Posts Tagged ‘Cool Dry Place’

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The inevitable messiness of life is what makes it so painful, interesting and enjoyable, but learning to be okay with it all is much easier said than done. Nashville-via-Texas singer/songwriter Katy Kirby is well on her way in that journey. On her debut album “Cool Dry Place”, Kirby tries to decide what’s worth holding on to and what’s worth seeking, but also allows herself the freedom to pause and just revel in precious moments, like a drunken walk home (“Peppermint”) or the fantasy of protecting someone you love (“Eyelids”).

Whether slipping into playful metaphors or arriving at an important realization, Kirby sounds, at once, comfortable and uncomfortable with the fluidity of interactions and situations, which is what makes this record more than just an incredibly pleasing collection of songs. Wants and needs are blurred, relationships shapeshift, but more than anything, a human desire for intimacy and understanding underpins it all. After dropping in and out of school, religion and recording music, Kirby is searching for a sustainable source of warmth—whether a person, a plant, Target lingerie or “a secret chord that David played.

Katy Kirby is a songwriter and indie rock practitioner with a writerly focus on unspoken rules, misunderstandings of all kinds, and boredom. Kirby was born, raised, and home schooled by two ex-cheerleaders in small-town Texas, where she started singing in church amidst the soaring, pasteurized-pop choruses of evangelical worship services. After high school, Kirby moved to Nashville, where she managed to graduate college with a rapidly expanding circle of artistic allies, an amorphous collection of leftist beliefs, and a few handfuls of songs. After a series of painful failures to complete a record that reflected the temperament of those songs, Kirby finally turned to dear friends and co-conspirators to form a band capable of constructing a satisfying full length. 

Released via Keeled Scales

A debut to look forward to!

Ahead of her upcoming album, emerging Nashville indie rocker Katy Kirby has dropped the track “Juniper,” Working on her own debut album a few years ago was also a process of figuring things out. There were setbacks and fall-throughs that she described as “a series of painful failures” to see the songs through, true to their form. 

“Over the years I had met a couple of people this has happened twice now  who I’ve been excited about working with,” she said. “We’ve gotten started on songs, and they’ve stalled and then been left to decay in some sort of purgatory. I was young, and didn’t know what I was doing at the time, and didn’t know how to make that not happen. When I started trying to make this record I just had zero idea what I was doing. I would try to demo things myself, or do ‘producer-y’ work of visualizing and arranging a song in my head, imagining those textures sort of over the words and structure. And I had no idea how to do that.”

To overcome it, she turned to those close to her. “My partner at the time was incredible at helping me find ways to do that ways to teach myself how to do that, which I’m very grateful for. They actually co-produced the record,” she said.

While none of those involved had ever tackled a project of this scale, “Cool Dry Place”, set for release February 19th on Keeled Scales, was created by going through the motions: a labour of doing, and re-doing. “With people with you, or behind you, who you really trust and enjoy, it’s very fun the working out and scrapping process, rather than demoralizing,” she said. “So the series of painful failures were of the physical kind. Of those songs literally disappearing on me. But also genuinely just me, and us, sort of learning how to make a record.”

Perspective is prevalent and changing throughout Kirby’s tracks, in a subtle way. The earnest gut-wrenching exists symbiotically with an ironic callousness on tracks like “Traffic!”; its quirkily upbeat production brushes off and pokes fun at the aching beneath it. But outside of their sonic context, her words come as blows. “And I see you in the future / You look just the same but older / And I wave to you but I don’t slow my pace,” she sings on “Tap Twice.”

Now based in Nashville, the indie-rocker returned home to Texas mid-pandemic, like many whose work had run dry and were struggling with rent. She spent early lockdown making friends with unfamiliar records and genres, old and new.

“Something I’m often guilty of feeling is that I have homework to catch up on in terms of consuming art that I want to consume, in a good way. It allowed me to go down a few rabbit holes that I wouldn’t have otherwise,” she said. She cited M for Empathy by Lomelda as one of them, along with lap steel guitar instrumentals 

“Cool Dry Place” is the debut full-length from Texas-bred, Nashville-based indie rocker, Katy Kirby

Katy Kirby Cool Dry Place

“The less I process something or the less I’ve sat with something, the more likely I am to write from a place of, or to make a song that sounds like “Traffic!” I think my initial impulse isn’t to take my sadness very seriously. I tend to get a little flippant with it. I’m not sure why that’s my go-to, but it is,” she offered. “Songs like ‘Portals’ and ‘Eyelids’ are technically the healthier version of me thinking about things that are upsetting or difficult.”

The presence of friends adds a genuine quality to the album tracks, making it feel like a record made together, if born alone. Earlier this year, Kirby solo-recorded five songs from the track list for Audiotree, most of which are full-band on the record.

“I really love some of those recordings because the majority were tracked live with all of us in a room,” she said, a happy accident that came about as they tried to track drums and rehearse at the same time. “There’s a couple of moments where it felt like A Band, rather than a solo project, which I loved.”

Katy Kirby is a buoyant post-folk songwriter whose elastic, pristine vocal delivery wraps around and within experimental song constructions. The Keeled Scales signee continues to hone her craft with each release; perfecting a divine blend of stylish song writing. Check out the performance by Katy Kirby “Live at Audiotree”

. Tracklist 1. 00:00 Juniper 2. 03:02Portals 3. 06:02Traffic! 4. 09:36Tap Twice 5. 12:17Cool Dry Place

Recorded on October 26th, 2020 in Chicago, IL.

With both an upcoming album cycle and a vaccine roll-out looming, how does Kirby feel about the next phases of life, and the potential for a return to the old ones? “I love trying to charm the pants off of people at shows. I love people… but I think a lot of the wonderful things that have happened with this record, in producing it and releasing it networking doesn’t exist entirely right now. Except for talking at people on Twitter, there’s not really a way to network. And things have been fine! I’ll still be psyched to go to things, whenever things are a thing again. But I think the main shift that will remain in me is that I’ll leave things much sooner than I would otherwise, or whenever I want to leave. That’s the main pain point that I have defeated, personally,” she concludes.

For now, she’s spending the rest of the day in Alabama with Gizmo and her friends, smoking cigarettes and chasing down the nearby ocean

“Cool Dry Place” is the debut full-length from Texas-bred, Nashville-based indie rocker, Katy Kirby

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Texas-based indie rocker Katy Kirby has shared the title track from her forthcoming debut album, “Cool Dry Place”, out on February 19th, 2021 via Keeled Scales Records. It’s the follow-up to her previous single “Traffic!,” “Cool Dry Place” is about finding the balance between emotional boundaries and the primal need for deep connection with others. With love being such a high-risk, high-reward venture, it poses taxing moral dilemmas, and Kirby finds herself finally committing, yet still looking back: “And once the dust has settled, then you’ll know / that you’re gonna get more of me than you bargained for / All the ways we can go wrong / Will we ever get that far?” The song’s dainty beginnings gradually morph into an untamed indie rock firestorm, as if to signify this jump into the great unknown.

Kirby says of the song: I had a very fun habit of getting involved with someone and then getting cagey once they needed or just wanted me more than I was comfortable with. I thought this was very intelligent of me, being smart enough to know when to get out, before I got close enough to lose objectivity. I suppose it isn’t a terrible rule of thumb, considering that people are statistically dangerous. But this song was me beginning to see my own needs, in an embarrassingly transparent way. I too, am nothing more than a meatbag of vulnerabilities.

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Early 2021, just before Katy Kirby took over the world with her one of a kind debut album, we met up at a place called the cathedral of junk in an Austin suburb. but it turned out that we couldn’t shoot there due to covid stuff. so we walked around until we found a nice tree to shoot under. here is Katy Kirby playing “Fireman” !.

Releases February 19th, 2021

All songs written (and sung) by Katy Kirby.
Secret Language” incorporates elements of “Hallelujah” by Leonard Cohen.

Texas-based Katy Kirby roams indie rock’s outer perimeter, graceful in pace and nimble in lyrical footing, finding space for crushing guitar solos as well as moments of ambling playfulness. Inviting comparison to artists akin to Phoebe Bridgers and Angel Olsen, Kirby inhabits a singular style in her own right – lending the experience of her upbringing to a wistful pastoral sound. Indie-rock songwriter Katy Kirby grew up in a small-town Texas, where her primary exposure to songcraft came via “the pasteurized-pop choruses of evangelical worship.” On her forthcoming debut album “Cool Dry Place”, out February 19th, 2021, on Keeled Scales, the still-Lone Star State-based Kirby wrestles with the indefatigably cheery spirit of the church songs she was raised on, twisting her jangle-pop sound into subtly adventurous shapes suggestive of a roving soul. “Ten segments in an orange / Only so many ways that you can pull apart someone,” she sings on the title track, effortlessly tossing off the kind of line that makes your heart ache instantaneously. Kirby thrives in the place between easy appeal and more complicated explorations, and she’s already made believers out of us. 

Katy Kirby on “Audiotree Live (Full Session)”

Katy Kirby is a buoyant post-folk song writer whose elastic, pristine vocal delivery wraps around and within experimental song constructions. The Keeled Scales signee continues to hone her craft with each release; perfecting a divine blend of stylish song writing.

Live at Audiotree.

Tracklist;1. 00:00 – Juniper 2. 03:02 – Portals 3. 06:02 – Traffic! 4. 09:36 – Tap Twice 5. 12:17 – Cool Dry Place

Recorded on October 26th, 2020 in Chicago, IL.

We’re absolutely thrilled to be sharing Katy Kirby’s video for “Traffic!” with you today, and announcing her debut album “Cool Dry Place”

Katy Kirby is a Texas-based songwriter and indie rock practitioner with an affinity for unspoken rules, misunderstanding, and boredom. She was born, raised, and home schooled by two ex-cheerleaders in small-town Texas and started singing in church amidst the pasteurized-pop choruses of evangelical worship. Like many bible belt late-millennials, Katy grew up on a strict diet of this dependably uncool genre and accordingly, Cool Dry Place finds her dismantling it.“I can hear myself fighting that deeply internalized impulse to make things that are super pleasant or approachable,” she says.

Though Katy hasn’t fully overcome the itch to please, it’s to a listener’s benefit. Instead of eradicating the pop sensibilities of her past, she warps them, lacing sugary hooks with sneaky rage, twisting affectionate tones into matter-of-fact reproach, and planting seemingly serene melodies with sonic jabs. The fun is in the clash.

The nine tracks that make up Cool Dry Place are miscellaneous in subject (motherhood, late capitalism, disintegrating relationships,) but unified by the angle from which they’re told: from a person re-learning to process life with intense attention. Each song is a catalogue of fragments, the number of segments in an orange or the cut of an obsessively-worn shirt, distilled into meditations on the bizarre and microscopic exchanges that make up modern life — a relationship splintering, an uncomfortable pause, an understanding finally found. These emotional dioramas are moderated by the angular storytelling that unites Gillian Welch and Phoebe Bridgers, a favour for the conventions of short fiction over confession.

From the album Cool Dry Place coming February 19, 2021 via Keeled Scales.