Posts Tagged ‘Jon Supran’

Flyte are Winchester’s own indie-rock success story. Formed in 2013, the now-trio (Will Taylor, Jon Supran and Nick Hill) have gone from strength to strength with each remarkable release and their sophomore effort corroborates this. At face value, ‘This Is Really Going To Hurt’ is a quintessential breakup album. Ever-present in life and literature, heartbreak is an inevitable theme eventually approached by artists of all areas. While Flyte have previously gained traction through works taking a more vicarious approach, this album is a deeply personal exploration of heartbreak. Vocalist Will Taylor journeyed through the end of an eight-year relationship with all the turmoil you’d expect, but here has managed to carefully document the feelings involved in a delicate and dignified way. His mindful nature and a drive to share his cathartic writing allow this record to exude a matchless sensitivity in its lyricism.

‘Easy Tiger’ is both the opener of the album and a perfect example of such sensitivity. Bearing the album’s title dominantly in its lyrics, this track is the preparatory build to the rest of the album. The soft guitar melodies bring an air of comfort to the foreboding descent into a thoroughly varied and emotional collection of music. ‘Losing You’ swoops in next with a potent, raw form of storytelling. Encapsulating the nostalgia of new romance versus its demise; it’s simple but flawlessly compelling.

‘I’ve Got a Girl’ is a punchy gem which alongside being a fun listen, serves to gently accelerate the pace of the record (written following the departure of former-member Sam Berridge). Launching straight into its dramatic lyricism, no time is wasted in portraying the hurt and subtle distress that runs throughout. This track has an undeniable appeal with its moody composition; dramatic keys and thundery bass giving it an edge akin to early 2000s alt-rock, while slick production cements its modern feel. Flyte crafted the album with the skilled hands of producers Justin Raisen and Andrew Sarlo, and mixing engineer Ali Chant. A mellow, steady, building instrumental meets an initially minimal vocal decorated with Flyte’s classic creative harmony in ‘Under The Skin’. Taylor’s voice builds to hold subtle anguish as we reach the busy, almost chaotic climax of the track. This is met cohesively with thumping guitar, crashing percussion and whirring synths.

We’ve been fortunate enough to feast our ears on half of the tracks from ‘This Is Really Going To Hurt’ as singles already, but the as-yet-unheard tracks bring yet more depth to the album. The first of which is the simply exquisite ‘Everyone’s a Winner’ . Despite its subject matter, the record is never accusatory; just attentively observational and introspective to a refreshing degree. Littered with choral-like harmonies, ‘Trying To Break Your Heart’ feels as though it’s been freshly plucked from a coming-of-age movie where a sense of melancholy is drenched in summery, jolly instrumentation.

As the band told us in an interview back in the summer of 2020, “every song has a very distinct personality” which stands true as the smooth, shoegaze dream, ‘Love Is An Accident’ begins. We’re then launched into the rockier ‘There’s a Woman’. Here we find classic, janky guitar and darker tonality, intermitted with calmer moments that tease at a lingering sense of romance. The end of the song is heavy with brass and synth, and the continued harmonies we’ve come to expect and love from Flyte over the years.

‘Mistress America’ features echoey vocals set among sentimental acoustic guitar in a lively track. It has a definite sense of being hopeful and joyfully romantic, with a relevant mid-American feel. This begins to round ‘This Is Really Going To Hurt’ off quite nicely, though the real treat waiting at the album’s close is ‘Never Get To Heaven’. Sleepy, hazy and comforting, it conclusively signals the end of an arduous period of time experienced by Taylor.

With their second album, a new vulnerability in the band’s work is clear. While a breakup record, delving deeper unveils a tapestry of raw emotion, polished instrumentation and lyrical complexity. It almost feels invasive to listen to Taylor’s plight in this way, especially as we’re used to Flyte’s relatively impersonal previous works. Here, the lyricism is beautifully and brutally self-aware. To tackle personal experiences and adjust to working as a trio were Flyte’s latest challenges, and each member played their part to meet them with grace; creating some gorgeous music on the way.

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Flyte first touched down last summer with some new songs ahead of a forthcoming album when they unveiled their video for “Losing You,” which was directed by award-winning filmmaker Mark Jenkin, and have since unveiled a new album titled “This Is Really Going to Hurt”, which releases this Friday. Arriving on the tail end of vocalist Will Taylor’s eight-year relationship, the LP piles more emotional heft onto their already dramatic rock sound.

Even for their stripped-down “Neighborhoods” session, the trio pack a punch into vocal harmonies on album tracks “Trying to Break Your Heart” and “Everyone’s a Winner,” with the band members crowding around Taylor’s single acoustic guitar. Shot in tight close-up as the wind blows in London’s St Dunstan-in-the-East, watch their performance of both tracks below.

The UK band play two tracks from their forthcoming LP “This Is Really Going to Hurt.”

The highly-anticipated second album “This Is Really Going To Hurt”. Recorded in LA last year with collaborators Justin Raisen (Angel Olsen, Yves Tumor), Andrew Sarlo (Big Thief, Bon Iver) and mixing engineer Ali Chant (Aldous Harding), the record is a lucid documentation of lead singer Will Taylor’s formative relationship break-up, and follows the ending of a relationship through the stages of grief and acceptance. The title is evocative of knowing the decision you are about to make will change your life forever. The first singles from the album, ‘Easy Tiger’ and ‘Losing You’, served as stunning introductions.

One of the very best UK bands.

Due this April, London three-piece Flyte’s sophomore album is a labour of love – finely-crafted rootsy indie rock across ten timeless-sounding tracks. Made alongside collaborators Justin Raisen (Angel Olsen, Yves Tumor), Andrew Sarlo (Big Thief, Bon Iver) and engineer Ali Chant (Aldous Harding), the band’s extraordinary three-part harmonies span a rawer space than they covered in their 2017 debut album. It’s off-kilter, unpolished, music for music’s sake.

Flyte’s “I’ve Got A Girl” has been bouncing around my head non-stop ever since they released it and now we get a little video compliment to go along with the track that stars Tina Malone, star of the UK version of Shameless Feeling like a post-Halloween hangover, the video has a much different vibe than the one for “Losing You” and goes all in on a David Lynch eerie vibe that captures this sound that is very much Flyte, but a new form that we haven’t quite heard before.

watch the music video for “I’ve Got a Girl” below and stay tuned for a more Flyte related content coming very soon.

This Is Really Going To Hurt, on the 9th of April. This will be Flyte’s second album and features the previously released songs: Easy Tiger, Losing You, I’ve Got a Girl as well as the brand new, Under The Skin. This album beautifully weaves together complex and rich vocal arrangements and melodies, with lyrics steeped in literary imagery.

‘This is really going to Hurt’ follows up from their debut album The Loved Ones which was acclaimed by The Sunday Times as “The Best British debut album of the year” and is set to cement the band as refreshingly mature and exceptionally talented.

It’s hard to believe that it’s been nearly six years since I stumbled across the music of Flyte, one of the best bands out of the U.K., or anywhere, for that matter. While Covid has screwed up the release and touring plans for their looming second album, the band has still been slowly laying down the foundation by releasing a handful of new singles, such as the newly released “I’ve Got A Girl.” Late last month I had the pleasure of video chatting on Zoom with the band’s very own Will Taylor and Nick Hill. We spoke about the new track, how much of it really is about the departure of a founding member and friend, the evolution of their sound over the years, some hints of the new record, as well as what movies they’ve been watching. This is an interview I had wanted to do ever since I accidentally discovered their early single “Light Me Up” thanks to a brilliant working YouTube algorithm.

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“Easy Tiger” is the group’s first new release since last year’s White Roses EP, and arrives with a video directed by BAFTA-winning director Mark Jenkin.

Vocalist Will Taylor says of the song, “When I wrote “Easy Tiger” I was exorcising shame, heartbreak, jealously; almost impossible emotions to process, I almost regretted writing it. There’s a darkness and an emotional brashness to Mark’s work that suited the song perfectly. It would have been hard to trust anyone else with it.”

Jenkin says of the accompanying visual, “The challenge was to make something that felt amorphous – to create something that has a tactile feel to it, is a single artefact, something that feels like a found film and something that is timeless, abstract and unidentifiable in some ways. For me, what’s exciting is those limitations – this is where my strength is, the great unknown.

Flyte’s “Easy Tiger” single is out now on Island Records.

Band Members: Will Taylor, Nick Hill, Jon Supran, Sam Berridge

Flyte have recently returned with their lovely new EP “White Roses”, a release that they describe as a good preview of what’s to come for their eventual next album. Over the past few years, we’ve watched indie rockers Flyte  admiring their wonderful tunes It took many years but after the release of their terrific debut album The Loved Ones last year they finally announced their first appearance at SXSW in Austin, Texas and ended up following those dates with their debut New York performance, with the promise of some old songs but also, some new ones. This performance featured only half of the band, with Will Taylor and Nicolas Hill playing all the songs totally stripped down and acoustic.

The band hinted that they finished their new album, one that was described as a heavy break-up album. These songs were personal and heartbreaking, but with that whimsical folk charm that the band has been leaning into with precision with every new release. Along with “White Roses” and “I Still Believe In You” from the EP White Roses,  four other brand new songs, “Never Gonna Stop Trying To Break Your Heart,” “Never Get To Heaven,” “Everyone’s a Winner” and “Mistress America,” which was played for the very first time ever on their recent festival dates at the Deershed and 110 Above Festival .

These new songs have me really excited for the new album, The band soared as high as ever. They thanked the crowd for sticking with them for the new songs and then rewarded us with lavish performances of “Cathy Come Home” and “Faithless” from their superb debut and one of the best albums of 2017, The Loved Ones.

For the first single off of London-based band Flyte’s debut LP (out August 25th via Island Records), the alternative four-piece stays close to their roots. “Cathy Come Home” sets its eyes on a former schoolmate of the bandmates whose experience rings true no matter what side of the Atlantic you’re on.

Cathy is about parents struggling to let their children out into the world,” explains lead singer Will Taylor, who forms Flyte with Nick Hill, Jon Supran, and Sam Berridge. Written from the perspective of Cathy’s parents, the song addresses the young woman in question and begins contemplatively: “Maybe you’re right / We’re holding on too tight.” But its tone soon shifts, beckoning her to return for dinner. The protective call is both banal and far-reaching, an attempt to protect that’s situated somewhere between offering a shield and building an impenetrable bubble. “We were watching a lot of Ken Loach while we were writing it,” says Taylor, “hence the slightly bleak narrative and of course, the title.” In what the band describes as a “rare” turn of events, the song’s lyrics and music arrived together. Taylor also says that it’s reflective of what to expect on the rest of the album.

“The whole album is more or less a live performance, so within those limitations we’re trying to surprise the listener as much as possible,” explains Taylor, who promises “no shortage of twists and turns” within the 35-minute framework of the album (which they hope listeners will experience from start to finish). Their four voices will continue to feature prominently, and ultimately, are core to their approach. “The vocals are where we’ve been most creative,” continues Taylor, “whenever we need to make a moment in a song work better, we use our voices.”

FLYTE’S debut album (Island Records) is out August 25th, 2017.