Archive for the ‘MUSIC’ Category

Pixies four band members standing by orange background

The iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemize more sophisticated dark arts – a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies release their eighth studio album “Doggerel” via BMG Records, including lead single ‘There’s a Moon On’.

“Doggerel” is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.

“The only bar that we subscribe to in general is we don’t want to be boring” says Black Francis.

The entire band – frontman and songwriter Black Francis, lead guitarist Joey Santiago, bass player Paz Lenchantin and drummer David Lovering. “You would have thought that I spent a lot of my downtime writing songs but I did not” says Francis.

“In fact, I procrastinated until the absolute last minute. “I finally sat down and informed my children that I would be a bit vacant for a couple of weeks, and I sat up in my attic with a guitar and hoped for the best”.

Procrastination or not – the results were highly productive, feeding into a pile of 40 songs considered for the band’s forthcoming record ‘Doggerel’.

Recorded in Vermont in early 2022, the album’s publicity boasts “a mature yet visceral record of gruesome folk, ballroom pop and brutal rock”.

Joey Santiago offers a simpler description – “Doolittle Senior” – invoking the band’s 1989 classic.

“It’s a mish-mash of songs like a good radio station. We’re not like… one flavour. We’ll give you twelve flavours! I really love it”. ‘Doggerel’ sees the band reunite with British producer Tom Dalgety, who previously helmed 2016’s ‘Head Carrier’ and 2019’s ‘Beneath the Eyrie’.

“It’s interesting working with him because he has become familiar with the way that we play, and the things that we’re capable of and the things maybe that we’re not capable of” says Black Francis.

“It’s interesting hearing him playing the band like an instrument a little bit. I think that’s maybe the first time I’ve experienced that with a record producer.” “I guess I was in kind of a zombie state, just playing,” Santiago explained. “After I stopped playing, I put it down and went, ‘Well, that was a fucking waste of time, what a piece of shit I am.’ I beat myself up a lot, but my girlfriend, unbeknownst to me, was recording me. She played it back to me, and I go, ‘Fuck! Hold on a second here! This stuff is good!’”

Black Francis also noted that the single is about “living in Los Angeles in the ‘90s with my then-wife, hanging out with Joey and his ex-wife, lots of trips to Las Vegas, a lot of drinking, little bit drug taking, some genuine good times.”

‘Doggerel’ includes some Pixies firsts, including Santiago’s first song writing credits with the band, contributing lyrics to ‘Pagan Man’.

“The last song we did in fact was an unfinished bit of music that the producer kept insisting that we try again” says Black Francis. “I was not in the mood to compose a lyric because I was already spent, if you will. So Joey wrote the lyric.” “Charles had these sounds and it was just a matter of grabbing them and making sense of it” Santiago explains.

“It was a fun puzzle. My version of what looking at a cloud looks like. This is what I see!”

“I finally sat down and informed my children that I would be a bit vacant for a couple of weeks, and I sat up in my attic with a guitar and hoped for the best”. Procrastination or not – the results were highly productive, feeding into a pile of 40 songs considered for the band’s forthcoming record ‘Doggerel’.

Pixies – the new album “Doggerel”, out on September 30th.

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“The song is about the juxtaposition of feeling small in an endless universe while reflecting on the significance of my own birth and existence,” Frances shared. “It’s about learning to move slowly through the world, listening to nature, and trusting that I can find my answers within.” 

She further explained how this single was the cornerstone for the full record, and how she’d been inspired by an album cover created by her friend Adrian Crowley, “a still life of different objects including nails, a seahorse, ash, and shells.” See continued, “Later on I dreamt I was swimming in the sea close to dark somewhere off the coast of Mayo. I looked up at the sky and saw his album cover looking back at me. It appeared real; the seahorse and nail on the horizon with all the planets and stars made of stone and ash. In the dream, I asked Adrian about it and he told me it wasn’t a still life after all, but actually the sky when seen at night in a special part of Mayo from a particular angle, when you walk out to the Atlantic Ocean. It was to be kept a secret because the world wasn’t ready to know about it yet. I wrote ‘This Still Life’ the next day, and a week later began recording “Protector” with my band.”

Watch the Ella Margolin–directed video for “This Still Life”

PARKER GISPERT – ” Golden Years “

Posted: September 8, 2022 in MUSIC

“Golden Years” is a full-band rock album and a return to being inspired by some of my first musical influences,” Gispert shares of the project, which officially drops tomorrow. “I’m a child of the ’90s, and I think there’s a good bit of grunge and ’90s indie rock in the mix, as well as classic rock influences like Loaded by The Velvet Underground, Armed Forces by Elvis Costello, or Sticky Fingers by The Rolling Stones—all of which I was listening to a lot while writing the album.”

With much of the garage-rock edge shaved off the full-band sound we’re used to hearing Gispert’s vocals accompanying, the songs on this new record are a far cry from his solo debut. “Originally I’d plotted the follow up to “Sunlight Tonight” as a more acoustic affair,” he claims, “but I felt like the clash of rock and roll and its inherent dissonance were a more appropriate backdrop for the lyrical topics I wanted to write about. Fortunately I was able to work with Roger Moutenot, who engineered, mixed, and then co-produced the album with me at his Haptown Studio in Nashville. Roger was able to capture the emotion of me and my band rocking out on these tunes, and I’m really looking forward to people hearing the album and getting to hear this collection of songs live at shows.”

the upcoming album ‘Golden Years’ out September 2nd

While we’ll have to wait a week for any of those live shows, 

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Melody’s Echo Chamber was the creation of musician Melody Prochet with production from Tame Impala’s Kevin Parker—her partner at the time. The two reconvened after the first album’s release and starting working on the follow-up in 2013 in Perth. During that period, Melody’s Echo Chamber was touring. “I wrote bits of the songs around the world while swirling with the clouds around the globe, moving too fast,” she said. “I remember trying to blow those bubbles of creation for us into very uncertain windows of space and time.” However, the two went their separate ways and, as a result, Melody’s Echo Chamber didn’t finish the intended follow-up album.

“The album was 50 percent completed, and then the relationship just didn’t make it through the process,” Melody explained. “And then I tried to work on it on my own for a couple years, until I realized that I was just really hurting myself doing that.” Seven tracks from that period remain, which are now getting a proper release.

Today, Melody’s Echo Chamber shared the title track from the forthcoming project. “This song captures the emotional ambivalence of a crossroad, like a child finding a special seashell hidden in the sand but the ocean’s creature still lives inside,” Prochet explained. “I guess it’s the sound releasing of the beloved.”

Melody’s Echo Chamber – “Unfold” out now on Domino / Fat Possum Records. On 30th September 2022, the 10th anniversary edition of ‘Melody’s Echo Chamber’s’ self-titled debut will be released alongside ‘Unfold,’ the lost follow-up album from which seven rare and unreleased tracks will be made available.

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While Austin, Texas has long been keeping things weird with a healthy psych-rock scene, the Australian city of Melbourne has been creeping up as the psych capital of the world in recent years. Although The Murlocs came up at the same time as groups like The Black Angels and Night Beats, the band has consistently been winning over more listeners as they benefit from the wild success of groups like King Gizzard and the Lizard Wizard, with whom they have overlapping members. 

As the release date for their latest album “Rapscallion” approaches, The Murlocs have never felt more comfortable amongst a growing scene of weirdo-psych bands matching the playful energy on full display in the group’s video for new single “Compos Mentis,” which sees each band member emerge from a trash can/trash bag as they jam the relatively restrained, fairly soulful, and immediately catchy track about vibing at the junkyard. “After a long day of truck stop fights, hitchhiking, and getting kicked off trains, our beloved rapscallion protagonist decides to spend the night in an abandoned junkyard,” vocalist Ambrose Kenny-Smith explains, setting up the clip. “Finding peace within the garbage that surrounds him, he begins to question his purpose in life and whether or not he’s in control of his own mind.”

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This is the big Michael Monroe news everyone has been waiting for!!!!!!!!!!!!!!!!

Michael Monroe’s big surprise – the final climax of the 60th anniversary concert at the Helsinki Ice Hall on September 23rd is the reformation of the original Hanoi Rocks line-up

Michael Monroe, who turned 60 in June, will celebrate the milestone with a bang at the Helsinki Ice Hall on September 23rd. Now Monroe reveals the big news: as the Grand Finale of the concert, the original line-up of Hanoi Rocks, one of Finland’s most significant rock bands of all time, will take the stage: Michael Monroe, Andy McCoy, Sami Yaffa, Nasty Suicide and Gyp Casino. The quintet, who started a historic chapter in the world’s music scene, was seen on stage for the last time at Helsinki’s Tavastia on July 27th, 1982.

Internationally acclaimed, as they were throughout their career, Hanoi Rocks has had a great impact on the entire history of rock. Several international bands, such as Foo Fighters, Guns N’ Roses and Skid Row, acknowledge the influence of Hanoi Rocks and hold the band in very high regard. For decades there’s been an endless amount of requests to reform the original line-up of the legendary band to perform live. An idea that has previously seemed impossible, is now becoming a reality at Monroe’s 60th anniversary concert.

“This is the only appropriate time and place for all five original members of Hanoi Rocks to get on stage to play together after a break of over forty years. This is not a Hanoi Rocks re-union, but a unique part of the anniversary concert. At first I planned to keep it a surprise but after giving it some more thought, I realised that it wouldn’t be fair, especially to the fans, not to make this public in advance and that everybody should have the chance to be there.”

Michael Monroe and Andy McCoy founded Hanoi Rocks in the late 1970’s and the band’s original line-up was established in 1980. Hanoi Rocks, the first Finnish rock band to make an international breakthrough, recorded their first three albums with the original line-up: “Bangkok Shocks, Saigon Shakes, Hanoi Rocks” (1981), “Oriental Beat” (1982) and “Self Destruction Blues” (1982). Gyp Casino was replaced in 1982 by Nicholas “Razzle” Dingley who became an integral member of Hanoi Rocks. Razzle died in a tragic accident in 1984. Unfortunately this led to the band’s untimely demise in early 1985.

Another big surprise for the unique 60th anniversary concert is that the ”support band” for the show will be the legendary Demolition 23 reunited. Led by Monroe, the band rose to great cult fame, although they only released one album (“Demolition 23”) in 1994 and broke up shortly afterwards. This is the first performance of the band since the band’s breakup in 1995.

At the 60th anniversary show, Monroe is mostly accompanied by his long-time band Sami Yaffa, Karl Rockfist, Rich Jones and Steve Conte. In addition to the original Hanoi Rocks line-up and Demolition 23, several top musicians and artists who have collaborated with Monroe over the years will take the stage. The almost three-hour long concert allows you to hear many Michael Monroe classics during the evening. To top the event, the lights and visuals are designed by the internationally acclaimed, world-wide phenomenon, Mikki Kunttu.

Singer and saxophonist Zumi Rosow muses, “It’s a weird dance record, one that reflects the moment that the world’s in right now…”

“Apocalypse Love” is an album that emanates from a dive bar jukebox in the back of your mind; with a playlist that bends between tub thumping doom- glam, Plastic Ono singalongs, cocktail-shaken space age pop, Morricone reverberations and lo-fi outsider acoustic-punk, with mariachi horns, theremins, drum machines and harmonies filtering through the infectious melodies.

Stand-out number ‘Among The Dunes’ is an amorphous platform-heeled anthem, a signature sax-fuelled stomper filled with trippy swagger. While opener ‘No Rave’ proffers a hypnotic locked groove, with Cole Alexander’s trademark snarl delivered over a sulphurous wall of distorted hedonism, a dystopian anthem for an apocalyptic manifesto. Meanwhile, the twisted exotica of ‘Whips Of Holly’ with its silver screen façade is like the soundtrack to a classic Theda Bara vamp-fest.

As the band venture into their third decade, Apocalypse Love is proof that The Black Lips show no sign of slowing down…

Stand-out number ‘Among The Dunes’ is an amorphous platform-heeled anthem, a signature sax-fuelled stomper filled with trippy swagger. While opener ‘No Rave’ proffers a hypnotic locked groove, with Cole Alexander’s trademark snarl delivered over a sulphurous wall of distorted hedonism, a dystopian anthem for an apocalyptic manifesto. Meanwhile, the twisted exotica of ‘Whips Of Holly’ with its silver screen façade is like the soundtrack to a classic Theda Bara vamp-fest.

Released October 14th, 2022

CLT DRP – ” Aftermath “

Posted: September 8, 2022 in MUSIC
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Pronounced Clit Drip for those confused or too shy to ask, CLT DRP have been turning heads since 2017. The genre-bending trio’s non-apologetic and yet playful approach has seen them garner praise from The LineOf Best Fit, Gigwise, and plenty more. Their music gets you moving, invites you in with power, and makes you question your environment and yourself. In their time, CLT DRP have already supported Nova Twins, Warmduscher, among others, and performed at 2000trees and ArcTanGent festivals.

The Brighton electro-punk trio CLT DRP have shared a powerful new single, “Aftermath”, dealing with themes of sexual assault and gendered violence, and the internalised guilt and frustration that can follow in the wake of sexual assault.

Vocalist Annie says: “Generational grief’s discourse within feminism is something that I don’t believe gets paid much attention to. There’s been so much progress culturally around the education of sexual health, consent and intersectional feminism while I’ve been growing up. Unfortunately even within that progress – it feels as though a lot of disconnect surrounding the victim blaming narrative has stayed the same.

“The onus continues to remain on the women to solve the problem of sexual assault / gendered violence and I notice that there is still a slight trace of resentment clashing between generations. There are all these conversations around how lucky my generation is that culturally, these topics are being spoken about and normalised in our lifetime.

On the narcotic, down-tempo synth-punk of ‘Consolation Prize’, Jared Artaud says: “In the beginning of any relationship you can really lose yourself in another person. There’s something inherently infinite, but also terribly fleeting about love. This duality of will it last forever or will it last for now. You start off reaching for the stars and end up thinking life is your consolation prize. Then there is the music, which is like slow dancing on Benzos. Music for loners and lovers.”

“Consolation Prize” leans into the spacious and gothic side of post punk, building on top of abstract synth drones, minimalist percussion, and marching wiry bursts of guitar” Under The Radar

Later this month The Vacant Lots will be hitting the road for a US tour with The Black Angels over Sep-Oct followed by UK & Europe dates in Nov-Dec.

the latest single to be lifted from The Vacant Lots’ new album ‘Closure’, out September 30th on Fuzz Club Records

BJORK – ” Atopos “

Posted: September 7, 2022 in MUSIC
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A new video of Björk dancing around a luminous field of mushrooms with a woodwind accompaniment and pounding drums,. This is Björk’s video for the first single she’s sharing from her forthcoming LP is more mysterious and whimsical than the dream you forgot after waking up this morning. The avant-garde artist is getting ready to share her latest album “Fossora” on September 30th, and this morning she’s has shared the single “Atopos” boasting six bass clarinets and a video directed by Viðar Logi.

“I am so happy to share with you the first video of my album to the song ‘atopos,'” Björk wrote in an Instagram post. “Because of the enormous importance of bass in this song, could you please play it loudly?”

For me it is a good intro …. kinda like an id sound card, sonically this is a heavy bottom-ended bass world
we have 6 bass clarinets and punchy sub drilling, nesting and digging us into the ground

we all just went through an unique moment together, where we quarantined and stayed long enough in one place that we shot down roots, I tried to capture this feeling sonically, I described the sound to the musicians as my mushroom album : tree roots and mycelium spreading deep into the soil

the lyrics to “Atopos” are what Roland Barthes describes so magnificently in his book “A Lover’s Discourse” it is about the binary spirit of human nature … left versus right, man versus woman and so on but the theme of the song is to overcome differences and unite

or like the lyric says : “are these not just excuses to not connect?, our differences are irrelevant
our union is stronger than us”

warmthness
björk

Of the video she adds, “Dear viðar logi, thanks for all your joyus celebratory energy and for being up for taking on all the challenges i threw at you !! you transformed all of them into a viðar logi vision, I couldn’t possible have had a better visual partner in the pandemic …. I am so incredibly grateful for our journey, I can’t believe the amount of things we’ve done in the last 3 years !!”

taken from new album ‘Fossora’ out 30th september

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