Posts Tagged ‘Penelope Trappes’

“Eel Drip” is a  4 track EP on digital and solid white 12″ vinyl https://hth.lnk.to/eeldrip “‘Eel Drip’ Is about honouring the dead, the passing of lives within you and beyond you” Trappes explains. “It’s about physical or emotional change, acknowledging fears, and being true to yourself… reaching your full potential.” Eel Drip sees fragile arpeggiated electronics and hazy vocals swell to a celestial hallow. It sets a delicate, unhurried sense of peace that flows throughout the EP’s four tracks – both sparse and gentle, yet rushing with light and emotion. The accompanying video was directed by Agnes Haus and inspired by artist Francesca Woodman’s 1970s series of nude self-portraits with Eels.

Of the video, Trappes comments: “In the process of changing and shedding past notions of myself, there is another world between the past and the future. An eternal state, unknown, warped, slippery, free. Submitting to change, dying… being reborn.”

‘Eel Drip” sees fragile arpeggiated electronics and hazy vocals swell to a celestial hallow. It sets a delicate, unhurried sense of peace that flows throughout the EP’s four tracks – both sparse and gentle, yet rushing with light and emotion. She is a shapeshifter known for being a goddess of war and battle, the cycle of life and death, and is also associated with wisdom and prophecy, magic and the land. Often portrayed as a trio of sisters who appeared as a crow, she was the keeper of fate, teller of secrets and purveyor of prophecy.

http://

Of the video, Penelope comments: “In the process of changing and shedding past notions of myself, there is another world between the past and the future. An eternal state, unknown, warped, slippery, free. Submitting to change, dying… being reborn.”

if this were any further up our street, it’d be in our living room! Trappes‘ brooding dreamscapes are just impossible to resist.

summoning the great ghosts of vintage 4ad and kranky, the Australian singer and producer makes inky dream pop that’s as heavy and welcoming as a weighted blanket in winter. ‘Eel Drip’ is referencing the celtic goddess of war and death, Morrigan, the phantom queen. she is a shapeshifter known for being a goddess of war and battle, the cycle of life and death, and is also associated with wisdom and prophecy, magic and the land. often portrayed as a trio of sisters who appeared as a crow, she was the keeper of fate, teller of secrets and purveyor of prophecy. …in her tales and prophecies there were crows, ravens, wolves, vultures, eels and cows. fans of grouper, Hilary Woods and Cross Record will love this.

Following her debut album ‘Penelope One’ for Optimo Music, antipodean vocalist, musician and soundscaper Penelope Trappes presents sophomore longplayer ‘Penelope Two’, for Houndstooth.

Elements from multiple sources are subsumed by Trappes’ sonic presence; one hears Badalamenti and Julee Cruise’s work for ‘Blue Velvet’ and ‘Twin Peaks’, Slowdive’s dreampop, the scorched comedowns of early Primal Scream, Colin Newman’s dark melancholia, plus contemporaries like Tropic Of Cancer and Sky H1.

These distilled, rarefied creations take echoes as their starting point, with Trappes summoning swathes of tones, textures and emotions into something ethereal but also powerful, like an evocation of spirits. It’s also deeply melodic, with her intimate, maternally-tender voice floating in the middle of each three dimensional, womb-like sonic space. Originally from the Northern Rivers of NSW, Australia before moving to New York and developing experimental electronic projects Locke and Priscilla Sharp, plus her best-known incarnation with partner Stephen –The Golden Filter. 

http://

Referencing Scott Walker and This Mortal Coil, Trappes uses a minimal palette to frame her spellbinding, spectral songs in a starkly beautiful sound, suggesting a collaboration between Mazzy Star and Leyland Kirby, or Felicia Atkinson writing for Lynch.  

Released October 26th, 2018

Image may contain: one or more people and indoor

Optimo Music presented the debut solo album from The Golden Filter’s Penelope Trappes “One” in early June.

We like to let our artists speak for themselves about their music whenever possible so asked Penelope to tell us about her album –

“In 2016. I rented out a small piano studio in East London for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. Inspired by albums from This Mortal Coil and Scott Walker, who also sought freedom to work outside of the expectations of their previous work, I limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. Writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, I felt free enough to tell untold truths that I’ve never felt comfortable talking about within music. Free, liberated, empowered. naked.”

Released June 16th, 2017