Archive for the ‘MUSIC’ Category

SYLVIE – ” Sylvie “

Posted: October 4, 2021 in MUSIC
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Last month, a new band called Sylvie — featuring Drug Dealer’s Benjamin Schwab alongside Marina Allen and Sam Burton — announced a self-titled debut EP on Terrible Records. At the time, they shared a song called “Sylvie,” but it wasn’t a case of a band writing an eponymous song. Rather, it was a cover that gave the band its name and inspiration in the first place. The original is an obscure ’70s track by Ian Matthews, and the band had taken to referring to such songs as “a Sylvie” — “a song from the past that’s incredible but for whatever reason, is basically unknown.” It’s a fitting mission statement for the band, who make music that could’ve been beamed in from unknown corners of bygone decades.

Sylvie is a trio whose songs come at you like ghosts on the morning marine layer creeping up Laurel Canyon — and a band whose name and inspirations have a backstory.

As for the band itself, it’s led by Benjamin Schwab (of Golden Daze and Drugdealer), who is joined by singer-songwriters Marina Allen and Sam Burton. Schwab’s father, John, fronted the L.A. band Mad Anthony in the 1970s, recording an album that never saw the light of day. Benjamin discovered the tapes years later in a closet and was introduced to a sound that resonated deeply with him.

Case in point: Sylvie have returned with “Falls On Me,” their first original composition. It’s a gorgeous, languid thing, and it is certainly steeped in song writing and aesthetics of the past, particularly the Laurel Canyon scene. Here’s what Schwab had to say about it:

A lot of the songs on the EP feel like they’re about other people’s lives, my experience with them, or a time and place in the past, but this is the one off the EP that is directly about my life and my growth. When I was writing “Falls On Me” I was sorting through all these emotions that had built up over the past 5-10 years. Through relationships ending, bridges burning, or whatever it was, I found myself at a place where I felt very distant from the source. Repeating similar patterns, being heartbroken over someone over and over again or whatever it was. I found myself really lost to the point where there was really no other place to go but home. The first half of the song explores this feeling, and then 3/4 of the way through the character meets a friend who reminds them of themselves. There is this person who reminds them just enough of who they are so that they can see themselves again or what it would be like to return home, back to the source, to yourself. This song to me is about deliverance and a returning home that took me many years to arrive at. Itʼs sung by Marina Allen, who really did such an amazing job delivering the sentiment.

Both Allen (“Candlepower”) and Burton (“I Can Go With You”) recently released notable albums as well along with Sylvie’s singles for total immersion in ’60s/’70s finery.

Sylvie is out 10/1 via Terrible Records. 

Limited Edition '22 Break' CD

London-based pop duo Oh Wonder has shared a brand new track titled “Don’t Let The Neighbourhood Hear.”

The plaintive track, laden with melancholy saxophone and electronic clicks, diarises the screaming matches of a couple weathering the tensions that come with being kept in a confined space together for a long time. The accompanying black-and-white music video presents the song’s emotions from a visual, metaphorical perspective, with Anthony West in a room on fire, and Josephine Vander Gucht in one slowly filling with water. The visuals for “Don’t Let The Neighbourhood Hear” and those for “22 Break,” are previews of a short film that will be released to accompany the record.

The track is the second track to be taken from the duo’s upcoming fourth album, “22 Break“, which is set for release on October 8th via Republic Records. “It’s awkward, it’s vulnerable, but it also saved us,” Josephine says of the project, which is their first new music since 2020’s “No One Else Can Wear Your Crown”.

It charts the struggles she and Anthony endured in their relationship during the pandemic and the accompanying emotions – loneliness, inadequacy, resentment, fears for the future – as they stared the possibility of breaking up in the face. “We were just writing songs,” continues Josephine. “We had no idea we were writing a break-up album.”

Accompanying the announcement of 22 Break was news of a 52-date world tour for 2022, beginning in Moscow on March 3rd. The pair played an intimate one-off live show at London’s Albany Theatre on September 30th, which will be streamed globally on YouTube on October 14th.

’22 Break’ the new album – out 8th October: the band play 11th April at Nottingham Rock City

the angel of 8th ave.

“The Angel of 8th Ave.” is one of those types of song explanations whereas it may be best if we reveal the spoiler from the jump. And that is the titular “Angel of 8th Ave.” is actually a reference to the vocalist’s significant other. More specifically, Gang of Youths’ lead singer David Le’aupepe based this story on two different factors in his life. First is his relationship with his wife. And second would be the fact that the whole Gang of Youths recently relocated to London. And it is such where the song is generally set.

But whereas there is at least one solid reference to London, that is not to say that the narrative is set therein per se. For instance, Le’aupepe also gives a shoutout to “Washington Square” which, as far as we know, is in New York City. So it appears as if the specific metropolis this song is set in is not what’s really important. 

So if one reference points to New York and another to London, the one thing they do have most in common is being prominent metropolises. And again, such a setting is the one in which this narrative takes place. Or more to the point, as explained by the singer, is this love story being situated “in a new city” the narrator is now discovering.

The video is directed by Emile Frederick and both the video and the performance by the band’s frontman playing a stripped-back take on the track really emphasises the emotional core of the song. The raw production of the piano version allows the heart of the song to flow as Le’aupepe gives a suitably powerful performance: his eyes are closed and his face is concentrated as he delivers the sincere and thoughtful lyrics about the feeling of falling in love in a strange new city.

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“Georgia Blue” is a labour of love. On election day 2020, when I saw that there was a good chance the state of Georgia might go blue, I came up with an idea: to record an album of Georgia-related songs as a thank you to the state and donate the money to a Georgia based non-profit organization.

I will admit my motivations were a bit selfish. For years, I’ve been looking for an excuse to record these songs with my band and some friends. The songs on this album are some of my favorite Georgia-related songs, but the track-list is not meant to be comprehensive. I would love to cover Outkast and 2 Chainz, but I don’t think the finished product would be very good. We’re a rock band, so we covered rock songs. We have roots in blues and R&B, so we enlisted some brilliant artists to help us pull off songs by Precious Bryant, James Brown, and Gladys Knight.

My favorite part of the Georgia Blue recording process was having the opportunity to work with these very special artists, and I thank them: Amanda Shires, Brittney Spencer, Adia Victoria, Brandi Carlile, Julien Baker, Béla Fleck, Chris Thile, Steve Gorman, Peter Levin, and John Paul White.

I hope you enjoy listening to these recordings as much as we enjoyed making them. Keep listening to good music and fighting the good fight. Jason Isbell 

Jason Isbell – Vocals, Guitar
Amanda Shires – Fiddle, Vocals
Jimbo Hart – Bass, Vocals
Sadler Vaden – Guitar, Vocals
Chad Gamble – Drums, Vocals
Derry deBorja – Keys, Vocals

Releases October 15th, 2021

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Last year, the Seattle band Deep Sea Diver released a new album, “Impossible Weight“, which featured a song with Sharon Van Etten. They’re currently out on tour and in advance of their New York City show tonight, the Jessica Dobson-led project has released a new cover of Alanis Morissette’s “Hand In My Pocket,” which features Damien Jurado

“One of my favourite things in the world is to cover a larger than life song and try and make it my own. Growing up in the 90’s, Alanis was one of the only female artists in the rock world that I had to look up to. I’ve always felt like someone that never finds a home in the middle. ‘Hand In My Pocket’ is a song that so perfectly captured the many juxtapositions in life while making me feel like it was completely fine to be whatever I wanted to be. This cover was recorded in my home studio and I asked Damien Jurado to sing with me on it because I’ve always loved the emotion in his voice. This year marked the 25th anniversary of ‘Jagged Little Pill’ and I wanted to honour this incredible song and I hope I did it justice. Much love to Alanis!”

“Hand In My Pocket” (feat. Damien Jurado) is the latest single from Deep Sea Diver.

The Weather Station Releases Ignorance Deluxe

The Weather Station has announced her the two volume, double LP “Ignorance” (Deluxe), out digitally today and physically on November 19th via Next Door Records. “Ignorance” (Deluxe) features the original track-list, live and piano versions of select songs, plus two never before released tracks, including “Look” and today’s “Better Now”. Lindeman comments, “I wrote ‘Better Now’ in Banff, Alberta, in stolen moments as I was teaching song writing and writing for myself. It’s all just true; the mountains, the piano, the first line, the pain of being hurt and the joy of being alright anyways.” Ignorance (Deluxe) will arrive when Lindeman is in the midst of the Canadian leg of her tour. In spring 2022, she will play across the United States before heading to Europe.

“Whenever you make anything, you have to leave things out; it’s a critical part of the process, but a painful one nonetheless. I’m glad to have the opportunity to revisit the paths not taken, and allow some of them out after all; quiet versions of songs that were redirected into rhythm, two of the songs we recorded but left off the album, and some live versions of the songs that have come to be since the recording. It has been overwhelming to have this album be so lovingly received, and it is wonderful to have the space to release more of it into the world.”

Parking Lot (Piano Version) · The Weather Station · Tamara Lindeman The album “Ignorance” Possum Records Released on: 2021-09-29

Palace is a band out of London making expansive, emotive alt-rock. At the centre of their sound is Leo Wyndham’s falsetto vocal, which bears more than a passing resemblance to Jeff Buckley, though I also hear traces of My Morning Jacket and DIIV and alt-J in their sound. As if telegraphing the Buckley influence, Palace’s new song out today is called “Lover (Don’t Let Me Down)” — maybe it’s a prequel to “Lover, You Should’ve Come Over”? The dreamy but dynamic track is the lead single from Palace’s upcoming album “Shoals”.

It explores and questions what really is palpable and real — what really matters and what we become in death — and the fear of that. The fear of existing and the fear of dying. It’s an ode to the power of the ocean and the majesty of nature and how sometimes they are the only things that truly feel real, living and breathing.

The album, released to be released January 21st, 2022, will also include recent single ‘Gravity’ – which arrived last month along with news of a February tour. These will be the band’s biggest shows to date, including a massive gig at Brixton’s O2 Academy.

The album was written during the UK’s first coronavirus lockdown in 2020, during which Wyndham was forced to confront a number of mental health issues. “I’m one of those people who’s tried to run away from those fears and anxieties, but [during lockdown] I had a real feeling of ‘Shit, I can’t hide from this now’,” .“My brain was like a conveyer belt of negative thoughts and a feeling of purposelessness. When music was taken away, I started to wonder what the fuck my purpose was.”

Grappling with an existing health anxiety, fear of death, and “extreme panic”, all of which intensified during the pandemic, Wyndham also suffered from long COVID during the album’s creation – which enflamed his lungs for nine months.

“It felt like I had a clamp on my chest,” he continued. “At first, his illness also impacted his ability to sing. “I felt very lethargic and heavy, I had terrible chest cramps. I started to fear it might even threaten my career.”

Waysides” is not the typical album, but rather a hodgepodge of tracks cut from Bedouine’s previous records, threads of older material, scraps of the sounds and moments of her past. The album encapsulates the artist’s coming of age, grappling with emotions and experiences that come with gaining wisdom. Waysides is the kind of album that would back delicate daydreaming or frolicking through a field, as much as it would work for deep contemplation and nostalgia. Azniv Korkejian has a way of wrapping up rather heavy-hearted lyrics in a charming manner, so much so that the emotion at hand must often be extracted. Sometimes the emotional weight of the song is completely different from how the song sounds, as if one track can become two simultaneously. To use a phrase Korkejian herself sings in “You Never Leave Me,” her music is both “sweet and tough.” 

Bedouine loves covers. In the past couple years, LA-based singer-songwriter Azniv Korkejian has recorded tunes by Margo Guryan, Ron Sexsmith, Big Star, and Bill Withers plus the folk traditional “All My Trials.” And now she has put her own spin on Shaggy’s immortal 2001 chart-topper “It Wasn’t Me.” But Bedouine’s “It Wasn’t Me” is an original the latest single from her upcoming album “Waysides” following last month’s “The Wave.” Here’s a statement from Korkejian about the track: This song represents a special stage to me. I was just starting my habit of bedroom demoing. Locking myself in for hours at a time to put away a feeling was the most rewarding thing. If I felt that I captured what I was feeling, I’d send it to whomever it was about, like an elaborate letter. It was thrilling. That was 15 yrs ago and not much has changed. The song itself is about spending an evening with someone, thinking it was this incredibly romantic time, only to find out I was alone in that feeling. It’s a reflection of that bewilderment and the denial that can follow. It feels good to share after so long. It makes me nostalgic for bygone days, which is one of the threads that runs through Waysides.

The 2nd single from upcoming album, “Waysides” is out via The Orchard. 

Releases October 22nd, 2021

The limited edition “In This House” compilation features collaborations with Nico Muhly, Sorcha Richardson, Thao Nguyen, Wye Oak, Attacca Quartet, The Districts, and Wild Pink. The release also marks the inaugural anniversary for San Fermin’s record label, Better Company.

San Fermin made their debut with the self-titled 2013 album hailed by NPR as “one of the year’s most ambitious, evocative, and moving records.” The band’s sophomore effort Jackrabbit arrived in 2015, debuting at #8 on Billboard’s Heatseekers chart. As the follow-up to Jackrabbit, the band released Belong, the 2017 release praised by The New Yorker for “often sound[ing] like a wall of flowers blooming at once.” With the release of The Cormorant in 2020, San Fermin have now sold out shows worldwide, appeared at major festivals like Lollapalooza, and opened for the likes of St. Vincent, The National, Arctic Monkeys, and alt-J.

San Fermin have announced their upcoming compilation LP, “In This House”, their new collection of collaborations is out December 10th on the band’s new label, Better Company.

As the band describes, the label was born out of a desire for connection and collaboration. In turn, the new compilation was born from the same spirit. As San Fermin’s Ellis Ludwig-Leone explains, “When the pandemic arrived, the idea of a shared space was drawn in even more absolute terms as something more valuable and fragile than many of us had imagined,” says “To battle the growing feeling of isolation, I tried to embrace the sentiment of the times, and invited some of my favourite musicians to write with me, long-distance, in an effort to bring back a feeling of community and shared experience.”

Ludwig-Leone continues, “I’m proud to see all of these discrete songs collected in one place. Each one was an experiment, a timestamp of the moment it was written in a quickly changing landscape. And though they are purposefully distinct, there’s a throughline that emerges when they’re taken together: themes of community, home, lives left behind. There is despair and anger but also a warmth that comes from accommodating other voices alongside your own. As the opening lines of ‘In This House’ ask: ‘bring what you can hold / I can make a space.’”

Along with the album announcement the band has also shared the first single from the record, “My First Life.” by San Fermin & Wye Oak”In This House” limited edition vinyl

Monica Martin is a Chicago-born singer-songwriter who grew up in rural Wisconsin, mostly waiting for Billie Holiday videos to load on back-country dial-up or making trips in a busted Geo Metro to watch punk shows in Milwaukee. Trained as a hairdresser, she didn’t have musical plans beyond joke riffing harmonies over the radio. After being coaxed by her best friend Matt, she started to sing in public and on friends’ records, which all led to her writing her own songs. She fronted experimental-folk-pop sextet, PHOX, formed in Madison, Wisconsin in 2012. PHOX released an eponymous album, played big festivals, national TV shows, and flew overseas to play shows far away from home. PHOX went on indefinite hiatus in 2017, and Monica moved to LA because “Wisconsin is cold as f*ck”. She found herself a periwinkle casita and is feeling freer than ever in the city of misfits. She’s presently at work unpacking her mental confusions by cataloging/celebrating the fuckery of her ex-es (and herself) in lowkey pop songs with soul whispers, some golden-era hollywood dramatics, and psychedelic flickers courtesy of a theremin. Monica is still figuring out who she is, but quite happy to share her cautionary tales: “I made hundreds of mistakes so you don’t have to.”

Early last year, Monica started recording some of the songs she’s been writing since the move. She has released the first one, titled, “Cruel.”

“You can equip your lover with the truth, but they might still lie to themselves,” she says on the song, ”there is a point where, if you know they aren’t going to manage their expectations as a grown ass person, you’re cruel to not call the incompatibility and leave… “