Posts Tagged ‘Visitors’

Some nice sitar and Farfisa action going on, here… good pop sensibilities, too..

Los Angeles Psych rockers Triptides have just made their finest album yet !. After the acclaimed Azur (2015) and Afterglow (2017), Triptides are back with their sixth album! With Visitors, the LA based band are probably delivering their most accomplished album yet. Visitors deepens the exploration started with Azur, digging more profoundly into fifty years of psychedelic pop music with the band’s trademarked pristine elegance of melody.

However, the finer production and musical arrangements this time round show a real advance in the band’s ability to capture on record what they offer live: the songs of Glenn Bringman & Josh Menashe never chimed so beautifully or with such mature accomplishment.

L.A.’s Triptides have psychedelia down to a science” (LA Record, US), “This artefact is something especially nice to have and hold and sit alongside The Young Sinclairs, Silver Factory and Allah-Las in your collection. They deserve far more attention than has come along so far” (Shindig)

“The romance that is begining with Triptides will last more than this summer”. (Rock & Folk)

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The LP contains 10 songs pressed but CD and Digital contains the full album (12 songs)
Those who wants the two additionnal songs on vinyl can take the Limited edition 7″ (CRM022 Heavy Cloud / My Friend).

Released April 6, 2018

Glenn Brigman : Vocals, guitars, farfisa, mellotron, drums, sitar, electric harpsichord, tambourine
Josh Menashe : Vocals, guitars, bass, farfisa, flute, piano
Modeste Cobián : Flute on Mary Anne and Heavy Cloud
Dylan Sizemore : Backup vocals on Sunday In The Park
Recorded and mixed by Triptides in Los Angeles, CA

Triptides “Visitors” is their sixth album , This L.A.-by-way-of-Indiana band exhibits no discernable drop in quality, delivering another gloriously trippy slice of bedroom psych-pop. The duo of Glenn Brigman and Josh Menashe hold true to their vision of re-creating the swirling sounds of late-’60s U.K. groups like Tomorrow and Pink Floyd, Instead, there’s a rock-hard toughness under the jangling 12-string guitars, biting six-strings, and wistful voices that gives the album a kick and provides a very solid foundation from which to launch their tuneful flights of fancy. And the songs are quite fanciful, whether the band are in full daydream mode like on songs “Saturday Far Away” or “My Friend” or rollicking gently as on “All My Life,” or kicking up paisley swirls on rockers like “Mary Anne” their melodies are sweet and the hooks are sharp.

This album seems a little more cleaned up than some of their earlier work, but they still show a mastery at crafting echoing, atmospheric sounds that complement their tunes perfectly. The new twist to their approach brings the band a step or two out of the bedroom and lends an air of professionalism to the record. It’s not far from the sound bands like Plasticland or the Rain Parade had in the ’80s, and that’s high praise. Those bands conjured up the sounds of their psychedelic heroes without sounding like slavish imitators, they used modern recording techniques wisely, and they got a full, rich sound most bands in the ’60s couldn’t come close to. Triptides do all those things too, and against the odds, they keep getting better. Visitors is their best-sounding record to date and anyone with even a passing interest in psych-pop should start here, then work back through the rest of the band’s impressive catalog.

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Triptides are :

Glenn Brigman : Vocals, guitars, farfisa, mellotron, drums, sitar, electric harpsichord, tambourine
Josh Menashe : Vocals, guitars, bass, farfisa, flute, piano
Modeste Cobián : Flute on Mary Anne and Heavy Cloud
Dylan Sizemore : Backup vocals on Sunday In The Park
Recorded and mixed by Triptides in Los Angeles, CA

From the album Visitors out on 6th of April 2018 on Requiem Pour Un Twister