Posts Tagged ‘Orlando’

We The People were a garage rock supergroup from Orlando, Florida, formed from members of The Coachmen, the Nation Rocking Shadows, and The Offbeets. The band boasted two songwriters, Tommy Talton and Wayne Proctor. Talton’s ‘You Burn Me Up and Down’ is the second song from We The People featured on Nuggets. It was originally released as a b-side to their third single ‘He Doesn’t Go About It Right’. Note that the header art is taken from a later We The People single – it was the only hi-resolution artwork that I could find.

It’s commendable that the Nuggets compilers sifted through the group’s b-sides for material, but ‘You Burn Me Up and Down’ is one of the lesser tracks I’ve encountered on Nuggets so far. It sounds inspired by Van Morrison’s Them, with a bluesy feel and authoritative lead vocal.

We The People never released a studio album, but did release enough singles to justify several compilations; notably 1983’s Declaration of Independence. Like The Band and The The, We The People’s Declaration of Independence is not an easy item to find on Google! In an interesting piece of timing, today’s post shares its date with the “We The People” inauguration concert, featuring Fall Out Boy, Carole King, Ben Harper, and James Taylor.

Proctor wrote most of We The People’s material, but it was Tommy Talton who went onto a professional music career. He was part of the country rock band Cowboy who played with the Allman Brothers and Bonnie Bramlett. Cowboy released a reunion album in 2018, titled 10’ll Getcha Twenty.

 

Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles released in the mid-to-late 1960s. It was assembled by Lenny Kaye, who at the time was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye worked on Nuggets under the supervision of Jac Holzman, founder of Elektra Records. Kaye initially conceived the project as a series of approximately eight individual LP installments, each focusing on US geographical regions, but Elektra convinced him that one 2-disc LP would be a more commercially viable format. The resulting double album was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term “punk rock”. It was reissued with a new cover design by Sire Records in 1976. In the 1980s Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.

Vanishing Twin began life as a solo project for Orlando.   After releasing a concept cassette on her own label The Re-Alignment of Magnetic Dust (RAM), and playing the songs with different musicians. Gradually the band formed into a formation of people who all shared similar taste and similar ideas, and in the process the sound became much bigger than Orlando as it incorporated these different musical personalities. So with that the band chose a new name and a new identity.

With influences too many to name. There are a few vinyl lovers in the band – with collections of interesting and obscure music from all over the world. We have a deep love of library and soundtrack music that heavily influences our sound and approach, but equally they are interested in Latin jazz, outsider pop, African funk, minimal classical music, industrial, no wave and other intriguing cocktails of sound.

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The live show is all about conjuring magic, about casting a spell, and opening a door into another world for a brief time. The visual is an important part of the whole picture for us – the creation of a complete entity.
Vanishing Twin sounds like oblique pop, lost soundtracks, radiophonic experiments and eternal juju.

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The album was recorded and produced with Malcolm Catto at his studio Quatermass Sound Lab. The Band didn’t do many takes, just went for the right performance and atmosphere. Then took the recordings away to experiment with overdubs and effects before bringing them back for mixing.

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This compilation is a love letter to the community of Orlando, FL. Following the tragic events at Pulse Nightclub on June 12th, we wanted to show our support and love for our LGBT community the best way we knew how; through music.
The tracks on this album were all individually contributed by the bands and artists themselves; artists from Orlando, New York, California, England, and all over the globe.

All proceeds from this compilation will be donated to support the victims of the Pulse shooting as part of the OneOrlando Fund (www.oneorlando.org) as a symbol of solidarity as our city rebuilds.

The price of this album is whatever amount you would like to donate to this cause.

released June 17, 2016