Posts Tagged ‘Itasca’

Itasca’s Kayla Cohen wrote the anticipated follow-up to her acclaimed 2016 album Open to Chance in a century-old adobe house in rural New Mexico. Inspired by the landscape and history of the Four Corners region, the sublime Spring—its title summoning both season and scarce local water sources—dowses a devotional path to high desert headwaters. Featuring contributions from Chris Cohen, Cooper Crain (Bitchin’ Bajas), James Elkington, and members of Gun Outfit and Sun Araw, Spring contains Cohen’s most quietly dazzling and self-assured set of songs to date.

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Released November 1st, 2019

Itasca

Los Angeles psych-folk singer Itasaca is releasing her new album “Spring” on November 1st via Paradise of Bachelors, and following lead single “Bess’s Dance,” she has just released second single “Lily” with a video. It’s yet another gorgeous song and you can check it out below.

Itasca, the California folk musician Kayla Cohen, shares “Lily,” the opening track to her forthcoming new album Spring, alongside a music video shot on Super 8.  In an essay for The Talkhouse, Cohen writes about the song’s origins, inspired by the ghostly hallucinations of a water lily she experienced on the long drive from Los Angeles to New Mexico, where she composed the songs on Spring: “There’s a trope that a songwriter loves a long drive… but there was the lily image, as a wish for psychosis or an invitation to it.” The video depicts an impressionistic dance of domesticity between mythological figures Ceres (played by Cohen), Pan, and Bes.

Itasca’s “Spring” is out November 1st, 2019 on Paradise of Bachelors.

Itasca announces her sublime new album “Spring”, written in a century-old adobe house in New Mexico. Feat. Chris Cohen, James Elkington, & members of Bitchin’ Bajas & Sun Araw, it contains her most quietly dazzling songs to date. Hear “Bess’s Dance” below, Itasca, is the mesmeric project of California songwriter Kayla Cohen, she has announced her new album Spring, due out November 1st. “Bess’s Dance,” describing it as “a beguiling rumination. Kayla Cohen’s got a voice that glows like the sun at dusk, and plays acoustic guitar with a nimble yet intricate touch.”

Cohen wrote the anticipated follow-up to her acclaimed 2016 album Open to Chance in a century-old adobe house in rural New Mexico. Inspired by the landscape and history of the region, the sublime Spring—its title summoning both season and scarce local water sources—dowses a devotional path to high desert headwaters.  James Elkington adds cinematic string arrangement graces “Bess’s Dance”, and members of Gun Outfit and Sun Araw.

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“Spring” contains Cohen’s most quietly dazzling and self-assured set of songs to date.

Featuring contributions from Chris Cohen, Cooper Crain (Bitchin’ Bajas), James Elkington, and members of Gun Outfit and Sun Araw.

The music of L.A.-based guitarist, singer, and songwriter Kayla Cohen is mutable and multivalent, richly allusive of the hermetic worlds of private-press canyon-cult mystics and East Coast noiseniks alike. Her adept fingerstyle guitar work—nimble but unshowy, always at the service of framing her plaintively unspooling modal progressions and gorgeous, moonlit voice—centers these melancholy pastorales in a hazy, heat-mirage space equally suggestive of familiarity and distance, community and anomie. Itasca’s enchanting, acid folk-inflected PoB debut is also the first to feature a full band.

Gorgeous acid folk reverie… A heady slice of lysergic ladies of the canyon, with the feel of tropical microdots that dominated the These Trails and Linda Perhacs sides given a slightly more baroque dream-time feel. Some of the guitar stylings have the kind of courtly appeal of Current 93 circa Of Ruine Or Some Blazing Starre, but when she gets into more complex vortices of steel strings she comes over like Robbie Basho circa Basho Sings. This one came out of nowhere and knocked us sideways.
Paradise of Bachelors is a Record Label, Soundsystem, and Archive located in the North Carolina Piedmont and in the subluminal ether. We are dedicated to documenting, curating, and releasing under-recognized musics of the American vernacular, with an emphasis on the South, broadly defined.

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