time. Here, “I Wanna Live in Your Bedroom” highlights that power. He’d be testing the song on the road since at least 2018. The music leaves plenty of space for Ramirez’s voice as he builds his longing, and the reverb on the vocals helps fill in the space. The cut would be effective with no instrumentation, and Ramirez makes the smart choice of leaving some piano primarily to create the frame for the song.

His vocals shine on every track, but most of the album focuses more on groove than “Bedroom” does. The title track brings a little gospel into the mix. The song uses dynamics to help articulate Ramirez’s passion. It stays under control throughout, but its surges show the tumult of the singer’s “hurricane”. The following track, “Hallelujah, Love Is Real!” turns that storm into a focused celebration, an epiphany of the possibilities of love despite a history that says otherwise.

“My Love Is a Hurricane” was initially conceived as a collection of love songs for David Ramirez’s other half. One abrupt breakup later, and it became a nuanced exploration of love and what comes after. It ranges from passion and dedication to desperation to doubt to resilience, all without simplifying an unnavigable emotional storm. 

David Ramirez “My Love Is A Hurricane” (Thirty Tigers, ) David Ramirez is releasing his fifth album ‘ My Love Is A Hurricane ’ via Sweet World/Thirty Tigers, the second not self-produced after first using an outside producer on 2017’s ‘ We’re Not Going Anywhere ’. This time that role goes to Jason Burt (who has worked with Leon Bridges), and the album explores different musical influences moving away from the more traditional Americana of his earlier work.

Ramirez’s latest album began in the throes of a joyous romantic relationship but persisted through its demise. Even so, the album brings encouragement, even the track titled “Hell” brings some fire in its retro-R&B sounds. Ramirez resisted the impulse to turn dark and inward, maintaining an open-hearted approach to his pop record. The album opens with a question to a lover and closes with a call to prevail. Ramirez, in any form, doesn’t go small, and matching this romance with these sounds lets him fully express his unbowed feelings.

Glorietta is a musical project that brings Matthew Logan Vasquez of Delta Spirit together with some of his closest friends: Noah Gundersen, Kelsey Wilson, David Ramirez, Jason Robert Blum and Adrian Quesada. The group is releasing their debut, self-titled record Glorietta on August. 24th. Even Nathaniel Rateliff, who had an album with The Night Sweats come out earlier this year, joined in and learnt vocals to the track “I Know.”  The release of second single “Golden Lonesome,” which followed the premiere of “Heatstroke” last week.

The track comes from a moment of crisis for Gundersen who, before flying out to the sessions in Glorietta, N.M., was feeling the effects of a recently ended relationship. “I was having a bit of a meltdown,” Gundersen recalled. “I almost considered cancelling my flight. But instead I wrote this song and then called a Lift to the airport.”

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The lyrics of “Golden Lonesome” distinctly come from this place of pain and change: “Better to kill it quickly than to slowly watch it die,” reasons one of the lines. With the vocals at its forefront, the song generates a warm intimacy between performer and listener as a slight echo adds depth while maintaining a live rawness. “Tape ran constantly” during the band’s nine days of recording, capturing an overflowing confessional in “Golden Lonesome.”

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David Ramirez is set to hit the road in the UK this week on January 12 for a nine-date tour. To coincide with the tour, he has shared a stripped back take on his recent single ‘Watching From A Distance’

This particularly poignant take embellishes the track’s more delicate moments and further asserts Ramirez’s way with words and emotions, particularly on this song which acknowledges the distancing rift between lovers. Upon initial release earlier this year, David’s fourth album received praise from Q, Uncut, The Independent and Folk Radio UK .  Ramirez is “an acute observer of the fractured state of the nation, its lost souls and lost ideals but even as he sees discord, he is hopeful for the future…” His album “We’re Not Going Anywhere”  is now due for its UK commercial release on January 12th falling in-line with his UK tour.

“Soulful, stirring, heartbreaking. David makes you hang on the turn of everyphrase.” 

“The best damn songwriter you don’t know yet” – PASTE

“One of Americana music’s great undiscovered songwriters” – Austin Monthly

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Ramirez – who comes from a unique perspective of having a dual Mexican and American heritage – wrote We’re Not Going Anywhere as a response to anger and defiance towards the American political landscape. Whilst holed away in a barn-turn-studio in Maine earlier this year, miles from anybody else, Ramirez and his band felt geographically excluded from the politics but via social media and television, heavily engaged, informed and not necessarily partisan.

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2017 was ridiculous. If any year needed the vulnerable and punching thoughts of one of this generations greatest songwriters, it was this. Tackling consumerism, Internet trolls, and racist leaders, Ramirez is at the peak of his art on “Stone Age”. His latest album marks a different direction, but never lacks his incredible artistic integrity that bounces between folk, country, and rock with a conscience.

David Ramirez the Austin-based singer songwriter is preparing to release his new album “We’re Not Going Anywhere”It’s a follow-up to his acclaimed 2015 record Fablesand sees him pitch a message of defiance against Donald Trump’s America.  Ramirez, who has dual American and Mexican heritage, has created an album that is rooted firmly in the present, not the past. “So many cultures in this country are being viewed as un-American and it breaks my heart,” he says. “My family has raised children here and are proud to be a part of this country. Most of what I’ve seen as of late is misplaced fear. I wanted to write about that fear and how, instead of benefiting us, it sends us spiralling out of control.”

Tracks like “Stone Age” bridge the years nicely with his enduring sardonic lyrics sung with his weary and incredible voice.

The new album, We’re Not Going Anywhere out 9/8/17

Ahead of the album’s release, we’re premiering this beautiful video for “Time”, a song which looks at how memories and relationships develop, and features Ramirez’s bandmates Sam Kassirer (producer), Simon Page, Mark Wright, Ari Bernstein and Zach Hickman. 

Ramirez says: “I went into the studio with plans to document our time there and by the second day, after recording most of the song “Time”, I knew I wanted it to be the backdrop for the film. It’s easily one of the dreamiest songs I’ve ever recorded, and framed against the black and white montage of memories from the studio, it comes across with more nostalgia than heartbreak.”

This video is so beautiful. These voices are so beautiful together. this song is among my favourites.

Its so cold today to go anywhere so here I am listening this cover of Girl From the North Country by Noah Gundersen and David Ramirez repeatedly. I have to share it out as well because their voices, the lighting, the arrangement are all minimalist and that allows the beauty of this song to stay at the forefront the whole time. I’ll listen to it some more .

She once was a true love of mine.

Many, many thanks to Pete and Adam for sharing it. Additional thanks to Ryan Booth for filming the amazing artists Noah Gundersen and David Ramirez.

Noah Gundersen and David Ramirez perform Girl from the North Country live and in one-take for an upcoming release of SerialBoxTV.
Filmed at the Fremont Abbey in Seattle, Washington
Directed / Shot / Graded by: Ryan Booth
Audio tracked by: Sam Stewart
1st AC: Jordy Wax
Edited by: Lucas Harger
Mixed by: Steve Horne
Performed by: Noah Gundersen x David Ramirez
Music by: Bob Dylan and Johnny Cash