Posts Tagged ‘Vermont’

clever girls constellations album art

Burlington, Vermont’s Clever Girls, the indie-rock songwriting project of Diane Jean, waited a long while to release their second album “Constellations”. They started writing the record in early 2018, before they’d even finished recording their debut, Luck, and after Jean had come out as queer and gender-nonconforming. These songs find the songwriter working towards personal autonomy and acceptance, and surround their unflinching emotional journey with versatile, always-compelling guitars and dynamic arrangements that keep the listener off balance, unsure of what’s around the corner of the next measure. Constellations is music for those who look inside themselves and are unsure of what it is they see, but refuse to turn away. 

Clever Girls’ Diane Jean does more than just sing about their issues, they make you feel them viscerally. In order to capture the exhaustion and frustration that people assigned-female-at-birth can feel in relationships because of societal expectations, they recorded the vocals to “Stonewall”  the moment they woke up. Scratchy-throated and weary, they were still wrapped in a sleeping bag after spending the night in the studio. This kind of commitment is a big part of what makes Clever Girls’ second full-length LP, “Constellations”, so compelling.

Clever Girls are a Vermont-based quartet Diane and their bandmates prove to be fluent in a myriad of sounds throughout the record. Opener “Come Clean” shifts from a hushed indie lullaby to a noise rock cacophony in jarring fashion. “Remember Pluto” is blissful and beachy, recalling bands like Alvvays and Fazerdaze. The closing track “Fried” even has an IDM quality thanks to its thumping beat and oscillating guitar.

There’s a looseness through Constellations that makes the album especially inviting — you get the sense that the takes used were chosen more for emotional resonance than technical perfection. After all, it was pandemic isolation that inspired the tremendous sense of longing on lead single “Baby Blue.” The record as a whole was partly inspired by Diane’s encounter with the Major Arcana Tower tarot card, a symbol of tumultuous change and personal revelations, and the twin feelings of optimism and unease course through each track.

The songs on Vermont indie rock outfit Clever Girls’ sophomore album, “Constellations” via Egghunt Records will make you feel big and brave even when bandleader Diane Jean sings about feeling small and scared, which is often.

“I think the funny thing about song writing for me is that it’s the sphere of my life where—I don’t think of myself as a dishonest person, but it’s just where honesty comes most naturally to me,” Jean recently said over the phone. “So I carry guilt or shame or fear or love around—all of those big, big emotions—and they come to light first in song writing for me, which is always fun and always surprising.”

In Constellations, Jean navigates those big emotions through vivid song writing and layered, swirling instrumentation. The New Jersey-born singer-songwriter and guitarist wrote the record between 2018 and 2020, with most of the songs taking shape around the time they came out as queer and nonbinary. The final product is self-probing and celestial, tender and intense. “There is so much experimenting going on [in this record],” says Jean. “What I want to say is that it really came from a place of self-discovery.”

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Songs written by Diane Jean and Clever Girls

Clever Girls, “Constellations” Due March 26th

The song writing project of Diane Jean, Clever Girls have subsequently expanded into a four-piece band, based out of Burlington, Vermont. Signed to Egghunt Records, the band have recently announced details of their latest album, “Constellations”, the follow-up to their 2018 debut, Luck. With the album due in March, Clever Girls recently shared the first taste of the record, in the shape of new single, “Baby Blue“.

Like much of Constellations, Baby Blue actually predates the release of Luck, much of the album was written years back when front-person Diane first came-out as a gender-nonconforming person. The album tackles all the complex emotions that come with announcing that to the world, and learning to commit to your own happiness. Discussing Baby Blue, Diane has suggested the track has taken on a new meaning during the current pandemic, focusing in on the isolation Diane felt while stuck inside with only their trusty cat Hank for company, “it was exactly the type of experience that the song was born out of in the first place. The feeling of being isolated, and cut off from the world even when it was still turning“. Musically, Baby Blue has a lush, textural quality and the bristling, 1980’s inspired guitar line, and prominent bass sit in perfect contrast to Diane’s light, dextrous vocal delivery.

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Ultimately for all the talk of isolation and loneliness, there’s a sense of euphoria running through the music of Clever Girls, a feeling of coming through the dark time and learning to find delight in the possibility of the light; less a record of feeling alone and more one of learning not to, this is the sound of a songwriter growing into their role and moving their music to a thrilling new place.

When Clever Girls began writing Constellations, it was early in 2018 and they had not yet finished recording what would become their first full length album, Luck. Constellations was primarily an album written between weeks of tour dates, at the height of exhaustion, and amidst self-discovery. Having just come out of the closet as a queer and gender-nonconforming person, one can find the album set in both front-person Diane Jean’s fantasies, as well as the intimate and impressionistic frontier of their every-day personal life. It is an album about a self-corrected second coming of age that was born in the corners of science fiction and projected onto the walls of Jean’s bedroom. Constellations speaks to Jean’s desire for both personal autonomy that they have not yet experienced, but further, the growth often gained in young adulthood that as a closeted queer person, was lost on them.

Songs written by Diane Jean and Clever Girls

Releases March 26th, 2021

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Francesca Blanchard is a French-born songwriter based in Burlington, Vermont. Since the release of her bilingual folk debut Deux Visions in 2015, the genre-bending songwriter has been busy redefining her wheelhouse. Following a year of extensive touring throughout the US and Europe, Blanchard took some time to rediscover what she wanted to say — and how to say it. She gave rein to a growing interest in production, marking a departure from her acoustic roots. The result is melodic indie-pop bursting with bold vulnerability, cathartic relief and a refreshing dose of self-awareness — a direction that demonstrates the artist’s evolving critical consciousness and relish for catchy hooks. Francesca’s sonic intuition remains expert and beautiful, but her newfound sense of play makes this work her most daring and relatable yet.

Blanchard has a knack for fusing fuzzy pop sounds with her folk roots à la Maggie Rogers, crafting hooks as she goes. The title track from her new album (a follow-up to her 2015 bilingual debut Deux Visions) is a solid indie-pop number that tracks a private dance party turned public: “Whenever I’m in dire need of returning to myself, I’ll turn my face towards the sun and go climb a mountain,” Blanchard writes in a press statement. “Over the past year, I have danced alone to this song on mountaintops in my headphones, reliving the elation I discovered when I wrote it. It’s been a sort of private, secret celebration. Now that the song is no longer mine to keep, I wanted to share that dance with others, to bring it to life.”

new album Make It Better out June 12th

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Vermont indie-folk singer/songwriter Henry Jamison releases his new EP Tourism on May 15th via Color Study, and this new song features guest vocals by Grizzly Bear’s Ed Droste, who adds a bit of a Veckatimest-style touch with his harmonies. In an era in which the magnitude of cultural sickness is coming to light, Henry Jamison has had some time to reflect. On his second record, Gloria Duplex, the Vermont songwriter deconstructs ideas of masculinity from boyhood to adulthood and what it means to be a white, middle class male in America today. “All of the images that were coming to me were of boyhood or of manhood,” says Jamison. “It ended up that every song on the record is in some way addressing that subject.” It’s a lot to unpack.

Recorded over a two-week period in New York City during January 2018, Gloria Duplex features an all-star cast including producer Thomas Bartlett (Sufjan Stevens, The National, Yoko Ono, St. Vincent, Florence & The Machine) string arranger Rob Moose (Bon Iver, Arcade Fire, Laura Marling, Perfume Genius, Phoebe Bridgers) and mixer Patrick Dillett (Rhye, David Byrne, Glen Hansard).

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I am of the belief that if you know of some great music you should spread the word. Too many artists slip through the cracks and I feel like their music fades into the abyss while many people miss out on some stellar sounds and songs. I’m here to spread the word on some good tunes by a songwriter you may have missed.

Vermont singer, songwriter & guitarist Josh Brooks has been called “a storyteller and message-bearer whose word-smithery and hints of darkness keep you listening to the end” (Seven Days), and ’Vermont’s Johnny Cash’ (Northeast Performer). For fans of Steve Earle, Guy Clark and John Prine will all find something to like in Josh Brooks.

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Josh Brooks says This album was not raised by wolves. Its genesis is in the folk tales and myths I have been reading to my kindergarten students and telling my three daughters for the past fifteen years. Stories about the Pacific Northwest trickster Raven, Odziodzo and the origins of the Champlain Valley, and the local legend of the Dugway led the children and I to question the meaning of truth. Is a story true because you experienced it? Is it true because someone else tells you it is? Or is it true because it expresses a truth about life?

On my travels as a father, teacher and songwriter, this last answer has held the most water. Written over the last decade and a half, the nine songs on tall tales, for me at least, reflect this understanding. Some of the characters are inspired by family (‘Tommy’; ‘Queen for a Day’), some by public figures of ill repute (‘The Ballad of Heather Home Wrecker’; ‘One for the Money’), and some by historical enigmas (‘Anastasia in a Commoner’s Clothes’). Some are inspired by dreams (‘Handsome Boy’), some by experience (‘Josh Brooks’ 115th Hangover‘; ‘You Remind Me of Her’), and some from the place where experience and imagination meet (‘Frog on a Lawn’). What unites these nine story songs is that they aim for something like truth… whether they are true or not.

I recorded tall tales live on one mic, sitting on the edge of my bed, in stolen moments between basketball practices, grading papers, washing dishes, reading stories, loving my wife… you know the drill. The decision to record this way was both an artistic and a monetary one: bedtime stories for adults told on a father / teacher / grad student / songwriter’s budget. After five years of making big noise with Grant Black, Panton Flats and The Benoits, it seemed like the right time to get back to basics for a number of reasons. Many thanks to Ryan Power of Stu Stu Studio for taking my rough drafts and polishing up the edges. Also many thanks to all of the reviewers, DJ’s, fans, friends and family who have helped, are helping, or will someday help to bring this album to life. Josh is busy now being a teacher and raising a family but last year he found time to put out his most recent album “Tall Tales” which is just Josh and his guitar and its absolutely terrific. It also confirms my belief that if you give a great songwriter a guitar and microphone you can get a great record. Songs like “The Ballad of Heather Home Wrecker” about a gold digging woman turning a town upside down showcase Josh’s ability to infuse his work with some satire. The highlight for me is “Tommy” which gives us an up close look at the effect of war on an unstable veteran.

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I think when people picture Vermont they think of green mountains, streams and skiing. I think if someone wants to get a real feel for life in Vermont they should listen to all of Josh Brooks’ records. Do yourself a favor and pour some whiskey in your glass and settle in with some of Josh’s music. I’ll let the music speak for itself and here’s a quick top 5 from me:

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The Vacant Lots initially came together in 2009 in their hometown of Burlington, Vermont, and made their recorded debut a couple years later with the ‘Confusion’ single, which was highly praised. This minimalist aesthetic is something they have developed over the past few years, not least by continuing as a two-piece. “We auditioned other guitarists and bass players early on, but were never able to find that connection with another member,” explains percussionist/singer Brian MacFadyen. “There are certain limitations imposed on two people, but the level of unspoken connection between us has allowed the process of everything to be quite efficient.” Guitarist/singer Jared Artaud agrees: “We are able to strip it down until the music becomes elementary and essential, until every note counts. We are constantly trying to explore the limits of what two people can do with sound.” 

American duo The Vacant Lots release their debut album ‘Departure’ via Sonic Cathedral on June 30, 2014 (UK/EU) and July 1, 2014 (US). It will be available on limited-edition half-black, half-white vinyl, CD and as a digital download. ‘Departure’ was mixed and mastered by former Spacemen 3 legend Sonic Boom and follows previous single releases on Mexican Summer and The Reverberation Appreciation Society, plus an appearance on our very own ‘Psych For Sore Eyes’ EP, now recognised as a landmark release in the burgeoning new psychedelic movement.