Posts Tagged ‘Buck Meek’

Big Thief Share Second <i>U.F.O.F.</i> Single "Cattails," Expand Fall Tour

The next new single from Big Thief’s forthcoming effort “U.F.O.F.” (Due May 3rd on 4AD Records) has landed: the rustic “Cattails,” which follows on from the album’s gorgeous title track, released alongside its announcement in late February. “Cattails” opens on Adrianne Lenker’s jangling, finger-picked guitar and James Krivchenia’s steadfast drums before it’s later built out with a slow-rising synth hum and gleaming piano stabs. “Going back home to the great lakes / where the cattail sways / with the lonesome loon / riding that train in late June / with the windows wide by my side,” sings Lenker, her thoughts in transit somewhere between civilization and nature—she later insists, “you don’t need to know why / you don’t need to know why / when you cry,” deferring to the mysteries that run deep within the human heart.

Lenker recalls how the band’s new single came together in a statement:

“Cattails” came about while we were at the studio in Washington in the pine forest. Writing it was just one of those electric multicolored waves of connectivity just sweeping through my body. I stayed up late finishing the song and the next morning was stomping around playing it over and over again. We thought why not just record it, so James sat at the drums and we practiced, and by the time we’d finished practicing, Dom Monks—our engineer—had already sneakily set up mics and recorded it. It was beautiful that he’d captured it right away because when James and I were playing, it felt like a little portal in the fabric had opened and we were just flying. Listening back to it makes me cry sometimes.

‘Cattails’ by Big Thief, from the new album ‘U.F.O.F.’, released May 3rd on 4AD.

Image may contain: 1 person, outdoor and close-up

Buck Meek’s songs are for the lost dogs of honest mechanics, good guys and girls born into a life of crime, runaways, snow spirits, the ghosts of Central Park, unsung diving-board stars, the affection shared through gambling, and so on. Bred in Texas, more bread in New York City, Meek spins outlaw ballads and quotidian fairy tales into a yarn,

Songwriter and guitarist Buck Meek has released his first bit of new music since putting out his self-titled solo debut on Keeled Scales last year. The song, titled “Halo Light,” is a sweet, folky rumination on eternal love and loss that finds Meek moving in a softer, more contemplative direction, recalling the slow, measured cadence of early Leonard Cohen and the pastoral quality of Harvest-era Neil Young. Before releasing his debut album last year, Meek put out a solo EP in 2015 called Heart Was Beat. He was also the lead guitarist and backup vocalist in Big Thief, and he released a pair of collaborative records with bandmate Adrianne Lenker in 2014 titled “a-sides and b-sides”. 

“Halo Light” is a gently rumbling rumination on “the afterglow of loss, humanity’s ephemera, and the eternal nature of love.” Written by Alexander Buckley Meek,

Image may contain: 4 people, people sitting, child and outdoor

U.F.O.F. is the highly anticipated third record by Big Thief, set to be released on 3rd May 2019 via 4AD Records.

U.F.O.F. was recorded in rural western Washington at Bear Creek Studios.  In a large cabin-like room, the band set up their gear to track live with engineer Dom Monks and producer Andrew Sarlo, who was also behind their previous albums.  Having already lived these songs on tour, they were relaxed and ready to experiment.  The raw material came quickly.  Some songs were written only hours before recording and stretched out instantly, first take, vocals and all.

“Making friends with the unknown… All my songs are about this,” says Lenker; “If the nature of life is change and impermanence, I’d rather be uncomfortably awake in that truth than lost in denial.”

Band Members
Adrianne Lenker, Buck Meek, James Krivchenia, Max Oleartchik

‘UFOF’ by Big Thief, from the new album ‘U.F.O.F.’, released May 3rd on 4AD Records.

Buck Meek - Ruby

Buck Meek, is the lead guitarist and founding member of Big Thief, just released he has a second single, “Ruby,” off of his solo album which is set to be released in full on May 18th. “Ruby” is a laid back alt-folk track that is filled to the brim with country-influenced guitar and charming lyrics. This two minutes and thirty three seconds is that small blip in time with a lover that seems to feel infinite. Buck Meek stretches this moment by guessing names, noticing lights left on, tasting strange Coca-Cola and having sudden existential thoughts, “Ruby, I’m too young to die.” This song explores every corner of a moment, leaving no stone unturned, allowing us to be there with him (and Ruby) completely. Buck Meek is already a much-loved member of Big Thief but is proving to be a true force on his own, and we cannot wait to be submerged in the rest of his story.

http://

Wimberley, Texas is about 45 minutes out from Austin by car or truck — far enough to allow a music scene independent of Austin’s own to thrive in that hill country. Alexander Buck Meek grew up in that scene, among the jazz manouche, blues and outlaw country guitarists of the region. Even though Buck Meek’s work with Big Thief has taken him far away from his Texas home,

Buck Meek’s self-titled debut album comes out on May 18th via Keeled Scales

Image result for big thief capacity images

It’s heartening that a new voice can still come along that requires you to stop everything, take notice and listen. The owner of these beautiful vocals is Adrianne Lenker, singer and guitarist with Big Thief, a four-piece from New York, who have more than delivered on their early potential.

As the front cover may allude to (it features vocalist Adrianne Lenker being held by her young Uncle), Big Thief’s sophomore album delves deep in to family history. There are stark accounts of death, domestic abuse as well as guttural romances themes littered throughout the LP. Though the true theme lie in the duality of life and the continued fight between the two. It’s a piece of work that sees Lenker and Co. at the height of their powers.
Intense yet generous, Capacity makes you wonder what the big deal is with second albums. That just 14 months separated the release of Masterpiece and Capacity ensured the band wouldn’t overthink their next move, but there’s more to it than prolificness. Adrianne Lenker’s lyrics and the music they inhabit rarely subvert each other via the more familiar way of placing words and melody at opposite emotional poles. Equally fluent in metaphor and memoir, Lenker blurs the two in a way that resists strict autobiography, while still inviting you into her worlds.

Only formed in 2015, the band are already onto their second album – Capacity is the follow-up to last year’s well-received debut Masterpiece – and the band have long been championed by BBC 6 Music.

The album’s cover – Adrianne Lenker’s uncle cradling her when she was a baby – gives a clue to the themes of family explored on the record. Standout track Mythological Beauty, recalls a childhood accident that almost killed Adrianne, considering the impact it had on her mother. In an interview reflecting on the familial story-telling, she reveals “I’m not quite sure if I’m writing the songs from myself to my future child, or to my inner child, or from my mother to me.”

Expect to hear more from this group as 2017 continues to unfold. They’ll be visiting the UK for gigs .

Wimberley, Texas is about 45 minutes out from Austin by car or truck — far enough to allow a music scene independent of Austin’s own to thrive in that hill country. Alexander Buck Meek grew up in that scene, among the jazz manouche, blues and outlaw country guitarists of the region. Even though Buck Meek’s work with Big Thief has taken him far away from his Texas home, the lead single from his self-titled debut album sounds as if it echoes out from the state’s hill country.

“Cannonball!” is a blast of dry heat — a sly easy-going number led by Meek’s crackling guitar work and his cock-eyed vocals. The song is a thrilling elaboration of all the things that make Meek’s guitar playing so compelling in Big Thief, where he serves as guitarist alongside lead singer and songwriter Adrianne Lenker. His playing in both projects is driven by a love for the sounds that make a guitar distinct — its grumbling string noise; its equal propensity to pop, slide and sigh. When he plays live, he channels the tension of his body into his dynamic playing, which is jumpy and electrifying as an ungrounded wire. Here, he matches that dynamism with his voice’s own odd inflections and a twisted yarn of a story. That carefree, mischievous sound and song title befit Meek’s great gift — the easy exuberance that underlies his every note.

Meek is ably matched by his co-conspirators on the track. Mat Davidson of Twain is an old touring buddy and here spurs the song on with a jaunty bass line. Guitarist Adam Brisbin delivers an at once searing and laconic slide solo at the song’s mid-point. Dylan Meek, Buck’s brother and an accomplished keyboardist, fills out the atmosphere with a Wurlitzer run through a Roland space echo that recalls Garth Hudson and ably complements drummer Austin Vaughn’s Helm-indebted light mid-tempo pocket. All together, the band sounds like a man working out a persistent crick in the neck — a shrugging, loosening groove. In less than three minutes, “Cannonball!” evokes a lifetime of listening at the source of a certain kind of American music, twisted up and then unfurled into a strange new musical world.

http://

Buck Meek’s self-titled debut album comes out on May 18th via Keeled Scales.

Big Thief

It takes nerve to title your debut album “Masterpiece”. As we noted on the midyear list, the Brooklyn band Big Thief has an awful lot of nerve. What is more important is that the group has excellent songs, which run on smoky, vulnerable vocals and superb melodies. Led by the midnight twang of Adrianne Lenker’s voice, Big Thief’s songs capture the rural desperation of a freight trainyard romance (“Paul”), a motel-screen movie marathon (“Vegas”) or an abusive family (“Real Love”). It is a taut, emotionally resonant collection of songs with a killer climax in “Parallels.” And among the group’s many recently converted fans is Jeff Tweedy, of Wilco fame, who tweeted: “Great guitars, great lyrics, great melodies…. What more could you possibly want?” It’s just that simple.

Big Thief’s Masterpiece is a shared experience. It was an album I’d put on riding in a car with friends, travelling to festivals and gigs . For their album debut, Big Thief added heft to these whispery tales. And that often comes in the form of Buck Meek’s guitar, as he underpins Adrianne Lenker’s chilling voice. I’ve listened to this album more than any other in 2016. It’s just about perfect. Calling your album “Masterpiece” is a bold statement, but Big Thief get closer than you’d think on the title track to their debut for Saddle Creek Records. Against a backdrop of beautifully ragged guitars, frontwoman Adrianne Lenker describes what sounds like a late-night bar crawl, always one drink ahead of loss and grief: “There’s only so much letting go you can ask someone to do.”