Posts Tagged ‘4AD Records’

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Methyl Ethel share ‘Scream Whole’; the first new music from the Perth act since their second record Everything Is Forgotten was released in March 2017.

Premiered yesterday on Australia radio station triple j’s Drive with Veronica & Lewis show, ‘Scream Whole’ is a nimble art-rock cut which Jake Webb describes as, “That cold sweat.  That swollen throat.  That sick feeling bubbling up from your guts.  When midday moves dredge suppressed memories that scream for closure.  What to do?”

The video was premiered via Consequence Of Sound – ““What’s the point/ Undo, undo again,” Webb wails against crystalline synths that electrify the senses and, upon disappearing, conjure a sense of chilly, awestruck isolation. Each word feels careful and deliberate, emerging with a concentrated effort from Webb’s mouth, which, fittingly, serves as the centerpiece of “Scream Whole‘s accompanying video. By the time the song descends into its woozy, drunken bridge, it’s stained in dirt and restrained with rope.”

Methyl Ethel is the musical project of Jake Webb with a five-piece live band that includes Thom Stewart, Chris Wright, Lyndon Blue and Jacob Diamond.  Methyl Ethel has enjoyed phenomenal success in its native Australia in recent years.  ‘Ubu’  along with fellow Everything Is Forgotten single ‘Drink Wine’.  Methyl Ethel also won in the Best Album and Best Pop Act categories in 2017

‘Scream Whole’ is the new single from Methyl Ethel. Out now on 4AD Records:

The Breeders - All Nerve

Richard Ayoade, the BAFTA-nominated film director (Submarine, The Double), actor (IT Crowd, Garth Marenghi’s Darkplace), TV presenter (Travel Man, The Crystal Maze) and comedian, has been a long-time fan of The Breeders.

As a young teen in 1990, Ayoade recalls travelling from his Ipswich home to London to buy the band’s first album Pod.  Today, nearly 30 years after making that journey, he has teamed up with his favourite band to create an eerie short story for their latest single, ‘Space Woman’.

Described by The Breeders’ Kim Deal as “a sci-fi thriller with the soul of [deceased fiction writer] Harlan Ellison,” Ayoade’s visual treatment depicts Deal in a spacesuit navigating a woodland landscape.  Shot on 35mm film and in one seamless take, she encounters fellow Breeders members Jim Macpherson, Josephine Wiggs and Kelley Deal in various states of trauma.

New album, ‘All Nerve’, featuring ‘Spacewoman’ is out now:

‘Space Woman’ is taken from The Breeder’s latest album All Nerve, their first album in a decade and their first in 25 years reuniting the iconic Last Splashline-up of the aforementioned Deal sisters, Wiggs and Macpherson. Also featuring the singles ‘Wait In The Car’, ‘All Nerve’ and ‘Nervous Mary’, It’s the band’s fifth studio album

The 12-track new album Gallipoli started life in the winter of 2016, with Condon returning to his old Farfisa organ, the same one used to write the first two Beirut albums (2006’s Gulag Orkestar and the following year’s The Flying Club Cup). Following recording stints in New York and Berlin (where he now calls home), Condon settled in Sudestudio, a studio complex deep in rural Puglia, southern Italy. It was here that he rediscovered the old joys of music as a visceral experience which became the founding principle for Gallipoli.

Available now, Gallipoli’s title track is a cathartic embrace of old and new. Condon says, “We stumbled into the medieval-fortressed island town of Gallipoli one night and followed a brass band procession fronted by priests carrying a statue of the town’s saint through the winding narrow streets behind what seemed like the entire town. The next day I wrote the song entirely in one sitting, pausing only to eat.”

Zach Condon, the mastermind behind Beirut, will release his fifth studio album Gallipoli on February 1st 2019,

Deerhunter - Why Hasn't Everything Already Disappeared?

How do you describe an album out of time, concerned with the disappearance of culture, of humanity, of nature, of logic and emotion? Why make this album in an era when attention spans have been reduced to next to nothing, and the tactile grains of making music have been further reduced to algorithms and projected playlist placement. Why wake up in the morning? Why hasn’t everything already disappeared? 

Deerhunter’s eighth LP forgets the questions and makes up unrelated answers. It gets up, walks around, it records itself in several strategic geographic points across North America. It comes home, restructures itself and goes back to bed to avoid the bad news.

From the opening harpsichord and piano figures of ‘Death in Midsummer’, it is impossible to tell where the record came from. Is ‘No One’s Sleeping’ an outtake of an aborted Kinks recording session in 1977 Berlin with Eno producing? No. That is nostalgia. If there is one thing Deerhunter are making clear it is that they have exhausted themselves with that toxic concept.

What they spend their time doing instead is reinventing their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth.

The result is as thrilling, haunting, and unpredictable as anything in their roughly 15-year career.

Deerhunter have made a science fiction album about the present. Is it needed right now? Is it relevant? Perhaps only to a small audience. DADA was a reaction to the horrors of war. Punk was a reaction to the slow and vacant 70’s. Hip Hop was a liberated musical culture that challenged the notions presented wholesale about the African-American experience. What is popular music today a reaction to?

Deerhunter are:Bradford Cox, Lockett Pundt, Moses Archuleta, Josh McKay, and Javier Morales

From the new album ‘Why Hasn’t Everything Already Disappeared’ out January 18th, 2019 on 4AD Records.

Deerhunter - New Album 'Why Hasn't Everything Already Disappeared?', Single Out Now

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Earlier this year, record label 4AD announced the long awaited release of The Breeders‘ fifth album ‘All Nerve’, out on 2nd March. It’s an album five years in the making, with work beginning after a string of shows to celebrate the 20th anniversary of their second album ‘Last Splash’. Since this is their first album release in 10 years, and marks the reunion of the ‘Last Splash’ lineup of Kim and Kelley Deal, Josephine Wiggs, and Jim MacPherson,

The Breeders‘ first four albums will be reissued on vinyl by 4AD next month. All of the Breeders’ previous albums  Pod, Last Splash, Title TK, and Mountain Battles – will be re-issued on vinyl on 18th May.

With their new album All Nerve released last month, The Breeders have now confirmed plans to reissue their first four albums on vinyl . The reissues will arrive via 4AD, with their debut Pod from 1990, 1993’s Last Splash, Title TK from 2002 and their last album before their extended hiatus, 2008’s Mountain Battles all the subject of the reissue plans.

The band will play a handful of shows in the UK and Ireland in late May folllowing the release of the reissues taking in dates in Belfast, Dublin, Edinburgh, Leeds and London, before returning for a further few shows in July.

The Breeders continue to tour their latest album All Nerve with further European dates announced for November.  The group will also play two shows before FYF Festival in July.  Currently on the road in North America,

Pod

Pod,

The 1990 debut featuring the line-up of Pixie’s Kim Deal, Throwing Muses’ Tanya Donelly, the Perfect Disaster’s Josephine Wiggs and Slint’s Britt Walford, was recorded by Steve Albini.  Kurt Cobain listed the record as one of his top three favourite albums saying, “the way they structure [the songs] is totally unique.”  Critically acclaimed when it came out, Pod’s legacy lives on It was “blissful mindfuck of a record,” and ranked it in their Best Albums of the 90s.

Back in 1989, and with tension mounting in the Pixies between Kim Deal and Black Francis, The Breeders‘ first demo’s were recorded between Kim and Throwing Muse‘s Tanya Donnelly after they met while touring together in their respective bands. This would lead to the release of debut album ‘Pod’ in 1990, an album which would receive critical acclaim from the music press. It’s rough, visceral, owing largely down to the simplistic production which allows the attitude with which the band play their instruments to carry through the record. No where is this more apparent than on the incredibly original interpretation of The Beatles‘ ‘Happiness Is A Warm Gun’, a track injected with attitude here. The true strength of this album is in listening to it as a collective whole, as each song lends something to the experience. Their best was yet to come however…

Last Splash,

Recorded in 1993 by what is now regarded as the ‘classic’ Breeders line-up of Kim and Kelley Deal, Josephine Wiggs and Jim Macpherson.  Including the twisted pop singles ‘Cannonball’ and ‘Divine Hammer’, it has become one of the defining albums of the 90s.

What else? The Breeders‘ quintessential 1993 album ‘Last Splash’ followed on from the warped and jagged ‘Pod’ by throwing caution to the wind, producing an erratic, distorted, and yet intensely textured masterpiece of 90’s alt-rock. The results of their almost sarcastic jab at the crossover between chart success and the alt-rock/grunge movement landed Kim and the band with unexpected commercial success; ‘Last Splash’ would eventually go platinum in the United States, and lead single ‘Cannonball’ filled dance floor’s up and down the country. While ‘Cannonball’ is still their most recognisable song, ‘Last Splash’ delivers throughout, taking a number of detours along the way; ‘Invisible Man’, with it’s grinding, hazy guitar hooks and string arrangement; ‘Do You Love Me Now?’, with it’s brooding, chugging guitar in ode to feeling lovesick; and ‘Flipside’, a sub 2 minute instrumental blast of sheer joy, with a playful guitar line and copious amounts of cymbal smashing. ‘Last Splash’ presents The Breeders at their best; inventive, eccentric, effortlessly cool, and full of a vigour lost among the grunge crossover bands of the early 90’s.

Title Tk [Explicit]

Title TK

2002’s Title TK saw the band work with Steve Albini once more, with the Guardian saying it was “a welcome return to punky pop that knows how to flex some melodic muscle.”  The album has been out of print on vinyl since its release. Ending a 9 year hiatus, The Breeders came back in 2002 with ‘Title TK’, a tuneful yet melancholy and skeletal album at odds with their previous work. It drifts between different tones seemingly on a track by track basis, a little unsettled and unsure of itself, yet there are moments here of brooding which are reminiscent of early work by PJ Harvey; in the dark punk sounds of ‘Little Fury’ and ‘Son Of Three’, and in the soft ballad ‘Off You’.

On release, critics weren’t as enthralled with ‘Title TK’ as they had been with previous album ‘Last Splash’, lamenting the albums lack of creative flare and citing an unoriginal re-recording of ‘Full On Idle’ (originally recorded by Kim Deal’s other side project The Amps) as evidence of this. Retrospective listeners, however, have noted that ‘Title TK’ works more under the pretext of a concept album; a record about the absence of things, or about losing things and making do in order to move forward.

Mountain Battles

Fourth album Mountain Battles, a perfectly formed album of 13 miniatures in 36 minutes engineered by Steve Albini, was originally released in 2008.  Like Title TK before it, Mountain Battles has been out of print since its release.

Another gap followed the release of ‘Title TK’ before The Breeders were ready to release their most recent album ‘Mountain Battles’. With a more stable lineup this time around, ‘Mountain Battles’ sees progression from ‘Title TK’ in terms of attitude; it’s more optimistic, defiantly so, and finds the band willing to return to throwing in tracks from left field. ‘Istanbul’ is an understated eastern-style chant, while ‘Regalame Este Noche’ provides a hint of Spanish slow-dance to the proceedings. Although it takes a little time to warm up, ‘Mountain Battles’ is a largely successful return to the spiky, inventive sound The Breeder‘s had used so effectively during their earlier years.

All Nerve

All Nerve

The Breeders’ fifth studio album, saw the iconic line-up of Kim and Kelley Deal, Josephine Wiggs and Jim Macpherson reunite for the first time since the release of the platinum-selling album Last Splash. Released earlier this year, critics and fans welcomed them back with open arms and they scored their highest chart positions – including top 10 in the UK – in 25 years.

The Breeders - New European Tour Dates, Back Catalogue Vinyl Reissues

The Lemon Twigs - Release New Songs, 'Foolin' Around' & 'Tailor Made'.

Brian and Michael D’Addario are currently putting the finishing touches on The Lemon Twigs’ second album for 4AD Records, which they’re making in their 24-track analog basement home studio. In the meantime, they’ve just released two new songs — “Foolin’ Around” and “Tailor Made” — both of which are in much more of a straight-up rock style than anything on The Lemon Twigs Do Hollywood, pulling from ’70s riffers like Big Star, Cheap Trick and Thin LIzzy. These tracks won’t be on the new album

Foolin’ Around‘, from ‘Foolin’ Around/Tailor Made’ EP. Released on 28th March on 4AD Records.

The next record’s a musical and, naturally, any song that didn’t fit the concept we left off. “Foolin’ Around” was written by Michael. I think that we both wanted to write some songs that didn’t digress at all musically and were clear in meaning. “Tailor Made” was written by both of us when we were playing acoustic guitars together, which isn’t typically the way we write. It’s the first truly co written song that we’ve released

‘Tailor Made’, from ‘Foolin’ Around/Tailor Made’ EP. Released on 28th March on 4AD Records.

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Exclusive 4 track release for Record Store Day; two tracks from upcoming album “DOVE”  due out May 4th and two unreleased tracks.This is the first new release from legendary 4AD Records band Belly for over 20 years. The band scored two Grammy nominations, two UK top 10 albums, covers of Rolling Stone, NME and more in their heyday – now the original lineup has returned with this exclusive Record Store Day release.BellyBellyBelly

Exclusive for Record Store Day 2018 we’ll be releasing FEEL, a 4-song, 10” colored-vinyl EP with 2 tracks from the upcoming album , an exclusive track, and our cover of Hushabye Mountain. Available April 21st at your local independent record store!

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‘All Nerve’ – the first new album from The Breeders in a decade – reunites band members Kim and Kelley Deal, Josephine Wiggs and Jim Macpherson, the lineup behind the iconic and platinum-selling record, ‘Last Splash’.
The quartet returned to the stage in 2013 to celebrate the album’s 20th anniversary and have been quietly working on new material since then.
Featuring the tracks ‘Wait In The Car’ and title track ‘All Nerve’, recording took place at Candyland, Dayton, Kentucky, with Mike Montgomery; Electrical Audio, Chicago, with Steve Albini and Greg Norman; and with Tom Rastikis at Fernwood Studios, Dayton, Ohio.
Artwork was conceived by Chris Bigg, who has worked with The Breeders since their first album, ‘Pod’. ‘All Nerve’ is released on CD and 180g black vinyl with digital download card. It’s also available to us pressed on 180g orange vinyl with alternate artwork and digital download code. Released via 4AD Records.

‘All Nerve’, the new album by The Breeders, will be released on March 2nd 2018 on 4AD Records.

The album is available on standard black vinyl, indie-exclusive orange vinyl (w/ alternative cover), CD and digital services. It is available to pre-order now. Bundle options are available from the band and 4AD, including the final ‘Wait In The Car’ 7” and t-shirts:

 Tracklist:
1.Nervous Mary
2.Wait In The Car
3.All Nerve
4.MetaGoth
5.Spacewoman
6.Walking With A Killer
7.Howl At The Summit
8.Archangel’s Thunderbird
9.Dawn: Making An Effort
10.Skinhead #2
11.Blues At The Acropolis
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They may have been away from the spotlight for a while, but the Breeders haven’t had their last splash. Today, the band released “Nervous Mary” It’s the third single from their upcoming album All Nervetheir first in a decade.

Following the release of “Wait in the Car” and the title track, “Nervous Mary” which opens the record, after nearly 30 years in the music business is only their fifth LP. Due out March 2nd via 4AD Records, the album features the same lineup as their seminal 1993 record Last Splash — which includes frontwoman Kim Deal, her twin sister Kelley on guitar, Josephine Wiggs on bass and drummer Jim MacPherson. The group reconnected in 2013 to celebrate the 20th anniversary of the album with a series of shows.

Kim thought I hated her, and I thought she hated me,” for 15 years, Macpherson told the New York Times. The group has learned how to appreciate one another and get along, a big part of which was the Deal sisters finding sobriety.

“Nervous Mary” focuses on a central character who never gets what’s coming to her. “Nervous Mary had a nervous day/ Oxbow, strange glow/ She runs for the exit, but she never got away,” the Deals sing.

‘All Nerve’, the new album by The Breeders, will be released on March 2nd 2018 on 4AD Records:

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Released in 1993, ‘Star’ the debut studio album from Belly. Featuring “Gepetto”, “Feed the Tree”, “Full Moon, Empty Heart”, and “Slow Dog”, the album was certified gold and would be nominated in 1994 for a Grammy for Best Alternative Album. The band was also nominated for Best New Artist. Happy 30th anniversary!

Belly was an rock band formed in 1991 by former Throwing Muses members Tanya Donelly (who was also in The Breeders) , joined forces with the Gorman brothers Thomas and Chris (on guitars and drums respectively) and bassist Fred Abong to launch Belly Star” was their debut album by this American alternative rock band Belly.

It was released in 1993 and was an unexpected success. With their jangling, over driven guitars and breathless, mysterious vocals, Belly suggests the hard/soft edge of electric girl groups and power pop bands like The Bangles.

Much of Star is like looking through the world from the otherside of the glass. From the ominous foreboding of “Low Red Moon” to the heady frenzy of “Slow Dog”, the whole thing drifts and jumps majestically. Marbled and distorted colours and sounds make new, hypnotic shapes. It’s the realm of dreams made into music.

The energy and infectious indie-pop hooks still have me dancing around the kitchen whenever it makes one of many outings. The guitar jangles are still as elastic and rawkus as ever and Tanya Donnelly’s otherworldly and haunting vocals still intoxicate me.  Using the trance like harmonies of dream pop as a foundation, Donelly expands the genre’s boundaries, trimming away its pretensions and incorporating a flair for sweet, concise pop hooks and folk-rock inflections. She also spikes her airy melodies with disarmingly disturbing lyrics. Images of betrayal and death float throughout the album, but what hits home initially — and what stays after the album is finished — are the hooks, whether it’s the rolling singalong of “Gepetto” the surging “Slow Dog,” the melancholy “Stay” .

Belly’s second single ‘Gepetto’ taken from their debut album ‘Star’ – featuring Tanya Donelly (formerly of Throwing Muses and The Breeders), Chris Gorman and Tom Gorman. Bass on the first Belly album comes from former Muses bassist Fred Abong, who was later replaced by Gail Greenwood.

Donelly named the band “Belly” because she thought the word was “both pretty and ugly.”Their EP, Slow Dust (1992), made it to number one on the UK indie chart. Soon after, their single “Feed the Tree” made the Top 40 in the UK Singles Chart and their first album, Star (1993), hit number two on the UK Albums Chart.
In the United States, the album was certified gold, largely based on the success of “Feed the Tree” played on Modern Rock radio stations and MTV, where the video was featured as part of MTV’s Buzz Bin videos and Alternative Nation video show for much of 1993. Two follow-up singles were released, “Gepetto” and “Slow Dog” but neither matched the initial success of “Feed the Tree.” Star was consequently nominated for two Grammys. The album went on to sell over 800,000 copies in the US alone and two million worldwide.[citation needed]
In the spring of 1993, they embarked on a US tour supported by Radiohead

Recorded Sound Emporium Studios, Nashville, Tennessee
Amazon Studios, Liverpool, England .