Posts Tagged ‘The Prefab Messiahs’

Micro-legendary DIY Garage-Pop-Psych provocateurs! The Prefab Messiahs Evolutionary genre grinders practicing art-damaged power pop, rock, crunch, jangle and general mind-infiltration.

Pandemics rage, the climate boils, politics putrefy, economies rot, and mass culture crumbles. Luckily, The Prefab Messiahs ring in their 40th(!) anniversary with a timely new batch of mind-expanding, genre-twisting sonic nuggets to distract us — and with any luck, to help inspire some fair turnabout. ‘Music For Concerned Citizens’ — the perfect prescription to pop your brain’s socially-distanced bubble!

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RIYL: Oh Sees, The Kinks, King Tuff, Dukes of Stratosphear, Ty Segall, Electric Prunes, Television Personalities, The Soft Boys.

Releases July 9th, 2021

Xeerox Feinberg: Guitars, bass, vocals
Trip Thompson: Electronic doodads, synths, bass, vocals
Doc Michaud: 12 string guitar, guitars, keyboards
Matthew Horn: Drum samples, beautiful vocals and screams

All songs written and produced by X. Feinberg

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Pandemics rage! Economies totter! Political systems rot! — and the environment circles the drain..Micro-legendary DIY Garage-Pop-Psych provocateurs! Evolutionary genre grinders practicing art-damaged power pop, rock, crunch, jangle and general mind-infiltration..

What better time for The Prefab Messiahs to set it all up, lay it all out, and burn it all down? “21st Century Failure” is a take-no-prisoners anthem tailor-made for those socially isolated moments when only a ranting, post-punk-psych-garage-pop-rave up will do!

The track was performed SAFELY and RESPONSIBLY in three separate SOCIALLY ISOLATED LOCALES by Xeerox Feinberg, Doc Michaud, and Trip Thompson.

Friends, let’s call this situation what it is — a “21st Century Failure”!
That’s also the name of our new track, coming to Bandcamp and all the streamers on April 10th

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Timing is everything, they say. Of course, when you’re ahead of the curve, timing can also throw a wrench in the works. Give enough passage, however, and others eventually catch-up, understand… even emulate.
Such is the case for self-proclaimed micro-legendary weirdoz The Prefab Messiahs. Originally together from 1981-1983, they played basement and club shows fairly often. Armed with borrowed guitars, puny amps and a mission to confound the status quo, the Clark U. undergrads began a unique post-punk musical trajectory through the burgeoning-yet-insular “Wormtown” (Worcester, MA) underground. Aside from the 1983 cassette Flex Your Mind, though, no recorded material was available from them until 1998’s Devolver CD-R – an anthology of their recordings from the early ’80s. Several songs on the album were produced by their friend and outsider psychedelic singer-songwriter Bobb Trimble.
Fast-forward three decades later with the official remastered release of Devolver via Burger Records, followed by a well-received eight-song maxi-EP of new material entitled Keep Your Stupid Dreams Alive (2015), and it seems the stars have finally aligned for this art-damaged psych-pop collective. These two releases witnessed not only a new appreciation from a younger fan base (not much older than the original one the band first started out with over 35 years ago), but also rave reviews from media, who traced the lineage from the Prefab Messiahs to many of today’s garage-psych scuzz-pups, such as Oh Sees, King Tuff, White Fence, Ty Segall, et al.
Now The Prefab Messiahs are set to release their latest full-length platter of new material, Psychsploitation Today. On it, the fuzzed-out foursome of Xerox Feinberg, Trip Thompson, Doc Michaud and Mattyboy Horn have cooked-up, arguably, their most far-out and fantastical effort to date. The new record continues the path of melding timely social commentary with equal measures of jangle, left-field garage-pop and hooks aplenty.
Prefabs’ front dude Xerox Feinberg, a self-described “Lost Generation Wanna-be Spokesperson,” describes the the band’s approach on Psychsploitation Today thusly, “The new album is really a mental and sonic continuation of the things we were obsessed about from the beginning — mashing up the sounds and attitudes of ’60s garage-psychedelia with post-punk ’80s stuff and dragging all that into whatever ‘today’ is — while generally trying to poke people in the ribs and skewer some of the Big Shams behind all the Shiny Facades. We still don’t do songs about girls’ names or feeling good. We’re still trying to toss everything into the mix including the kitchen sink. We’re still bemused and shocked and disgusted with The State of Things — and also in love with the noises in our heads and guitars. We like to think that The Prefab Messiahs’ work is never done.”

Micro-legendary DIY Garage-Pop-Psych provocateurs! Evolutionary genre grinders practicing art-damaged power pop, rock, crunch, jangle and general mind-infiltration.

released January 18, 2019
The Prefab Messiahs: 
Xerox Feinberg, Doc Michaud, Trip Thompson, Mattyboi Horn

Our latest album on Lolipop/Burger—’Psychsploitation Today’—has had a great run, garnering a lot of attention & rad vibes. You may have heard that there were videos being made for all 10 album tracks…not only is that true, but we’ve also made a 35-minute movie featuring all of the tracks. Carve out some popcorn time for ‘Psychsploitation Today: The Video Album’

The Prefab Messiahs are back with a new installment of wiggy Garage-Pop-Psych scheming. Their fourth full-length release ‘Psychsploitation Today’ comes to you via Lolipop Records, with Burger Records .

These 10 self-produced songs represent a unique kaleidoscopic voyage through today’s cultural zeitgeist — taking on everything from 21st century media “Psychsploitation” to explosive ruminations about the “Last Day On Earth.” 

The Prefabs’ front Xerox Feinberg, a self-described “Lost Generation Wanna-be Spokesperson,” calls the album “a mental and sonic continuation of the things we were obsessed about from the beginning — mashing up the sounds and attitudes of ’60s garage-psychedelia with post-punk ’80s stuff and dragging all that into whatever ‘today’ is — while generally trying to poke people in the ribs and skewer some of the Big Shams behind all the Shiny Facades. We’re still trying to toss everything into the mix including the kitchen sink. We’re still bemused and shocked and disgusted with The State of Things — and also in love with the noises in our heads. The Prefab Messiahs’ work is never done.”

Released January 26, 2018

The Prefab Messiahs music with a 60’s influenced rock laden in lots of harmonies and layered vocals. Animation suits the music well and would especially appeal to collage kids–underground stuff, with much subtle, hidden commentary about life and its struggles without being heavy. Could watch it again and again and each time see something funny and new in the content.

The spontaneous regeneration of The Prefab Messiahs continues to be one of the best left field surprises of the past few years. For those in need of a history lesson, the group started their life back in the early 1980’s as a band of young, scrappy, left field, DIY, post-punk, garage-psych-pop provocateurs, and a part of the Wormtown (Worcester, MA) underground scene. It was there they spent time kicking around with private press legend Bobb Trimble, playing local gigs warming up for bands like Mission of Burma, and recording a ton of spiky, retro-delic rockers.

For those keeping score at home, only a few tracks of the band’s output managed to sneak out during their brief lifespan. Most of the stuff they recorded was eventually collected and finally released on their most excellent anthology, Devolver, which was released on Burger Records a few years back.

Flash forward to 2018 – Psychsploitation… Today! is the group’s first full-length album since returning from their Reagan-era status and is the follow up to 2015’s excellent maxi-EP, Keep Your Stupid Dreams Alive. Using the psychedelic sounds of the mid-to-late 60’s as their modus operandi, the Prefabs have put together a solid set of day-glo tunes with their latest long player.

Even though their sound most definitely hearkens back to that golden age of jangly Rickenbackers and Beatle boots, the group is not content to simply be a revival act regurgitating the sounds of yesteryear. There’s a punk energy and urgency to these proceedings.  Take for example the “The Man Who Killed Reality,” which if you squint your third eye just enough, you might think belongs on some alternate universes’ Yellow Submarine soundtrack. Despite the band’s best efforts to turn on, tune in, and drop out in “Having A Rave Up,” or jam on monster hooks in the appropriately titled “Monster Riff,” the darkness of our modern times just seems to keep creeping up on them; whether it’s a “Warm Sinking Feeling,” the universal concerns of getting older on “Gellow Mold,” or the apocalyptic album closer “Last Day On Earth.”

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Perhaps it’s in troubled times like these we need bands like The Prefab Messiahs most. It almost goes without saying that it’s great to have them back.