Posts Tagged ‘The Jeff Beck Group’

The Photography image 7

In BECK01 Jeff Beck takes us on the journey of a lifetime. Over five decades, he has blazed a trail forging a unique style lauded by critics, fans and fellow guitar legends. Telling the story behind the music, Beck’s twin inspirations – hot rodding and rock’n’roll – are now bound together in the official signed limited edition book of his career.

‘Right from the beginning, I’ve tried to do something with anything I’ve got hold of. At the age of 13, I built two or three of my own guitars. I painted the frets on. It was fun just to look at it and hold it… I knew where I was headed.’ Jeff Beck

In an original text spanning more than 350 pages Beck shares anecdotes from his early bands The Yardbirds, The Jeff Beck Group, Beck, Bogert and Appice and his multi-award-winning solo career.

Read stories of disappearing hot rods, stolen guitars, secret studio sessions and near-catastrophic car crashes. Beck tells of playing with Jimi Hendrix, Stevie Wonder, Jimmy Page, Ronnie Wood, Eric Clapton, John McLaughlin, Tina Turner, Rod Stewart, Diana Ross, Scotty Moore, Pete Townshend and many more. His new limited edition is introduced by guitar virtuoso John McLaughlin.

‘When asked to write the introduction to this book about Jeff, I thought to myself who better? So I wrote, “Jeff Beck is my all time favourite electric guitarist”… What do I say after that?’ John McLaughlin

The first 350 books in Beck’s limited edition are Deluxe Copies. Each is lovingly handcrafted in Italian leather, presented in an archival solander case and includes an exclusive signed print suitable for framing. Each Deluxe Copy is numbered and individually signed by Jeff Beck.

Beck has opened his archives specially for the making of his book. Family photos are included alongside personal letters from friends and heroes including Charles Mingus BB King and Les Paul.

‘I had no idea that this many photos existed until we found them during the making of my book. The pictures of the disappearing hot rod are going to blow people’s minds.’ Jeff Beck

Beck’s remarkable life in music is documented through the work of top photographers including Robert Knight, Baron Wolman, Bob Gruen, Michael Putland, Barrie Wentzell, Gered Mankowitz, Neil Zlozower and Michael Zagaris.

Influential magazine spreads, set lists, posters and record sleeves further illustrate Beck’s words.

Jeff Beck is one of musics true innovators. The release of BECK01 celebrates the anniversary of his debut solo album Blow by Blow produced by George Martin 40 years ago.

‘Jeff is quite simply a “born” guitarist. Not only does he have the mysterious talent that is innate, he has not stopped evolving over the years. He has forged a unique and wonderful style of playing that is instantly recognizable. He has the most fluid style of playing I’ve ever heard.’  John McLaughlin, in his foreword

‘Jeff Beck has been a hot rodder for decades. Upon first examination this seems at odds with our image of Jeff Beck, the musician. But to Jeff, it makes perfect sense. The common thread is that in the post WWII world in which he grew up, all roads led to an America flush with a new energy fuelled by the youthful adrenaline of rock-and-roll music and hot rod automobiles.’ Steve Coonan, hot rodder magazine editor and author.

BECK01

Advertisements

Truth is the debut album by Jeff Beck, released in 1968 released on Columbia Records and in the United States on Epic Records. It introduced the talents of his backing band the Jeff Beck Group, who were specifically Rod Stewart and Ronnie Wood, to a larger audience.

After leaving the Yardbirds in late 1966, Jeff Beck had released three commercial singles, two in 1967 featuring Beck on lead vocals, and one without vocals in 1968. All had been hits on the British singles chart, and all were characterized by songs aimed at the pop chart on the A-side at the request of producer Mickie Most. Harder rock and blues-based numbers were featured on the B-sides, and for music on the album, Beck opted to pursue the latter course.

Recording sessions for the album took place over four days, 14th–15th May and 25th–26th May 1968. Nine eclectic tracks were taken from these sessions, including covers of “Ol’ Man River” by Jerome Kern, the Tudor period melody “Greensleeves”, and Bonnie Dobson’s “Morning Dew”, which had been a 1966 hit single for Tim Rose. Beck acknowledged two giants of Chicago blues in songs by Willie Dixon – Muddy Waters’ “You Shook Me” and Howlin’ Wolf’s “I Ain’t Superstitious”.

The album started with a song from Beck’s old band: “Shapes of Things”. Three originals were credited to “Jeffrey Rod”, a pseudonym for Beck and Stewart, all reworkings of previous blues songs: “Let Me Love You” the song of the same title by Buddy Guy; “Rock My Plimsoul” from “Rock Me Baby” by B.B. King; and “Blues Deluxe” similar to another song by B.B. King, “Gambler’s Blues”.”Plimsoul” had already been recorded for the B-side to the 1967 single “Tallyman”, and the tenth track, an instrumental featuring Jimmy Page, John Paul Jones, Keith Moon, and future Beck group pianist Nicky Hopkins, “Beck’s Bolero”, had been edited and remixed for stereo from the earlier B-side to “Hi Ho Silver Lining”. Due to contractual conflicts, Moon had been credited on the original album as “You Know Who”. This album was Rod Stewart’s first-ever album-length lead vocal showcase as an artist, and is regarded, along with ‘Beck-Ola’ as a musical touchstone for hard rockers in the years that followed.

Truth is regarded as a seminal work of heavy metal because of its use of blues toward a hard rock approach.

On 10th October 2006, Legacy Recordings remastered and reissued the album for compact disc with eight bonus tracks. Included were two earlier takes of “You Shook Me” and “Blues Deluxe”, the latter without the overdubbed applause, and the six tracks making up the three singles by Beck. The B-side to the 1968 single “Love Is Blue”, “I’ve Been Drinking”, was another “Jeffrey Rod” special, this time reconfiguring the Johnny Mercer song “Drinking Again”

  • Jeff Beck – electric guitars, acoustic guitar on “Greensleeves”; pedal steel guitar on “Shapes of Things”; bass guitar on “Ol’ Man River”; lead vocals on “Tallyman” and “Hi Ho Silver Lining”,backing vocals on “Let Me Love You”
  • Rod Stewart – lead vocals,
  • Ronnie Wood – bass guitar
  • Micky Waller – drums
  • John Paul Jones – bass guitar on “Hi Ho Silver Lining” and “Beck’s Bolero”; Hammond organ on “Ol’ Man River” and “You Shook Me”; arrangements on “Hi Ho Silver Lining”
  • Nicky Hopkins – piano on “Morning Dew”, “You Shook Me”, “Beck’s Bolero” and “Blues Deluxe”
Ronnie Wood in 20 Songs

Ronald David Wood, artist, songwriter, and one of Britain’s finest, and possibly most underrated, guitar players was born on 1st June 1947. His is a musical family: Ronnie’s older brother Art formed the Artwoods, who included Jon Lord, later to a co-founder of Deep Purple, and drummer Keef Hartley, who played with John Mayall and later had his own band.

Ronnie Wood’s first group was a West London R & B outfit that he co-founded as a 16-year-old. The Birds released a string of singles, with much of their material written by Ronnie, but by 1967 he had joined The Jeff Beck Group, as the bass player, along with singer Rod Stewart and Micky Waller on drums. The Beck group recorded two classic albums, and ‘Plynth (Water Down The Drain)’ is a track from their second, Beck-Ola. He also briefly played with The Creation, a band formed by ex-Bird Kim Gardner.

641214 Birds-Howlin Wolf ad
In 1969 Art Wood formed Quiet Melon, with Ronnie, Rod Stewart, Ronnie Lane, Kenney Jones, Ian McLagan and Kim Gardner. They cut four songs for Fontana but they went unreleased and soon after the band split with the two Ronnies, Rod, Kenney and Ian going on to form The Faces. Ronnie Lane, Ian and Kenney had of course played together in the Small Faces.

Just prior to the Faces forming, Rod Stewart got a solo contract with Vertigo Records and recorded An Old Raincoat Won’t Ever Let You Downon which Ronnie played guitar and bass, as well as harmonica on ‘Dirty Old Town.’

A month later, The Faces released their debut album and it featured several Ronnie Wood co-written songs, including ‘Around The Plynth’ which showcases Ronnie’s excellent slide guitar playing. The album “Long Player”which followed in 1971, included ‘Sweet Lady Mary’;A Nod Is As Good As a Wink… To A Blind Horse, later that same year, included the Faces anthem ‘Stay With Me’, again co-written by Ronnie. The Faces swansong was 1973’s “Ooh La La” , which had another of Ronnie’s songs, written with Ian McLagan and Rod Stewart, ‘Cindy Incidentally’.

Faces
In between making the Faces records, Rod Stewart also recorded his own solo albums, with the second, Gasoline Alley in 1970, breaking through into the UK album chart, with its title song coming from the pens of Rod and Ronnie; it again features Ronnie Wood’s by now trademark slide. 1971’s Every Picture Tells A Story was the big one for Rod Stewart, topping the charts in both Britain and America. Once again the title song is a Ronnie and Rod co-write. In 1972 “Never a Dull Moment” came out, which included Ronnie’s co-write,‘True Blue’ as its opening track. Rod and Ronnie’s last collaboration was on “Smiler” (1974). ‘Sailor’ comes from this album and it’s so typical of their recording together.

In late 1973, the seeds of Ronnie Wood’s future career were sown when, along with Mick Jagger, David Bowie as backing singer, Willie Weeks on bass and Kenney Jones on drums, they recorded the basic track that became ‘It’s Only Rock ‘N Roll (But I Like It)’ in the studio at Wood’s house, “The Wick” in Richmond, London. In 1974 both Jagger and Keith Richards played on Ronnie’s first solo album, “I’ve Got My Own Album to Do”.

After Mick Taylor quit the Rolling Stones in December 1974, Ronnie helped with the recording of their album “Black and Blue” in the spring of 1975. From this album comes ‘Hey Negrita,’ on which Wood plays lead and is credited on the album as ‘inspiring’ the song. Two days before Ronnie’s 28th birthday he played his first live gig with the Stones on their 1975 Tour of the Americas…and he’s been with them ever since.

From 1980’s “Emotional Rescue” the title track, which features Ronnie’s distinctive ‘lead bass playing’. A year later from “Tattoo You” is ‘Black Limousine,’ a co-write from Ronnie Wood with Mick Jagger and Keith Richard. According to Ronnie, “‘Black Limousine’ came about from a slide guitar riff that was inspired in part by some Hop Wilson licks from a record that I once owned… And there was another guy called Big Moose, who I’ve never heard of before or since…he was an old slide guitar guy who had one particular lick that he would bring in every now and again. I thought, ‘That’s really good, I’m going to apply that’ – and so subconsciously I wrote the whole song around that one little lick, building on it, resolving it and taking it round again.” It’s an outstanding song

From the same year we’ve included one of Ronnie’s songs from his solo album,”1234″. ‘Fountain of Love’ shows Wood’s love for R&B; the album also featured Bobby Womack on guitar.

With the Rolling Stones hiatus in the 1980s, Ronnie worked with Keith Richard as the New Barbarians and collaborated with others including, including Prince, Bob Dylan, David Bowie, Eric Clapton,Ringo Starr and Aretha Franklin. By 1990 when the Rolling Stones were back on the road with their Steel Wheels/Urban Jungle tour, Ronnie Wood’s guitar was integral to both their live shows and their albums recorded over the last two decades.

The Rolling Stones’ 1995 “Stripped” project features Ronnie’s deft slide guitar on ‘Love In Vain,’ the song had been included on the album “Let It Bleed”. When Ronnie’s slide guitar comes in about half way through the number, it turns it into one of the finest readings of this classic blues tune. We’ve also featured ‘Happy’ from Live Licks, which Keith Richard sings but Ronnie Wood helps to make such a great song with his excellent slide playing.

ron-wood-i-feel-like-playing
In 2010 Ronnie released “I Feel Like Playing”, his seventh studio album; naturally, he did the cover art, and it is a great record. It features a string of guests and opens with Ronnie’s song, ‘Why You Wanna Go And Do A Thing Like That For’ which shows his love for Dylan but also his skill as a songwriter. It sounds like a song that must have been recorded by everyone and deserves to be more widely heard: a 21st century classic.

We finish our Ronnie Wood In 20 Songs with ‘Forever’, the closer from I Feel Like Playing, which features Slash on second guitar and we thought it the best way to go out. Get the low down on Ronnie’s exciting new book from the man himself. To pre-order a copy head over to Genesis Publications here:http://bit.ly/1QIJhLT

With his new book launch ‘How Can it Be? A Rock & Roll Diary’. The book is a deluxe reproduction of his ‘lost’ 1965 diary that chronicles a pivotal year in his life, playing in his first band The Birds and includes encounters with Jeff Beck, The Who, and Eric Clapton to name just a few.

Annie Nightingale & Bob Harris joined Ronnie on stage sharing in the stories and memories as everyone was treated to some great insight into the year that shaped his future. Also, on hand was Ali McKenzie, lead singer of The Birds, who was swapping tales of rehearsing in shop windows, gigs in Ealing and most importantly getting paid.

Ronnie Wood also previewed his new single, ‘How Can It Be?’, as well giving the audience a first look into some of the diary pages and the exclusive artwork he created for the book. Hats off to Ron’s mum for keeping the diary in the back of a drawer for all these years and the guys at Genesis Publications for creating a wonderful keepsake of an important part of rock history.

We hope Ronnie Wood plays forever, and continues to gather plaudits for his playing, just as he is on the latest Stones tour, on which his guitar playing has been described as “Awesome”. That’ll be seconded by all

Happy birthday, Ronnie.