Posts Tagged ‘Call Of The Void’

Pre-Order: Lumerians - Call Of The Void,Vinyl,Fuzz Club - Fuzz Club

Lumerians long-overdue new LP, Call Of The Void, is officially unleashed into the world this Friday. Four years in the making it see’s the Oakland band return on top form, a face-melting combination of synth-heavy dancefloor grooves, oddball prog wig-outs and exploratory psych.

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Oakland, CA outfit Lumerians are a prodigious force in the extra-terrestrial realms of modern psychedelia. Since forming in San Francisco back in 2006, Lumerians have traversed their way through multiple different genres – offering mind-bending adventures into everything from space rock, kraut and noise to zamrock, free jazz, drone and dub. Drawing from a range of influences, both familiar and esoteric, past and present, Lumerians conjure up sounds from far into the future. In their twelve years as a band they’ve toured with everyone from My Bloody Valentine to Killing Joke and Black Moth Super Rainbow, putting out a number of critically-acclaimed releases including two ‘official’ albums and two collections of improvised compositions called Transmission from Tellos III & IV. On June 22nd the band will be returning with their third album, Call of the Void, on London-label Fuzz Club after four years under the radar. The album is dedicated to the memory of Barrett Clark, Lumerians’ long-time friend, sound engineer and collaborator who passed away in the tragic Ghost Ship warehouse fire in Oakland 2016.

It may have taken the band four long years to put their latest album together but it was definitely worth the wait, their mystical exploratory soundscapes at their finest. Eclectic and vastly multifaceted, the album is further proof – if you needed it – that Lumerians are a singular force in contemporary psychedelia. Talking about Call of the Void, vocalist Jason Miller explains: “If ‘Transmalinnia’ represented the exploration of an alien world and ‘The High Frontier’ a voyage through space, ‘Call of the Void’ is a penetrative exploration of Earth through an alien gaze gone native – the weight of gravity, the build-up of pollution and sediment, experiences of ecstatic revelry and tragedy.”

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Lumerians, those psychedelic druids of the trans-dimensional extra-terrestrial motorik realms are returning. The genre-hopping mind-benders of uninhabited deep space are known for incorporating anything and everything into their futuristic sonic gumbo pulsating krautrock, noise, free jazz, drone and dub. It will come as no surprise that after a four year hiatus they’re still experimenting sonically on their upcoming album, Call of the Void.

Vocalist Jason Miller explains: “If Transmalinnia represented the exploration of an alien world and The High Frontier a voyage through space, Call of the Void is a penetrative exploration of Earth through an alien gaze gone native.

Their third “official” album—not counting two collections of improvised compositions called Transmission from Tellos III & IV—Call of the Void, will be released on June 22nd on the London-based indie label Fuzz Club Records. The album is dedicated to the memory of Barrett Clark, Lumerians’ long-time friend, sound engineer and collaborator who passed away in 2016 during the tragic Ghost Ship warehouse fire. Recorded mostly at their own New Telos Sound studio built in the site of a former church in Oakland, California and at Hyde Street Studios—formerly known as Wally Heider Studios.

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To announce the album the band have shared the lead single “Silver Trash” a song about both “a very memorable camping trip us and some friends took in Big Sur or an encounter with inter-dimensional beings in the Redwoods of the Pacific Northwest.”

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The core founding members of Lumerians are Chris Musgrave (drums/percussion), Jason Miller (vocals, synth, organ, guitar), Marc Melzer (vocals, bass, synth) and Tyler Green (guitar, synth). The intensely interlocked rhythm section of Musgrave and bassist Melzer undergirds what the rest of them do, putting me in mind of Can, Hawkwind, Neu! and Soft Machine at once, but I still can’t help thinking of them as The Ventures of this era.