Posts Tagged ‘Martha Ffion’

Our love of Martha Ffion is no secret, we’re even quoted on her press release declaring her, “one of our favourite artists in recent years”, yet we’ll risk hammering home that point once more, because her new single is fantastic. The title track of upcoming album, “Nights To Forget” is the latest offering from the follow-up to Martha’s Scottish Album of the Year Award nominated debut, Sunday Best, which is set for release next week via Lost Map Records.

Discussing the track, Martha has suggested Night To Forget is her, “reflection on my own negative experience of objectification as a woman“. It finds Martha reflecting on the optimism of youth, and how it tends to fade from women as reality bites, before towards the end of the track seeming to reclaim her rights to be whoever she wants with the repeated refrain, “won’t owe you anything”. Perhaps counterintuitively to the track’s themes, it was the jumping off point for Martha exploring a more distinct pop direction, the start of a mission to, “make a record that she wanted to hear, rather than a record that felt like an obvious follow-on from its predecessor”. Here that pop-vision manifests via a slinky lead-guitar line, Tropicalia-laced percussion and warms beds of smooth synth perfection. If this is Martha Ffion’s idea of a modern-pop record, then it’s one that gives you hope for pop music’s future; creative, intriguing and quickly becoming one of 2020’s most exciting albums.

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Martha Ffion is the musical project of Claire Martha Ffion McKay. From Warrenpoint & based in Glasgow. Her debut album, ‘Sunday Best’, released in March 2018, was long-listed for the Scottish Album of the Year prize, alongside the likes of Franz Ferdinand, Mogwai and Young Fathers. 

Released August 2020

Nights To Forget is out August 14th via Lost Map Records.

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Nights to Forget is the much-anticipated second album from Scottish Album of the Year Award nominated Glasgow-based Irish singer-songwriter Claire McKay, AKA Martha Ffion. Set for release on August 14th, 2020 on 12” vinyl and via digital platforms, it’s a bold and exciting departure from her previous work, embracing Claire’s love of envelope-pushing contemporary pop, forgoing the storytelling of her debut album Sunday Best in favour of personal reflections on loss, letting go, looking forward and the futility of nostalgia. The album is preceded by the singles ‘After the Fact’ and ‘Want You To Know’, both of which are available now.

Produced by Dave Frazer and recorded at his home studio in Glasgow, Nights to Forget finds Claire pondering on everything from politics, feminism and depression to David Attenborough, and channelling her love of artists from St. Vincent and Roisin Murphy to Anderson .Paak and Grimes, on a mission to make a record that she wanted to hear, rather than a record that felt like an obvious follow-on from its predecessor.

“Most of it was written the summer after Sunday Best came out,” explains Claire. “It was an uncharacteristically hot summer by Glasgow standards but I spent most of it holed up in my flat on Garageband. When I would venture out for a walk, I kept bumping into my friend, Dave Frazer and we’d end up chatting about music for ages. I told him about the kind of record I wanted to make – something more fresh and modern – and we decided to give it a go together. I wasn’t tied to any label or timeframe, so we ended up gradually rebuilding and reworking my demos over the course of a year. We mainly worked in his flat, after work or on weekends. Everything was given so much breathing space – it was nice to let each song properly develop in its own time rather than having the pressure of studio deadlines. Deciding when to say it was finished was the hard part.”

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My new album ‘Night to Forget’ – out 14.08.2020 on Lost Map – is now available to pre-order at a special price.
If you’re thinking about getting a copy (or buying releases by other independent artists) it would be good to do so today while all revenue goes directly to artists/charities!

Releases August 14th, 2020

 

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Martha Ffion first came to our attention back in 2015 when she put out a single through the Turnstile label. Martha then picked up a much larger audience with her 2018 debut album, “Sunday Best”, released through the ever wonderful Lost Map Records, which was nominated for the Scottish Album of the Year Award. Having returned from a period of radio silence recently with the excellent single, After The Fact, Martha has this week confirmed a new album, Night To Forget will be out later this summer, as well as sharing the latest offering from it, Want You To Know.

Inspired by, “the delusional nostalgia celebrated by the MAGA / ‘Keep Calm and Carry On’ sets”, Martha first came up with the chorus for Want You To Know almost a decade ago, before putting it to tape in, “an uncharacteristically hot Glasgow summer”. The result has a delightfully summery feel, the whole thing engulfed in an almost heat haze, dripping with wistful memories and a gently psychedelic quality. As with After The Fact, there’s a subtle re-imagination of Martha’s sound going on; the sounds of 60’s-pop and Americana that were the hallmark of Sunday Best replaced by a newly technicolour sonic pallet, as easy guitars, processed vocals and twitching electronics come to the fore.

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Amid all the nostalgia and electro-pop perfection, there lies a certain sense of unease, the feeling that a bubble is about to burst, clinging onto the past can only last so long, a change is undeniably coming your way: “come, witness the end of pageantry, the cult is coming to your street”. Like all the best pop-songs the gorgeous sheen is masking something here, when Martha Ffion unveils her Nights To Forget it might well be one of the year’s most eye opening musical highlights.

Nights To Forget is out August 14th via Lost Map.

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In the first in a series of brand new PostMap collectable postcard singles, it gives Lost Map Records great pleasure to introduce Martha Ffion, with her double-shot of infectious surf-grunge guitars and ethereal girl-group vocals ‘No Applause’ / ‘Lead Balloon’. Recorded and produced by Tuff Love’s Suse Bear, who also plays bass on the tracks, and featuring The Phantom Band’s Ian Stewart on drums and Poor Things’ Craig Angus on lead guitar, the single marks a major step forward for the Glasgow-based Irish singer-songwriter, AKA Claire Martha Ffion McKay, who has been making a head-turning name for herself on the local scene, sharing stages with the likes of Jessica Pratt and C Duncan.

‘No Applause’ / ‘Lead Balloon’ follows on from the success of Martha’s 2014 debut EP ‘Go’, and marks a major development in her sound. Performing with a full band for the past year has transformed Martha’s songwriting process, and the new material has adopted a punchier edge with echoes of Sharon Van Etten, Angel Olsen and Courtney Barnett. But her core influences remain consistent and tangible: 60s icons like The Beatles, the Shangri-Las and Nancy Sinatra. There’s a hint of Blondie too, especially in the wry delivery of ‘Lead Balloon’s’ vocals, and a lyric which, with the deceptive bounciness of The Go-Gos, deals bluntly with familial breakdown and oppressive gender roles. The tracks are a taster for Martha’s forthcoming second EP, which will be recorded this summer at Glasgow’s Green Door Studios as part of their Super Groups project.

Martha Ffion’s new single comes as part of a collectable set of three PostMap releases (snail-mailed printed postcards stamped with a message from the artist and a unique download code), which will also include the Lost Map Sampler #2 (PostMap 01°01) and Randolph’s Leap’s ‘Isle Of Love’ EP (PostMap 01°02). The postcards will be priced £1 each, or can be bought as a set of 3 for £2. They will be made available exclusively from lostmap.com on May 26, 2015.

The Glasgow based singer songwriter with a hazy, surf-grunge step; Martha Ffion strolls onto the 2015 scene with two must-hear follow ups to her Go EP of 2014.

Never locked lobes around Ffion? Sounding like Courtney Barnett blended with a wooly, psychedelic twinge; Martha Ffion is a must listen for fans of folk-inspired music, but her music is given a firm edge thanks to drifting guitars and informal yet upfront singing. Derisive with dainty appeal, there is clearly a ‘get up, get yourself a drink and get out’ message to her lyrics that’s hard to miss, and hard not to enjoy.

Following gigs alongside local scene stealer Jessica Pratt, with upcoming dates the likes of Wickerman Festival, and a Honeyblood support slot to boot, Martha Ffion looks to continue to caress the stage with unvarnished pep and collected lyrics this year.