Posts Tagged ‘Scotland’

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Earlier this year the competition for the Scottish Album of the Year (SAY Awards). had a fair few great records to choose unfortunately the Twilight Sad record didn’t make the shortlist,  So I began paying much closer attention to those records that did. At first Kathryn Joseph’s album seemed like a pleasant Antony, Coco Rosie or Tori Amos-ish piano record, but then I started reading about it, and every listen became this intense and visceral experience. It’s an understated masterpiece that wears it heart, guts and those of everyone we’ve lost on its sleeve, torso, cheek, lips, hair, and you can probably see the entrails hanging from its belt, dripping blood on its feet. Its pain is vivid and stark, but it probably won’t pierce your skin on first listen.”

Prodigiously talented and criminally underrated; Kathryn Joseph is one of Scotland’s best-kept secrets. Her voice possesses the other-worldly quality comparable to Ms Newsom and Björk; but she is by no means of an ilk. Better compared with Anthony Heggarty; she is an artist in every way; unique and soulful, and at the core a beautiful unnerving truth.

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Edinburgh quartet the Spook School take their name from another group of four, a late 19th Century sect of the Glasgow School of Art who were given the nickname after the critically unpopular ghostly figures in their work. Later, their style helped inspire Art Nouveau, and thus the underdogs became the influencers. It is an appropriate title for a theatrical indie pop band that embraces life’s misinterpretations and messiness, and their message has never been more apparent than on their sophomore record Try to Be Hopeful the tracks are killers but lyrically August 17th & Everybody Needs To Be In Love feel like they were written for me! Speak When You’re Spoken To is an awesome song; really powerful! I bought the album only for Burn Masculinity and Binary. Because those are the only ones open to free streaming I expected the other songs to be average or sub-par. That was not the case. Speak When Spoken is easily my favourite song in the album, and it’s currently my favourite song that I listen to. It’s really powerful. track .Buy this album!

Although it was still a defining theme on their 2013 debut, Dress Up, Try to Be Hopeful finds the group writing much more explicitly about queerness and identity. As singer and guitarist Nye Todd explained in an interview, “A lot of the lyrics I wrote on our first record were about coming to terms with being trans, whereas on this one the songs are more about a feeling of ‘Yeah, this is an identity! This is GOOD!”

Edinburgh quartet The Spook School’s second album, Try To Be Hopeful, was probably one of the most triumphant albums of 2015. The album was recorded whilst guitarist Nye Todd was going through testosterone therapy, a crucial step in him embracing his trans-identity. It was a huge event in his life, and as such it in many ways shaped the formation of the albums own identity. It was an album of noisy, triumphant and tuneful pop-songs, that explored the topics of sexuality, identity, and most of all embracing the spirit of being yourself, no matter who that is.

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Burn Masculinity was about still having to challenge the casually sexist world of “lads” even though you were now, gender-speaking, one of them and Binary questioned why the world try’s to place us into their hexadecimal, black and white world of gender. Although it wasn’t all serious gender politics, I Want To Kiss You was about wanting to kiss people (obviously). It managed to tred the difficult line of tackling important issues, but with enough humour, attitude and hooks to make it just as enjoyable as it was important.

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Halo Tora have always had a polished sound, even playing their very first gig to a crowd who couldn’t believe it. Their album Omni\One – their debut, nonetheless – is also incredibly polished. Their blend of post-rock has a certain easy charm and effortless cool; Halo Tora have proved time and again that they’re one of the most exciting Scottish bands to emerge in recent years.

Halo Tora are a five piece union of progressive rock burgeoning from Glasgow, Scotland. A bond formed through years of writing and live shows supporting the likes of Jamie Lenman (Reuben) and My Vitriol as well as recently embarking on their own UK tour. The band repress nothing, by concentrating and coalescing their individual creative forces the band are able to subjugate generalised stylistic boundaries contrastively sitting somewhere between prog-rock, alt-rock and post rock. The result is a raw yet emotional album which is as dynamic as it is powerful.

Halo Tora have worked relentlessly and meticulously, carefully cultivating and refining the material which can be heard in their forthcoming debut album ‘Omni\One’. Throughout the album melodic dual vocals intertwine and coalesce with equally complimentary dark and atmospheric guitar exchanges, whilst chilling classical piano sections float underneath a frenetic back-bone of driving bass and thunderous beats, fills and crashing cymbals.

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A wide range of influences can be heard throughout the album from tracks such as ‘Age of Terror’ and ‘Bones That Rock The Cradle’ which call to mind the post-rock meets progressive instrumentation and soft yet visceral vocals of artists such as Karnivool and Dredg, whereas other tracks such as ‘Permanent Revolution’ and ‘Ruins’ which blend structured atmospherics and power vocals conjure up memories of Oceansize. However, these influences never instigate notions of plagiarism, Halo Tora are able to take these moments and mould them in their own vision, which makes these compositions all the more

‘Omni\One’ is as diverse as it is accomplished and there is an invigorating confidence and honesty to it which has come through there perseverance and patience in ensuring that everything is crafted to perfection, as guitarist and lead vocalist Chris Alexander says, “This record really is a coming together of all our experiences and personalities and with that a license to explore places musically that we had never been as individuals. It was great to be able to throw ourselves at it and watch it take shape.”

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Neon Waltz: From Wick and Thurso – pretty much the most northerly towns in Scotland  come Neon Waltz. The sixpiece recall the early excitement of The Coral, back when they used to wig-out in a haze of organ-assisted feedback, with a bit of The National thrown in for good measure.
Photo: Jenn Five /NME

 

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This is a Weird little video from the bands third album “Omphalic”,Algernon Doll has released recently. The video for the poignant track is a sight to behold, with stock footage and surreal imagery edited together to perfectly capture the tone of the song. The track is taken from their third album Omphalic, released via Struggletown Records.
Algernon Doll’s third album has already picked up a wealth of support, including features, reviews and exclusives from the likes of The of Rock Sound Magazine as well as playing Radio 1’s Big Weekend.
the band plan on recording yet another album, this time with legendary producer Steve Albini.

Spilt Milk Perfume was the first single to be released from Omphalic and is available now. But watch the video on Algernon Doll’s YouTube channel. The band then released Suicide, the video of which was premiered exclusively on The Skinny Blog Site – with the video and the track itself capturing the sweaty, youth infused spirit of grunge, but with an Algernon Doll edge. The video for Algernon Doll’s previous free single ‘Justine’

Omphalic was mastered by Shellac’s Bob Weston, who has production credits on a host of classic records such as Nirvana’s In-Utero, Shipping News, Missions of Burma, Chavez, June of 44, Rachel’s and LCD Soundsystem. The collaboration was a perfect fit creatively, producing an album full of raw angst complimented by catchy, energetic songwriting that tempts the listener back again and again.

Omphalic by Algernon Doll is released via Struggletown Records and can be purchased via BandCamp or you can pick up the vinyl at Struggletown Records’ official site.

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They’re one of the hottest young bands in Scotland at the moment but Vigo Thieves are more than ready to take the step into the big leagues. The Wishaw five-piece have steadily been building a dedicated following over the last few years and it looks like 2015 is going to be the year the boys finally break through.

It’s been slow and steady progress for the band, who formed in 2008 but were only recently described by T in the Park supremo Geoff Ellis as “the hottest new band in Scotland”, a description frontman Stevie Jukes is more than happy with.

A wee while ago, we didn’t take it seriously enough but we spent a fair bit of time rehearsing and finding our sound.

“We met a guy called Tim Vigon – who managed The Streets, Bloc Party and The Zutons – who told us to get a plan together, put together an EP, make it as good as we can and release it.

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The second single from the new Jonnie Common album ‘Trapped in Amber’ which is out on Halloween 2014 on Song, by Toad Records – vinyl and CD.

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New Year Memorial. Members include There Will Be Fireworks singer Nicky McManus and Iain Thomson LightGuides, ex-lions.chase.tigers. Noëlle sounds perfect.

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The group’s fourth LP, “Nobody Wants To Be Here And Nobody Wants To Leave”, more than justifies this ascension. Where there were youthful, wayward meanderings, So after exorcising the sorrows of lessons learnt along the way. The new sound with the synths more comfortable in their supporting role, plus new orchestral sounds emerge, The guitars return to the forefront and Graham’s rich vocal is more assured, with a newly matured verve for heart-melting melodies that elevates this record to a place where the band had only earlier dabbled. This record soars with an evolved clarity and punchy guitar hooks, addictive refrains and vocal melodies to weep over.

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The Twilight Sad’s new LP, Nobody Wants To Be Here And Nobody Wants To Leave, was released last month, with a small tour to support the album, the Scottish group gives us a video for “Last January.” The clip features two tattooed men as they drive around a nondescript city and walk through a field, smoking and looking depressed. The melancholy song is complemented by the moody expressions of the actors and director Nicola Collins’ choice to film in crisp black and white. Watch.