Posts Tagged ‘Live at Third Man Records’

Image may contain: 5 people, people smiling, people sitting

Given their name, you might expect Bonny Doon to be a California band that smokes a lot of weed and stays in the garage writing Dick Dale rip-offs. But on the contrary, they’re from Detroit, and are behind one of the smartest and most poetic records of the year (not sure how much weed they smoke, though). Detroit does kind of make sense, anyway, as the Malkmus/Berman vibes of their debut album Longwave mostly fall in line with a working-class town sensibility—Bobby Colombo and Bill Lennox’s shrugged lyrics are distinctly grounded in their casual interest in comprehending the absurdity of existence, even if they know you can’t really crack that topic while simultaneously working a nine-to-five.

https://www.youtube.com/watch?v=VZsZ9m1ba4c

The Black Lips bring the party to Third Man – a day we’d been waiting for for some time. Back in June, Black Lips performed a live set at Jack White’s Third Man Records in Nashville. That set was recorded and has been released this week as The Black Lips Live at Third Man, available on 12″ and digitally. It features a cover of “You Must Be a Witch” by Fred Cole’s pre- Dead Moon/Pierced Arrows group the Lollipop Shoppe.

Recorded live to analog tape on 06/11/12.

Setlist
Family Tree
Stuck In My Head
Oh Katrina
Make It
Lock and Key
Modern Art
I Saw A Ghost (Lean)
You Must Be A Witch (F. Cole)
Fad
Dumpster Dive
Drugs
I Got A Knife
Bow Down And Die

813547023582x220

When bands play at Third Man Records in Nashville, the shows are usually recorded to be released on vinyl as part of their Live at Third Man series. If you are fortunate enough to be in attendance, then at the show you can preorder a special Black & Blue split vinyl attendee version of the night’s performance.

Right now on Third Man Record’s site you can order the Black & Blue version of the recent performance by the great Brooklyn band Woods. The order page lists it as in stock, but the performance was just earlier this month and the usual turnaround on the Black & Blues is months and months. So, be forewarned that this may actually be more of a preorder.

As far as I know this is the first time that Third Man Records has sold the Black & Blues online outside of the refresh-athon sale they held a few years back.

Certain bands in this supersaturated, hyper-fragmented, temperamental internet era that rise above ephemeral popularity not because they perpetually reinvent themselves or stay ahead of trends or make headlines with crazy antics or write a mega hit or have a super dreamy frontperson… there are certain bands that rise above because of one characteristic that trumps all others: consistency. Woods is one of those bands, and their wheelhouse is a decidedly mellow blend of folk, psych, soul, and funk that’s wise beyond its years in timbre and lyric. It’s a comforting kind of music Woods makes. It doesn’t take you anywhere you don’t want to go, even if they world they depict is less and less hospitable with every passing day. It’s a soundscape reflective of the world it was created in, and its lack of call-it-action and angst makes it endlessly listenable for those of us with regrettably overactive minds. With over ten years and nine studio records under their belt, this Brooklyn band also runs their own label and 2-day festival at Big Sur, and has carved out a loyal legion of appreciators who extol their steadfast artistry and work ethic. We got to see the Nashville Chapter of this legion, as well as a whole slew of new members, at their live taping in our Nashville Blue room, Monday May 2nd. All captured on their Live at Third Man Records LP.

http://

http://

Parquet Courts have set a “live” album for release in March 2015 which was recorded at Jack White‘s Third Man studios in Nashville.
With a title designed to allay any confusion Parquet Courts: Live at Third Man Records the album will be released on March 3rd and features audio recorded at Jack White’s batcave in June 2014. We were witness to Parquet Courts live when the band played UK festival slots last year, with the album to be one of our essential listening albums of 2014 and superb live sets made them one of the best guitar bands around.

“For most bands the rules of playing live are quite simple: 1. Turn up 2. Play 3. Run for the exit. Admittedly some also find time to thank the crowd. But then for most bands music is written, not created. And what is exciting about them comes from practice and planning, not experimentation and actual excitement.”

“So the excitement of the crowd is palpable when Parquet Courts take to the stage, for it’s not very clear to anyone what is about to happen, but something is definitely about to happen.
Parquet Courts brought a sweltering performance to the hallowed grounds of Third Man’s Blue Room on June 5th of last year and very fortunately, Third Man Records were able to lovingly capture it with their one-of-a-kind, direct-to-acetate recording process. The set included a dynanmic selection of songs from last year’s critically acclaimed album Sunbathing Animal, as well as the 2013 EP, Tally All The Things That You Broke.