Posts Tagged ‘Alive Naturalsound Records’

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With a sound oscillating between psychedelic pop and space rock, Triptides’ album “Alter Echoes” channels both The Byrds at their most hallucinogenic and Floyd at their most cosmically composed while creating something immediate and new. The band has established itself as a preeminent part of the Los Angeles new wave psych music. With “Alter Echoes,” they pull away from the pack, thanks to the quality of their song writing, performance and production.  

Triptides have become a staple of Southern California’s sun-baked, surf-tinged psych-rock scene over the last decade, and now the Los Angeles trio is gearing up to release a new album called Alter Echoes, due next month via Alive Naturalsound Records. Today, the band continues to live up to its name with a dreamy, hallucinogenic new single premiering below. “Perhaps the most laid back track on the record, ‘Moonlight Reflection’ is a love song gliding through the darkness of a clear night,” vocalist and multi-instrumentalist Glenn Brigman says.

The track opens with a breezy, undulating intro, but the first verse sets the scene: “In the dead of night, see the moon reflecting the light / Do you feel alright? Don’t run and hide.” Brigman’s spaced out vocals are barely tethered to the instrumentation below. Eventually those vocals give way to a heady, transcendent guitar solo the kind of guitar solo that begs to be performed outside on a warm summer night. “We drew upon the dreamy moods of Erasmo Carlos,” explains Brigman, “and the heroic melodies of the Isley Brothers, letting the vocal track ebb and flow while the lush chords glisten in anticipation of the climactic conclusion: a final jet-phased guitar solo that ascends like the first light of a new day.”

“Moonlight Reflection” is the second single off Alter Ehoes following the more driving “It Won’t Hurt You,” which arrived last month. Both tracks follow a string of singles and double-singles released over 2019 and 2020. 

For our new record, we decided to create something more organic, performing together in a classic Hollywood studio and recording it live to tape,” says Brigman. “We wanted to make sure we were expressing the true sound of the three of us in a room before elevating the recordings with additional overdubs.”

The band recorded the album at Boulevard Recording Studio. Formerly the Producer’s Workshop then Westbeach Recorders, the studio was upgraded in 2010 when engineer Clay Blair decided to revamp it. “I came across this Craigslist ad,” Blair told an interviewer in 2016. “It said, ‘Recording Studio.’ There was only a picture of the building outside.” In its previous eras, the studio hosted Pink Floyd, Ringo Starr, Bad Religion, Blink-182, and plenty of other pop, rock, and punk hitmakers (it also housed Epitaph Records at one point).

“We kept the writing spontaneous and let our influences drift from 70’s fuzz rock (‘Hand of Time’) to bossa nova (‘She Doesn’t Want To Know’) to electric jazz (‘Another Dream’),” says Brigman of Triptides’ new material. “Through our collaborative mind we were able to weave these vibrations together to form “Alter Echoes.”

Alter Echoes comes after the self-described “sun-warped psychedelic rock” band’s 2018 albums Visitors and Estrela Magica (with Winter), as well as 2017’s Afterglow. Triptides is led by multi-instrumentalist Glenn Brigman, the trio is rounded by bassist Stephen Burns and drummer Brendan Peleo-Lazar.

“Moonlight Reflection” is out February 5th. Alter Echoes arrives March 19th via Alive Naturalsound Records.

The Bobby Lees’ Drive,” a title track from their latest album, Skin Suit, out July 17 via Naturalsound, is about good mental health, something that’s so important right now.


“A couple of months ago, we were heading down to Austin, TX for SXSW and playing shows along the way,” the band says. “By the time we got to Tulsa, Oklahoma, our nine SXSW shows had been cancelled because of the virus. So, we made the best of our time in Tulsa and shot a video with our friends, while keeping a safe distance.”

“This song is about needing to connect to other people in order to stay alive/feel alright,” says Sam. “Last winter. for a few months, I was pretty isolated and developed an obsession with wanting to smash my car into a telephone pole or put my head through a glass window. Basically wanting some kind of intense impact to turn my brain off.

“The song’s about that, and the idea of sharing/being open about where you’re at. I didn’t keep it to myself; I told a few people and talked about it instead of doing it, and the obsession thankfully went away. Now I can laugh about it.”

Their new record, Skin Suitwas produced by underground punk legend Jon Spencer of the Blues Explosion and will be released on Alive Naturalsound Records on July 17th, 2020. Skin Suit mixes classic, garage-punk hits with raw and emotive storytelling. In the past year, they’ve played with The Chats, Future Islands, Boss Hog, Daddy Long Legs, Shannon & The Clams, and Murphy’s Law.

“Drive” – off our new record Skin Suit being released on 5/8/20 by Alive Naturalsound Records.

Jesper Lindell was the breakout star of 2017 on the Swedish music scene, when he released his debut EP. Produced by Benkt Söderberg, father and former producer of the world-renowned sister duo First Aid Kit, “Little Less Blue” presented a collection of songs that were equal parts soul, Americana and rock.

Lindell went on to star in the acclaimed show “Who by Fire”, a tribute concert to Leonard Cohen organized by First Aid Kit at the Royal Dramatic Theatre in Stockholm, where Lindell performed the Cohen classic “Chelsea Hotel #2”.

Jesper Lindell’s enticing debut album Everyday Dreams (out November 29th via Alive Naturalsound Records) is a clever mixture of rock, folk, blues and soul, performed by a 26 year old musician in love with classic pop, Stax-Volt R&B, and that old time rock & roll. The album finds the young guitarist/pianist/songwriter delivering an intimate collections of songs that could have been recorded in the late sixties. This is modern classic rock music, and hearts full of soul will fall in love.

“Stormy Waters”, one of the main singles on the new album. The song is a groovy nugget of throwback soulful rock and roll. Lindell showcases a voice that is completely original and well-suited to lead a band. Speaking of band, his conjures a subtle yet powerful sound, letting the music ebb and flow around the singer’s emotive vocals and the catchy choruses and harmonies. With its stomping piano and revelatory lyrics that feel like Lindell conquering life’s challenges,

Lindell shares his own story behind the song:

“When I wrote ‘Stormy Waters’ I was signed to one of the larger record labels in Sweden. I had just been to a meeting with the label and had played some of my demos, and the head of the company didn’t like any of them. And I remember feeling like a shipwreck when I got home. And that’s when I wrote ‘Stormy Waters.’ Though the song is not about that meeting. It’s about that feeling. And holding onto something that’s dragging you down. The songs I played for him turned out to be my debut album Everyday Dreams.”

Taken from the album “Everyday Dreams”

Beechwood’s very first full-length release, “Trash Glamour”, was originally recorded in 2013 when Gordon Lawrence and Isa Tineo were still in their teens. The album was originally a cassette-only release and has been remastered and released on CD and Vinyl for the first time via Alive Naturalsound Records.
Gordon shares the origins of this early effort, “Trash Glamour” was recorded with a single microphone in my parents’ basement when we were 17 and 18 years old. At the time we were obsessed with two albums in particular, Raw Power and Exile on Main St. I had this documentary on the making of Exile that we all sat down and watched together before starting the record. We were mesmerized. That was what a band making a record was supposed to be like.

That, to our teenage minds, was rock & roll. And so, we turned the basement into our version of Nellcôte. We surrounded ourselves with friends, girls, drugs, alcohol and the ideas flowed. I hardly ever remember leaving the basement, though I assume we must have eaten and slept at some point that summer. Things were still fresh at the time, grudges didn’t exist, and things (and substances) that eventually became problems were just being discovered. We had the sense that no one else was doing what we were doing at the time, that rock & roll had become soft with bands with names like “The Pains of Being Pure at Heart.” (Gimme a break.) And so, we made a loud, raw rock & roll record with little regard for “production quality.” We pushed our music and our minds into the red, and though it took ourselves almost three years to come down from what began with this record to eventually make Songs From The Land of Nod, none of us regret a thing”.

GospelbeacH | Photo by

iA band formed by Brent Rademaker of Beachwood Sparks and former Sparks drummer, Tom Sanford. The band includes Neal Casal (of Ryan Adams & The Cardinals) and Jason Soda on vocals and guitars, Kip Boardman (vocals, bass), with a guest appearance by Nelson Bragg (vocal harmonies).

The band is helmed by Beachwood Sparks‘ Brent Rademaker, and they released their sophomore album, Another Summer of Love, . But we need something for this summer, and that’s just what GospelbeacH is giving us. Their new song, “Dreamin’”, is from the recording sessions of Another Summer of Love, so it already has that summer vibe instilled within it. It’s a bright, warm invitation to chill.


Beachwood Sparks debuted in 2000, with a collection of songs on Sub Pop Records that couched the band in 1960s’ Laurel Canyon country-rock of The Byrds, and the cosmic country of Gram Parsons and the Flying Burrito Brothers. With Rademaker at the helm of this new band, GospelbeacH continue to draw connections between the country-rock and pop on their debut album, Pacific Surf Line came out on October 9th 2017 on Alive Naturalsound Records.

What happens when an anti-social petty thief, a male hustler, and a delinquent runaway come together to join forces in the streets of NYC? One of two things, usually. Either the birth of a gang of misfit criminals, or a legendary rock & roll band. Luckily, for society’s sake, the latter has turned out to be true for Beechwood.  This easy psychedelia and vintage sounding looseness puts Beechwood in a sonic world not too distant from the ones inhabited by modern classics like Foxygen and Tame Impala.

There’s a definite 60’s rock flair to the track, amidst a bit of garage-punk groundedness, sunny pop structure, and dreamy psychedelia. The effect is like sunshine in the midst of a bomb cyclone-ridden winter: euphoric and hard to get enough of.

The band are set to release their new studio album, “Songs From the Land Of Nod”, on January 26th 2018 via Alive Naturalsound Records, and the NYC street punks have now unveiled the video for their new single, I Don’t Wanna Be The One You Love.

The NYC pop-punk band has always had a talent for pulling back the curtain to reveal the dark underbelly of humanity, and their latest visual is no different.

Shot and Directed by Nika De Carlo and Gordon Lawrence. Taken from the album “Songs From The Land Of Nod” :

They run a pretty wide gamut of scuzz from garage to glam to punk to indie that’s not that easy to date. – STEREOGUM

• Brings the late ’60s into the ’00s. – GRUNGECAKE

• Recalls the best moments of the Zombies and Beach Boys, adding elements of garage and light tinges of the psychedelic. – POPMATTERS

• It’s languid, drippy, like molasses spilling out of a jar, and the vocals do a subtle Kevin Shields thing in my brain. – WHAT YOUTH

• It’s authentic rock ‘n’ roll! – POWER OF POP

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