Posts Tagged ‘The Coathangers’

Julia Kugel of The Coathangers released her debut solo LP “Derealization” under a new moniker, Julia, Julia. The LP includes dreamy and captivating recently released singles: “Do It Or Don’t”“No Hard Feelings”, “Fever In My Heart”.

Recorded at COMA, her and her husband’s home studio in Long Beach, CA, the album was a large part of healing for Kugel, after losing her voice. It also sees Julia playing nearly all the instruments and taking her first stab at engineering.

Derealization” feeling detached from one’s surroundings; a conscious confusion about the “realness” of surrounding people and objects: a feeling of observing oneself outside of one’s body: feeling like one is living in a dream. This is the crucial question at the core of Julia, Julia, the moniker for Julia Kugel, founding member of garage punk icons The Coathangers and the dream pop duo Soft Palms.

On her first solo full-length album “Derealization“, Kugel shifts her focus from collaboration and band dynamics towards a singular artistic vision and private self-discovery. Steeped in the beguiling pop elements of her past work, “Derealization” is a meditative deep dive into the mind of a person struggling to understand a crumbling internal and external world. The album traverses a landscape of ethereal folk, atmospheric deconstructed pop, and dubbedout country ballads, all centered around straightforward and direct lyrics. This juxtaposition of nebulousness and lucidity gives the album a sense of clarity emerging from the haze, an apt reflection of Kugel’s personal growth and journey toward self-acceptance.

This raw and personal approach to the lyrics is present throughout “Derealization“. On the opening track “I Want You,” Kugel creates a woozy sense of space with reverb-soaked drums and spaghetti western guitars while she lists off her desires for a mysterious “you.” Is she actually listing off her desires for herself? For the people around her? As she repeats “do you feel it?” in the song’s chorus, it feels as if she’s conjuring a magical thread by which we are all connected, showing us how our desires are all the same. On “Fever In My Heart” the listener is treated to a lush, acoustic techno track detailing the exhilarating madness of an emotional breakdown. Simple truths percolate to the surface on “Words Don’t Mean Much,” as if clearing away the murk of platitudes and empty gestures. The journey continues on the detached and conflicted “Do It Or Don’t,” an alluring walk through the winding road of lonely choices. The final four tracks on the album originally appeared as limited edition releases under the White Woods moniker and serve as a tether between the present and past.

...the debut solo record from Julia Kugel as Julia, Julia is shaping up to be a meditative—if not downright peaceful—capsule of the songwriter’s more introspective side.” – FLOOD Magazine
“While her previous work rested on the rambunctious and energetic side, she steers in the opposite direction with this new single, offering a more intimate and psychedelic experience. “Fever in My Heart” is like a drug that keeps drawing you deeper and deeper into its reign.” – Consequence

“…a cryptic, atmospheric tune about feeling completely ungrounded, but liking the freedom of being untethered from the rest of the world.” – Grimy Goods

Julia, Julia “Derealization” out September 30, 2022 on Suicide Squeeze Records.

Today marks the 5th birthday of Nosebleed Weekend! To celebrate, we’re offering a limited edition “Nosebleed Weekend” bundle that includes an autographed CD, 18”x24″ folded poster, a rectangle glitter sticker, and a 2.25” metallic button. When The Coathangers started up in 2006, their aspirations were humble. “I think all bands in their early twenties start for fun,” says guitarist/vocalist Julia Kugel when talking about their early years of cheeky no-wave and irreverent garage rock. But Julia and her bandmates Meredith Franco (bass/vocals) and Stephanie Luke (drums/vocals) were serious about their craft, and that combination of modest outside expectations and absolute dedication to their music made for exhilarating live shows and contagious records. Ten years later, The Coathangers are still going strong, and while their palette has expanded over the years to touch upon hip-shakin’ classic rock, soulful country ballads, and golden oldies pop, their primary attack strategy still relies heavily on the jagged hooks and boisterous choruses of their formative years. Their fifth album Nosebleed Weekend retains all the devil-may-care magnetism and serrated instrumentation of their debut, but it flourishes with a decade’s worth of song writing discipline and chemistry. 

Nosebleed Weekend kicks off with “Perfume,” a song that marries sultry pop vocals with toothy guitar riffs in a manner that would make Ann and Nancy Wilson proud. It’s hard to imagine The Coathangers writing a song this accessible in their early years, but in 2016 it fits perfectly into their canon. From there the band launches into “Dumb Baby,” which harkens back to the gritty neo-garage rock of Murder City Devils. Long time fans who still clamour for their brash post-punk angle will be immediately satiated by “Squeeki Tiki.” And after hearing the noisy loud-quiet-loud bombast of “Excuse Me?” it’s no wonder that Kim Gordon has become an outspoken fan of the band.

It’s an eclectic album inspired by life on the road, lost loved ones, and Kugel’s recent move to Southern California. “We always say that each record is a snapshot of our life at the time,” Kugel says. “As far as style… it’s just what came out of us at that point.” So whether it’s the foreboding garage rock of the title track, the post-punk groove of “Burn Me,” the stripped-down pop of “I Don’t Think So,” or the dynamic grunge of “Down Down,” The Coathangers command their songs with passion and authority. 

“…the group’s best so far!” – NPR’s All Songs Considered

“Who knew that even in punk, practice could make perfect?” – SPIN

“…it’s a nasty, jagged piece of rockabilly-influenced punk rock, the kind nobody makes often enough anymore.” – Stereogum

The Coathangers are mad as hell on Nosebleed Weekend.” – The FADER

“Though they may have lived a decade-long adrenaline rush, The Coathangers’ persistence and motivation is as present as ever on Nosebleed Weekend.” – She Shreds

“…spiky garage rock guitars and a clap-along chorus that bridges the gap between power pop and no wave dissonance.” – Consequence of Sound

Nosebleed Weekend released through Suicide Squeeze Records.

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On December 4th, Atlanta punk rockers The Coathangers acknowledged an upcoming 15 year milestone for their previously out-of-print self-titled debut album by releasing a Deluxe Edition of the collection with Suicide Squeeze Records, featuring remastering of the tracks and bonus material. A timely and punchy music video has also been released for one the tracks, “Nestle in My Boobies”, drawn from footage of a sweaty live performance in 2011. Watching the video now definitely promotes a vicarious thrill, aware that no concert like that one could occur at this time, but that also highlights The Coathangers’ particular magic as a band, always conscious of the value of capturing specific, unique, moments in time in all their glory. 

Coathangers singer/guitarist Julia Kugel recently discussed this reflective moment in time for The Coathangers, what life was like for them around the time of recording that first album, how they fit into the musical scene at the time in their hometown of Atlanta, Georgia, Oddly enough, we were planning on taking this year off. But we were so lucky to get to play that Coachella show with Blondie. Our only show of 2020 was the highlight of my fucking life, all of our lives! That’s pretty much 2020 in a nutshell, asking, “What the fuck?” But we hadn’t been home much in 12 or 13 years, so we were going to take some time off anyway. 

we never called ourselves Punk, because that’s kind of un-Punk to do that! When people would shout at shows, “They’re not Punk!”, I would shout back, “I never said I was Punk Rock, bitch!” I think we’re Punk in attitude and inspired by it, but there was not a formula of sound that we tried to follow. Punk is fast, though, fast and short, and that shit’s awesome, it pumps you up! The best description we ever got was “Psycho-Pop”, so we called ourselves Psycho-Pop, No-Wave, and a bunch of others. We used to throw things out at people just to confuse them.

In their early years, Atlanta trio The Coathangers were very much of the classic punk ethos—the band was a live entity, and the records were a document of the charisma and chaos projected from stage. But after 12 years of relentlessly touring on a steady flow of EPs and LPs, The Coathangers finally took a moment to recalibrate before diving into the creation of their sixth studio album ​The Devil You Know​. The band regrouped to make an album that captures all the vitality of their early years while honing their individual strengths into new communal achievements. It’s a record that takes their established takes on vitriolic punk, playful house-party anthems, and heartworn ballads and melds them into a new sound that retains all their former live show glories while revealing a new level of songwriting and nuance. “The writing process was done with an open heart,” says guitarist/vocalist Julia Kugel. “Everything that came before had to go away. And we started there, at ground zero.” With each album, you could hear the individual songwriters honing their style. But with ​The Devil You Know​, it feels like we’re hearing the first Coathangers record written as a true unit.

“The Devil You Know is a collection of glorious cassette-tape jams with unfussy production, tight melodies, and precise vocal harmonies.” – Pitchfork

“The Devil You Know is a vital and exciting record – one which gathers up the past and pointedly thrusts it into the present. Topics like institutionalised evil, war and greed are always valid targets and The Coathangers go for the throat – and draw blood – pleasingly and memorably at every opportunity. This should be their moment of glory.” – Drowned in Sound

“The Coathangers infuse every note they play with an intense energy that bristles with anger, attitude, and snarky humor.” – New Noise

The Coathangers new studio album, The Devil You Know, out now on Suicide Squeeze Records.

The Coathangers’ repress of The Devil You Know is out now on limited-edition color-in-color-out variant of coke bottle green (out) and magenta (in) vinyl. Limited edition of 500 copies.

The Coathangers will perform at NSFWknd.

The Coathangers have been creating their special blend of garage punk for 13 years, and now after a long break in their breakneck recording and touring schedule, they will come back with a matured sound and a fresh new album, The Devil You Know“There’s a big significance,” singer and guitarist Julia Kugel says of the band’s 13-year staying power. “I’ve been doing this for over a third of my life. We’re very lucky to be able to keep doing it.”

Since 2007, the band has kept to a fairly steady release schedule, with an album or EP release just about every other year with a baker’s dozen singles sprinkled throughout and an ambitious touring schedule to boot.

However, after releasing and touring their live album in 2018, the band took the latter half of the year off for some personal time to reflect on themselves, not only as a band but as friends. “Having time off to process,” Kugel says, “gave us some time to write and relax and just be normal — to be in one place for a little bit and not be moving. Then we came back together having reflected on life.

“You know, even with our friendship, sometimes it’s important to just be friends and not bandmates.”

That time to reflect on the band and themselves helped inspire some of the more inward-focused tracks on the new album. “It’s like, ‘Where am I in all of this?’” Kugel says of the new album’s perspective. “We’ve always been pretty honest in our lyrics, and it’s always been personal. But this one we definitely touched on all the most hurtful parts.

The Coathangers new studio album, The Devil You Know, out now on Suicide Squeeze Records.

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In their early years, Atlanta trio The Coathangers were very much of the classic punk ethos—the band was a live entity, and the records were a document of the charisma and chaos projected from stage. But after 12 years of relentlessly touring on a steady flow of EPs and LPs, The Coathangers finally took a moment to recalibrate before diving into the creation of their sixth studio album ​The Devil You Know​. The band regrouped to make an album that captures all the vitality of their early years while honing their individual strengths into new communal achievements. It’s a record that takes their established takes on vitriolic punk, playful house-party anthems, and heartworn ballads and melds them into a new sound that retains all their former live show glories while revealing a new level of songwriting and nuance. “The writing process was done with an open heart,” says guitarist/vocalist Julia Kugel. “Everything that came before had to go away. And we started there, at ground zero.” With each album, you could hear the individual songwriters honing their style. But with ​The Devil You Know, it feels like we’re hearing the first Coathangers record written as a true unit.

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The Coathangers ‘The Devil You Know’
Out March 8th, 2019 via Suicide Squeeze Records.

There is a definitive strength in the vernacular of The Coathangers‘ songwriting. Anyone who has witnessed their live show would likely confirm the long-ago founded rumor that the band brings the party. But what the band brings to a greater degree, whether performing live or on record, is a beautiful exhaustion: a feeling both empty and full, like at the end of intense physical activity when your body feels melted yet brimming with energy. 

Live at Alex’s Bar, Long Beach CA The Coathangers LIVE out now

The Coathangers Live

Atlanta garage punks The Coathangers are releasing their first-ever live album, simply titled LIVE, on June 1st via Suicide Squeeze Records. It was recorded across two nights at Alex’s Bar in Long Beach last November, which were free shows “replete with magicians, tarot card readings, burlesque dancers, palm readers, and a giant paper mache rabbit for photo-ops.” It’s a career-spanning collection of songs, from their 2007 self-titled debut through 2017’s Parasite EP. “It’s like our anthology… our entire career in 38 minutes,” said guitarist/vocalist Julia Kugel. The show was recorded by Dylan Ely and front-of-house engineer Eric Huff, and Kugel’s husband Scott Montoya mixed it in their new home studio.

Along with the album’s release, The Coathangers are also putting out some live videos from those Alex’s Bar shows, and we’re premiering the one for “Hurricane” from 2011’s Larceny & Old Lace. “This song is based on a friend of ours from New Orleans who was similar to a lot of our friends, and us, at the time. Just full of crazy energy and strong, and sometimes dangerous in ways. Yet still empowering! It’s one of my favorite songs because it’s so creepy and sort of evil, yet still really fun to sing,” said drummer/vocalist Stephanie Luke.

The Coathangers recently wrapped up a run supporting their labelmates Minus the Bear’s Planet of Ice 10th anniversary,

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In June, Atlanta punk trio The Coathangers released their “Parasite” EP, which comes a little over a year after their last long player, Nosebleed Weekend. So far we’ve heard “Captain’s Dead,” and now the band has released a creepy accompanying video for the track.

Directed by Matt Odom, the clip has guitarist-vocalist Julia Kugel, drummer Stephanie Luke and bassist Meredith Franco in full cheerleader garb, except this pep rally isn’t like any you attended in high school. The Coathangers’ squad is gothic and ghoulish  maybe even a little undead.

“The song is about a very interesting and difficult time of personal transition that happened at the end of last year, which coincided with a changing political climate ushered in by the election of Donald Trump as president,” Kugel  says. “It was like the Trump ethos of savage ignorance was taking over every aspect of life, and then a realization that all things do circle and come back. The reward for malicious action is often a bag of shit, one way or another.

The video was shot by good friend and longtime Coathangers collaborator Matt Odom in and around our house in Long Beach. The badass cheerleaders were a play on the whole captain of the squad thing. We wanted this video to be a bit random and weird to the observer, yet the clip soaked in personal meaning. feels a bit like a feverish nightmare… a hex on assholes.”

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It’s been less than a year since the Coathangers, the raucous Atlanta garage-punk veterans, released the album “Nosebleed Weekend” , their last album. And they’ve already announced plans to follow it up with a new EP called Parasite, one that calls back to various different eras in the band’s run. The first song they’ve shared from it is called “Captain’s Dead,” and it’s got a whole lot of energy and a great big chorus hook.

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The Atlanta garage punk ensemble and music faves The Coathangers have announced a new EP and tour, the first track from it “Captain’s Dead”, with its sultry verses, triumphant chorus, and a bombastic freak-out of noisy guitar. Best of all the band are playing some live shows in the UK, including the City of Leicester at the Cookie it seems miracles can still happen.

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