Posts Tagged ‘Miya Folick’

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The Ones to Watch in 2016 list; include Singer Songwriter based in Los Angeles and Buddhist Miya Folick rubs shoulders with Mieke in more ways than one. Equally spiritual, this solo singer songwriter also goes in for opaque lyrics, set to tales of getting too drunk to have a coherent argument with her boyfriend. Words from the heart and soul, Folick’s 2015 debut EP Strange Darling and a successful CMJ performance makes her eligible for inclusion on end of year lists everywhere.

Miya- guitar, vocals, casio
Josh Grondin- guitar, piano
Jon Engelhard- bass
Cassidy Turbin- drums

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Miya Folick grew up listening to female rock artists like Fiona Apple, Alanis Morrisette, and PJ Harvey. These were women she idolized not because they were beautiful, but because they were brave. They weren’t scared to show that life isn’t always picture perfect.  Sometimes we’re rash and illogical. Sometimes we say and do stupid things. Sometimes we get angry. Sometimes we over-analyze things and become paranoid for no reason. Sometimes we get scared. That’s all ok. That’s human.

There was a period where I missed this emotional messiness in music, because I felt like everything was getting so cookie-cutter. But in the last few years, that’s changed. There’s a lot of new artists–women especially–who are putting some depth and grittiness back into music. Miya Folick is relatively new, but based on her last song and this new one, “I Got Drunk,”  taken from the “Strange Darlings” EP .

“How did I miss this lesson when I was young?” sings Miya Folick, restlessly and repeatedly, on the opening track of her debut EP, “Talking With Strangers.” The LA folk-pop singer-songwriter’s latest EP is reverb-soaked and dripping with melancholy, Folick’s raw vulnerability shining across the project with tender delicacy. Her words are as devastating as they are utterly charming; she breaks hearts even as she warms them.

Raised in a Buddhist household and having been influenced the religion’s ritualistic practices from a young age, Folick was inspired by the art of movement and dance and moved to LA after a brief stint in NYC. Forlorn synths intertwine with guitars and Folick’s velvety voice to create a sort of grieving, grunge-folk sound in the same vein of Daughter and Sharon Van Etten. Her lyrics create a direct tunnel into the deep inner-workings of her psyche, and it’s enough to grab at your heartstrings: “Isn’t it obvious to you/ That I want you?” Strange Darlingis highly emotional and personal, with Folick opening her soul for all who will listen. “Will you dream with me?” she asks on the penultimate track; so, will you?.

Miya Folick performs live at Cake Shop during CMJ.

Miya Folick makes music that simply lulls me. She’s a storyteller, a teller of tales that are personal and universal. And though I first fell for her music, I have to say that feeling her passion and presence here at this tiny venue is what really hooked me. Maybe it’s that she studied movement and theater, perhaps it’s her Buddhist upbringing and hearing chants as part of her life. Her performance was captivating and personal and that, along with already loving her songs made this performance one that will stay with me.

If you like Sharon Van Etten or early Cat Power, then the golden vulnerability of this girl—communicated over slide guitars and somber synths—will leave you charmed, even as she warns you she may break your heart. And therein lies the twist: Raised in a Buddhist household in Santa Ana, CA, Folick has been around for the past fews months songs like the ballsier “I Got Drunk” and “Talking with Strangers” find her pushing away from more trad singer-songwriter tendencies, making music that’s more sparse, more moving.

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MIYA FOLICK – ” Oceans “

Posted: September 13, 2015 in MUSIC
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Miya Folick: LA delivers plenty on the electro-pop]fronts but very little in the wheelhouse of folk. Miya Folick finds a mid-point between the former and latter channeling Cat Power through the lens of a writer raised in a Buddhist household.

One of the cool things about keeping up with any new artist is getting to know their different sides. For the first two songs I’ve heard from Miya Folick, the singer chose to channel a more delicate sound. “Oceans” is different. Here, Folick starts off subtly until about the two minute mark, when her voice changes from graceful to vengeful. In less talented hands, this shift might sound messy but here it’s powerful. As a result, “Oceans” is an emotional journey, once again proving Folick’s ability as a true songwriter. Says Folick about the song:

“Oceans is one of the first songs I ever wrote and one of the first songs I ever played in front of another person. It’s a very lonesome song, so it was interesting recording it with a band. But, I do think much of what this song is about is pretty universal, so that communal music experience also made sense.”

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Miya- vocals, lead guitar
Josh Grondin- guitar
Jon Engelhard- bass
Cassidy Turbin- drums