The glorious antithesis of the contemporary hunger for fast culture and fatuous fleeting music consumption, Glasgow’s C Duncan is a throwback in many ways both vocally and musically. A former student of the city’s renowned Royal Conservatoire, the classicist with a penchant for pop has married the choral harmonies of the Baroque and Gaelic with the hazy afterglow of 60s groups such as Harpers Bizarre and The Beach Boys, then added veiled whispers of Talk Talk, The Cocteau Twins and (stay with me on this one) Sting to craft something magical. Impressive not just on record but pulling it off live with his extended trio touring band (seriously, one of the best performances and talents we’ve ever had the pleasure to witness), Duncan’s soothing venerated tones and musicianship are encapsulating.
But rather then use the grand and extended orchestral tools and acoustic spaces of classical music, Duncan methodically and intricately layers his ethereal, and sometimes transcendental, songs in his bedroom studio. Precise, purposeful and planned to the latter, each note, chime, melodic suffused wave and example of interplay is meticulously placed. Architect is then, perhaps one of the most finely crafted albums of late. Yet, most impressive of all is Duncan’s ability to make this precision sound so dreamily and amorphously lush and drifting.’