Posts Tagged ‘Win Butler’

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Arcade Fire have made the announcement that they will soon be sharing a brand new short-film ‘Money + Love’ to work as a double-header video for two of their more recent tracks ‘Put Your Money on Me’ and ‘We Don’t Deserve Love’. The full film will drop on March 15th.

It comes ahead of the scheduled UK tour, which you can see the dates for below, and will see the band work with not only David Wilson, whom they collaborated with in 2014 on ‘Reflektor’ and ‘We Exist’ but also Australian actress Toni Colette.

Win Butler has said: “The concept of a double video really appealed to us, we’d always loved songs being put together as A and B sides… and these songs seemed perfect together. David has been a great collaborator for us since Reflektor and we were finally able to work with Toni whom we’d been wanting to work with for some time.”

UK Dates:

06/04 Dublin 3Arena
08/04 Manchester Arena
11/04 London SSE Arena Wembley
12/04 London SSE Arena Wembley
13/04 London SSE Arena Wembley
15/04 Birmingham Genting Arena
16/04 Glasgow SSE Hydro


Neon BibleIt didn’t happen overnight, but it still came about pretty quickly. After making only one album Funeral in 2004 and doing a whole bunch of touring, Arcade Fire had become one of the most acclaimed bands in the world, anointed as the new flag waving of U2 , Coldplay and David Byrne . Now all the Canadian collective had to do was make a follow up record.

Neon Bible is the second studio album by the Canadian rock band ,released on March 5th, 2007 on Merge Records. Originally announced on December 16th, 2006 through the band’s website, the majority of the album was recorded at a church the band had bought and renovated in Farnham Quebec. The album is the first to feature drummer Jeremy Gara, and the first to include violinist Sarah Neufeld among the band’s core line-up.

In the process of making the sophomore release Neon Bible, the members of Arcade Fire turned their gaze from the inward grief of Funeral to more worldly matters – religion, violence, television, war, power, greed and fear, personified as “a great black wave in the middle of the sea.” Oceans play a major role in the imagery of the album’s songs.

“If you’ve ever been in a boat when the weather is bad… all of sudden you feel out of control,” frontman and primary songwriter Win Butler  said . “Those are the few times when I’m really aware of how out of control of the situation I am. And definitely, if you’ve ever been in the ocean and had a huge wave move over you, you become very aware that you’re not in control.” Butler was able to gain perspective on the “ocean” that is the U.S. via his status as an American expat. On Neon Bible, his birth country became reflected in, to borrow the title of the album’s lead-off track, a “Black Mirror.”

“It was the first time in my life that I felt like I was visiting my own country as some sort of outsider,” Butler said about the effect of touring the U.S. “I had lived in Montreal for a few years at that point, but I didn’t realize that I had really made it my home until that trip.”

He began to look at the U.S. as an alien culture where, Butler said, “Christianity and consumerism are completely compatible, which I think is the great insanity of our times.” Religion became a through line for many of the compositions, reflected in the thoughts of a suicide bomber (“Keep the Car Running”), the aspirations of the father of a reality star (“(Antichrist Television Blues)”) and the devotion of a person “singing hallelujah with the fear in your heart” (“Intervention”). Although the American criticisms of “Windowsill” aren’t explicitly God-obsessed, Butler connects the tune to religion as well.

“In theology there is this idea that it is easier to say what God isn’t than what God is, and in a way that song is my trying to say everything about my country that is not what makes it great or beautiful,” the singer said. “In a way it makes what is great and beautiful and worth fighting to preserve more clear.”

It’s no wonder that most of the album was recorded in a church – a former one, at least, that the members of Arcade Fire purchased in 2005. The bandmates turned the Petite Eglise church in Farnham, Quebec, into a studio over the course of 2006, recording “Neon Bible” as they went. While the building’s past use might have rubbed off on the lyrical content, the big, central space also allowed the seven-member band to have enough real estate to record live all at once.

The big spaces and big themes seemed to demand big sounds. Neon Bible reveled in expansive arrangements and instrumentation. A film orchestra and military men’s choir were recorded in Budapest to add epic heft to “No Cars Go” (a holdover from Arcade Fire’s debut EP). A gargantuan pipe organ led “Intervention.” Butler’s wife (band multi-instrumentalist and vocalist Regine Chassagne) played the enormous instrument on the album’s fourth track, nailing the performance in just one take.

“Normally you think of organ with just a couple of stops open, said ” Butler “It’s like a flute – gentle. But with all the stops pulled it’s got this really aggressive sound. I knew that for ‘Intervention’ it was really going to be about the organ.”

Upon Neon Bible’s release on March 5th, 2007, fans and critics were divided over the new, more substantial Arcade Fire sound. While many praised the ambitious arrangements, pointing to the influence of maybe Springsteen , others felt that the album’s sound could become overblown, pointing to the influence of Bruce Springsteen. In spite of – or because of – this, the album became one of the most-praised releases of the year, included on a bevy of best-of lists at the end of 2007.

Neon Bible also pushed Arcade Fire further into the mainstream. Soon after the album’s release, the band played the TV show “Saturday Night Live” and scored their first No. 1 album in Canada, while hitting No. 2 in both the U.S. and the U.K. “It’s pretty wild,” Butler  said “It’s pretty amazing for a band like us to be in that position. It’s funny in kind of a satisfying way.”


  1. Black Mirror” – 4:13
  2. Keep the Car Running” – 3:29
  3. “Neon Bible” – 2:16
  4. Intervention” – 4:19
  5. “Black Wave/Bad Vibrations” – 3:56
  6. “Ocean of Noise” – 4:53
  7. “The Well and the Lighthouse” – 3:57
  8. “(Antichrist Television Blues)” – 5:10
  9. “Windowsill” – 4:16
  10. No Cars Go” – 5:43
  11. “My Body Is a Cage” – 4:47

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For nearly a decade and a half, Arcade Fire have continued to push and challenge themselves, drawing from their own confrontation with personal crisis and giving us access to things we might have been ignoring within our own lives. But always retaining the emotional core, their “us against the world” anthems, and their arena-propelling hooks.

Arcade Fire have now returned properly to give us a real taste of their new music, with a new track ‘Creature Comforts’ from the forthcoming new album. which is out today July 28th via Sony Records.

The track is a ball of dark energy, with low level synths buzzing across the floor as the odd lead line raises the temperature every so often. It is a true testament to the band, that they can be so far removed from their previous incarnations and still have a nuance so noticeable that as soon as the music starts you think “That’s Arcade Fire!”.

As Win and Regine yelp across to each other it is fully confirmed that this is yet another victory for Arcade Fire and the new album Everything Now is likely to be yet another gold-standard record.

From the upcoming album ‘Everything Now’,