Posts Tagged ‘Atlanta’

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It’s been less than a year since the Coathangers, the raucous Atlanta garage-punk veterans, released the album “Nosebleed Weekend” , their last album. And they’ve already announced plans to follow it up with a new EP called Parasite, one that calls back to various different eras in the band’s run. The first song they’ve shared from it is called “Captain’s Dead,” and it’s got a whole lot of energy and a great big chorus hook.

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The Atlanta garage punk ensemble and music faves The Coathangers have announced a new EP and tour, the first track from it “Captain’s Dead”, with its sultry verses, triumphant chorus, and a bombastic freak-out of noisy guitar. Best of all the band are playing some live shows in the UK, including the City of Leicester at the Cookie it seems miracles can still happen.

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if there was a competition for the vocal of the year in 2016 Elaine Edenfield would already be dancing off down the aisle, arms raised to the sky,  The lead voice in Warehouse’s suitably dynamic indie-rock beast of a record, “Super Low”, Edenfield’s turn here is a miraculous effort, simmering above the rock-solid back-drop of twin guitars and percussion, and armed with the ability to breathe fire in the blink of a scorched eye. A beautiful collection of sprawling, jazzy, and jangley post-punk that paints a reflective and colorful sonic background behind the vocalist’s oscillating poetics. Couple that with the band’s ability to pen righteous hooks that add even greater weight to such aesthetics , the result is one of the boldest records in the American indie-rock frame.

Primal, precious, and consistently invigorating, Warehouse are the kind of band that to hear them once is to pin all your hopes and dreams upon them; a rabid and rousing unraveling.  ‘Super Low’ was “largely written in a notorious punk house that was torn down to build a parking garage” and the record comes wrapped in such new-world vexations, melding punk aesthetics with something endearingly humane.

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Warehouse is Alex, Ben, Doug, Elaine, Josh

OMNI – ” Deluxe “

Posted: December 16, 2016 in CLASSIC ALBUMS, MUSIC
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Debut albums often connote a lack of experience, but in Omni’s case, a band consisting of former members of Deerhunter and Carnivores, the newness is simply in the combination of talent. With one of the strongest opening tracks of 2016 (“Afterlife”), Deluxe is an intensely satisfying blend of driving, lo-fi garage rock and non-standard melodies/progressions that show the band’s true capabilities. For as catchy and complete as this album is, it’s criminal it hasn’t received more attention. Fans of Television, Wire and the type of hooky, nuanced rock that ages incredibly well would do right to hastily add this their collection.

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Brainy, hooky, and energetic blend of Postcard pop, angular post-punk, and scrappy D.I.Y. punk by ex-members of Deerhunter and Carnivores.

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Atlanta band Warehouse have been kicking around since 2012, but they didn’t officially release music until 2014, when they released their debut record Tessaract. Two years later, they’re back with Super Low, a guttural surf-punk record with influences from all corners of punk music. Warehouse is made up of Ben Jackson and Alex Bailey on guitar, Elaine Edenfield on vocals, Josh Hughes on bass, and Doug Bleichner on drums. Their sound is a mix of Sonic Youth and Nirvana and Bikini Kill with a dash of Dilly Dally. but I hear REM influences too.

Jackson and Edenfield had quite a lot to say about this release so without further adieu, here you go!

“As a band we have always drawn heavily from environment as the backdrop to songwriting and our surrounding lives,” says Jackson. “When I try to categorize the songs that ultimately made up this record I think back to the places they were written and Super Low was never far behind.”

“Super Low” was an exercise in brevity in a way that Tesseract was an exercise in athleticism” says Elaine Edenfield on the process. “The songwriting process didn’t change–guitars first, everything else on top–but definitely we all had the attitude of wanting to make something more refined. Tesseract seemed like it came out the most naturally as a collision of everyone just giving every riff or scream in these myriad of ways, trying everything out to see what worked and what didn’t, and mostly just seeing what it was possible to do. While I’m proud of Tesseract, there are definitely songs I’d be just as fine with not ever performing again. All in all I feel like it’s a really good stepping stone. It transitions from Tesseract to a much different place and sets us up stacked for the third album.”

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While Warehouse was recording Super Low, Elaine Edenfield was coping with a personal loss, which affected her creative process tremendously. She describes feeling “Super Low” as follows:

Listen to their new release “Super Low” is about near loss, loss, and fear of loss. The slowest song, leaning towards the album’s most heavy subconscious undertones, Super Low is the coming to a point of resolution, understanding, and maturation.”

Warehouse is Alex, Ben, Doug, Elaine, Josh

So excited about the new video from The Coathangers! perfume“Perfume” is the latest release from this female trio, released September 19th, 2016 this track is taken from the album Nosebleed Weekend. It’s eerily shot with blindfolded scenes and a catchy beat as you sing along, “this don’t concern you…” There’s a sense of just musical genius melting together with onscreen brilliance. Directed, edited and shot by Matt Odom. The Coathangers will be down under performing shows all next month on their New Zealand and Australia tour, Lets hope they come to the UK soon.

No one imagined that it would be the last time Prince would perform, when they saw him during his stop in Atlanta last week, April 14th, 2016, after a 12 year hiatus. Prince’s “Piano and a Microphone” tour was a flawless display of his artistry. Like the show’s title suggests, it was just him, his piano and a purple strobe light beaming down as he played. The backdrop was a screen with illustrations of various images of the artist that dissolved into a collage of his various looks and album covers through the decades.

Prince was a vibrant example of genius who negotiated both God and sex into his music as never seen before. His songs were a blend of prayer and foreplay. He made spirituality and sex coexist – as they should.

Prince was magical.

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Fans witnessed this display of freedom when he played his last two shows at 7pm and 10pm at The Fox Theatre, downtown Atlanta. Both were sold out. He poured his heart out in an intimate setting with no band and no backup singers – only his free Black-self donning a natural Afro.

“The setting was intimate and it was an amazing event,” commented Marla Pruitt, a motivational speaker and accountability coach.

“The opportunity to see him live and performing alone was life changing. The image of him sitting at the piano will be forever embedded in my brain,” she said.

That evening, as he played a 90 minute medley of songs from his iconic catalog, he discussed, love, relationships and social issues. He also reminded the crowd that #BlackLivesMatter. Throughout the show he made several references to his pending memoir about his life. Upon hearing the news of his passing, fans expressed disbelief.

“It is with profound sadness that I am confirming that the legendary, iconic performer, Prince Rogers Nelson, has died at his Paisley Park residence this morning at the age of 57,” said his publicist Yvette Noel-Schure.

On social media the sentiments poured out across the virtual world.

 

While fans were told not to snap photos or record videos some were able to capture a few images and shared them online during the show and then again one week later with their expressions of grief.

One of Prince’s final tweets immediately after his Atlanta performance reads: I am #transformed

We too are transformed “your Royal Highness.” So are we!

The FINAL SET-LIST

• When Will B Paid
• The Max
• Black Sweat
• Girl
• I Would Die 4 U
• Baby, I’m a Star
• Ballad of Dorothy Parker
• Dark
• B-side Song (Indifference)
• I Love U But I Don’t Trust U
• Little Red Corvette
• It was a non-stop onslaught of songs;
• Dirty Mind
• Linus and Lucy (The Peanuts theme)
• back to Little Red Corvette
• Nothing Compares 2 U

Encore 1

• Cream
• Black Muse
• How Come U Don’t Call Me Anymore

Encore 2

• Waiting In Vain (Bob Marley)
• If I Was Ur Girlfriend
• back to Waiting In Vain
• back to If I Was Ur Girlfriend

Encore 3

• Sometimes It Snows In April
• Purple Rain (the crowd goes nuts)
• The Beautiful Ones
• back to Purple Rain
• Diamonds & Pearls
• back to Purple Rain

Live Recap: Prince's Piano & A Microphone Tour, Atlanta's Fox Theatre, 4/14/16

When Prince’s Atlanta date on his Piano & A Microphone Tour—which, just like it sounds, features the singer playing solo at a purple baby grand, the first such tour of his lengthy career—was postponed last week due to a bout with the flu, the rescheduled shows were announced surprisingly quickly. The Purple One hit the stage at the Fox Theatre just a week after he was initially supposed to, and from the look of it, he’d made a full recovery.

Would we really expect any less, though? We all know Prince isn’t fully human—the man hasn’t visibly aged in 30 years, so why should we be surprised that seven days after being ill, he’s reaching mind-blowing high notes on “A Case of U” that artists half his age would struggle to hit? His 7 p.m. set was a short one—just 80 minutes—but that seemed to have more to do with the fact that the venue needed to turn over in time for his 10 p.m. set later that evening than with any sort of lingering flu symptoms. Prince made every second count, and perhaps most importantly, the crowd was grateful for any time at all. He still managed to cram two encores into those 80 minutes, and every time he reappeared onstage, the noise was deafening.

The encores weren’t the only times the singer left the stage—he got up periodically throughout the set, at one point leaving briefly to regroup before returning and explaining that “Sometimes I forget how emotional these songs are.” But every time those fingers hit the keys, there’d be a rapturous moment of recognition from the crowd. The opportunity to hear these songs stripped down on the piano is a rare one, and that wasn’t lost on the fans, some of whom shelled out as much as $1000 a seat to be there.

Prince fed off that energy, too, encouraging hand-claps and sing-alongs on Controversy and bringing the house lights up for “Kiss” to witness the entire theater attempting their best falsettos. His cover of David Bowie’s “Heroes” was moving, resulting in a hushed awe—one of the few quiet moments of the set. Purple Rain fans didn’t get to hear the famous title track—a fact some reminded him when he finished his last encore by joking “I don’t have any more hits left!”—but they were treated to stellar versions of favorites from that record like “I Would Die 4 U,” “Baby I’m a Star” and “The Beautiful Ones.”

And, ultimately, Prince can do and play whatever he wants. He’s Prince, and he’s here blessing us with his presence. Especially for a show that almost wasn’t, every song feels like a gift.

Setlist:
1. Little Red Corvette / Dirty Mind
2. Linus & Lucy (Vince Guaraldi cover)
3. The Beautiful Ones
4. Nothing Compares 2 U
5. Joy in Repetition
6. Muse 2 the Pharaoh
7. U Got the Look
8. Pop Life
9. Elephants & Flowers
10. I Could Never Take the Place of Your Man
11. A Case of You (Joni Mitchell cover)

Encore 1:
12. I Feel For You
13. Controversy
14. The Most Beautiful Girl in the World
15. I Would Die 4 U
16. Baby I’m a Star

THE COATHANGERS
NOSEBLOOD WEEKEND
When The Coathangers started up in 2006, their aspirations were humble. “I think all bands in their early twenties start for fun,” says guitarist / vocalist Julia Kugel when talking about their early years of cheeky no-wave and irreverent garage rock. But Julia and her bandmates Meredith Franco (bass / vocals) and Stephanie Luke (drums / vocals) were serious about their craft, and that combination of modest outside expectations and absolute dedication to their music made for exhilarating live shows and contagious records. Ten years later, The Coathangers are still going strong, and while their palette has expanded over the years to touch upon hip-shakin’ classic rock, soulful country ballads, and golden oldies pop, their primary attack strategy still relies heavily on the jagged hooks and boisterous choruses of their formative years.

Their fifth album ‘Nosebleed Weekend’ retains all the devil-may-care magnetism and serrated instrumentation of their debut, but it flourishes with a decade’s worth of songwriting discipline and chemistry. ‘Nosebleed Weekend’ kicks off with ‘Perfume’, a song that marries sultry pop vocals with toothy guitar riffs in a manner that would make Ann and Nancy Wilson proud. It’s hard to imagine The Coathangers writing a song this accessible in their early years, but in 2016 it fits perfectly into their canon. From there the band launches into ‘Dumb Baby’, which harkens back to the gritty neo-garage rock of Murder City Devils. Longtime fans who still clamor for their brash post-punk angle will be immediately satiated by ‘Squeeki Tiki’. And after hearing the noisy loud-quiet-loud bombast of ‘Excuse Me?’ it’s no wonder that Kim Gordon has become an outspoken fan of the band.

It’s an eclectic album inspired by life on the road, lost loved ones, and Kugel’s recent move to Southern California. “We always say that each record is a snapshot of our life at the time,” Kugel says. “As far as style… it’s just what came out of us at that point.” So whether it’s the foreboding garage rock of the title track, the post-punk groove of ‘Burn Me’, the stripped-down pop of ‘I Don’t Think So’, or the dynamic grunge of ‘Down Down’, The Coathangers command their songs with passion and authority.
LP – Housed in Gatefold Sleeve with Download. Initial copies are pressed on coloured vinyl.

SHAMPOO – ” Demos 2014 “

Posted: December 23, 2015 in MUSIC
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Shampoo

Despite their only release being a three-song demo from 2014, Shampoo has retained a level of buzz so surprising that it would seem inappropriate if it wasn’t for their gorgeous live shows. Their simple take on ’80s pop reimagines an alternate world in which Johnny Marr wrote New Order songs. In a local scene populated by garage rockers, punks, and experimental weirdos, Shampoo is a breath of fresh air for the art kids who just want to dance.

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Shampoo will finally be satiating our reverb-starved souls with their relaxed interpretation of new wave in 2016. Though they haven’t announced an official release date yet, the band has finished recording their debut full length and will be releasing it sometime in the coming year, along with tentative plans for another EP

these songs are about older men, younger men, and the beautiful palaces we all live in. engineered by p katzman. special thnx to johnny marr & sky ferreira u know who u are.

Algiers purveys a sound that, on paper, should not gel. As a fusion gospel and soul elements with the din of post-punk and clamorous industrial, the components should cleave against rather than complement one another. Yet by wrangling these disparate parts together, this trio of Atlanta natives crafts something wholly original. Steeped in atmosphere, the record sounds as though it was recorded in a haunted rock quarry or in the bowels of an abandoned factory. Vocalist/guitarist Franklin James Fisher’s delivery alternates from fire-spitting indignation to ghostly crooning, while guitarist Lee Tesche and bassist Ryan Mahan conjure all manner of spooky tones and textures. Politically-charged, challenging, and fearless, yet still groovy as hell, Algiers has made one of the best, most thoroughly captivating debuts of the year. At once eerie and energizing, Algiers is a dispatch from survivors of a Southern Gothic world laid waste in an apocalypse

Quotes used in this video and their source: ‘The most painful state of being is remembering the future, particularly the one you’ll never have’ – Søren Kierkegaard ‘The road to freedom has always been stalked by death’ – Angela Davis ‘A nation regenerates itself only upon heaps of corpses’ – Louis Antoine de Saint-Just ‘History repeats itself, first as tragedy, then as farce’ – Karl Marx ‘Everything under heaven is in utter chaos, the situation is excellent’ – Mao Tse-Tung ‘Art is dead, do not consume its corpse. Capital is undead’ – Unknown ‘Truth is on the side of the oppressed’ – Malcolm X ‘Peoples do not condemn kings they drop them back into the void’ – Maximilien Robespierre ‘I am the people. I’m not the pig’ – Fred Hampton ‘We revolt simply because we can no longer breathe’ – Frantz Fanon