Posts Tagged ‘Matt Pond’

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Matt Pond PA is following last year’s “Winter Lives” LP with a new album called “Still Summer” due on August 11th via his own 131 Records . The album includes contributions from Laura Stevenson, Laura Burhenn, Caroline Reese and Anya Marina, along with his band members Chris Hansen, Shawn Alpay, Mel Guerison and Kyle Kelly-Yahner.

Ahead of that album’s release, he’s putting out a free two-song single with non-album tracks “Skin and Bones” and “Sugar River.” He’s calling the single Double Freeture and here’s what he tells us about the release:

Double, triple, quadruple features until dawn. My distorted formative mind loved the cinematographic escape from familial ripples and teenage turbulence. American Graffiti, Dazed and Confused, Breaking Away, Jaws, The 400 Blows, any-film and every-film. Out on the late-night living room floor, I was lost and loving it.It can be the selfsame with songs. The first time hearing Tender by Blur, pressing play on a fresh cassette of Queen. Double Nickels On The Dime vs. the White Album — no one will ever know the rightful victor. (Everyone here gets and deserves the crowning trophy.)

“Skin and Bones” and “Sugar River.” These are true stories of midday and midnight exultation. From Hudson, New York, to Hanover, New Hampshire. Their narratives are unto themselves — adrift in the moment, full bloom, free. These songs were ultimately meant to be given away — onto a mix and flying out the window.

“Skin and Bones” is a jangly, anthemic rocker that sorta borrows from the melody of The Replacements’ “Swingin’ Party,” and “Sugar River” is a softer, folkier tune. The songs premiere in this post.

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MP3 Sean Hansen

Back in 2005, I started to hear a lot about this guy Matt Pond and PA, which I guessed was the state he was living in. Ever the curious listener, I decided to find out what kind of music he was making, what the talk was all about, so I picked up the new album, Matt Pond PA‘s . For me and many others, this album became the gateway into the rich and textured imagination of Pond. Perfectly crafted melodies, a glimmering sheen around the instruments, and an undeniable energy that keeps you listening (and often dancing) from track to track. It also feels seasonal – we start in the autumn with “Halloween” and end up with the hope of promise of warmer weather in “Spring Provides.” There’s no doubt that throughout the years this album has helped me to inject a modicum of brightness and color into the eternal grey of mid-winter. Thank Pond.

Since, Matt Pond has put out tons of excellent LPs and EPs, the latest of which is last year’s The State of Gold. What remains constant throughout Pond’s catalog is that deep, distinguished imagination, speckled with diverse hues, composition, and makeup. Plus the guy really knows how to write a melody. The State of Gold is just the latest release in a rich catalog that shines and shimmers so brightly that you soon yourself hooked.

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It was around the release of The State of Gold and the tenth anniversary of Several Arrows Later that we at Folkadelphia were privileged to record this live session with Matt Pond PA. The band had recently been robbed of precious musical equipment while on tour, but still came out to hang with us for a while. I thank them from the bottom of my heart for doing that.

Special thanks and acknowledgment is due to Drexel University’s Music Industry Program for graciously letting us use their recording studio and gear, as well as helping wrangle interested, enthusiastic, and capable students to assist. I’d like to single out Brian Goehrig and James Clark Conner, Folkadelphia’s regular audio engineers for their leadership and hard work throughout our stint at the university.

Matt Pond – vocals, guitar
Shawn Alpay – cello, vocals
Chris Hansen – guitar, vocals
Kyle Kelly-Yahner – drums
Tierney Tough – bass