Posts Tagged ‘Held In Splendour’

quilt-held-in-splendor

Quilt “Held in Splendor” released on the label Mexican Summer,
American folk music is often held as sacred, bound by hallowed traditions both acoustic and spiritual. So it seems almost too easy to name your ragtag, 21st-century folk band Quilt, but it’s difficult to describe this Boston-bred trio any other way, their cloth cut from equal parts the Byrds, Mazzy Star, and the Mamas and the Papas, though the stitches threading their follow up record together are far from linear. Alternating psych-pop textures, radiant Eastern rhythms, and acoustic licks, “Held in Splendor” defies what we typically talk about when we talk about “folk” music. 

Maybe when Quilt named the album, they were describing its sound. More mature – and significantly better – that their self-titled debut, “Held in Splendor” is more ornate, more psych, more 1967 than 1966. Though the psych-folk tossback trend of the last few years leaves mixed results , Quilt has more firmly established their sound within the genre.  Following thier 2011 self-titled debut on Mexican Summer, Its full of cascading harmonies and billowing textures, punchy rhythms and snarled guitars, wonderful depth and resplendent peaks. Mary Mountain takes hazy Summer of Love memories on a mid-summer road trip in a gleaming muscle car. Tired & Buttered invites Booker T over for an energy-addled jam in the garage. The Hollow twinkles like Fleetwood Mac and Galaxie 500, with sweet singing backed by the lap steel sighs of young acoustic guitar . Held in Splendor is an album of personal poetry , confessions and aspirations”really, these 13 tracks are their own playground, brimming with the sort of unapologetic energy and wonder that turns simple songs into absolute anthems. This has been one of my most played records this last year,

Quilt’s second album, is Fuelled with a misty eyed adoration of classic influences, deeply rooted in the psych and folk of the 60′s / 70′s,  The Boston outfit Quilt’s latest album “Held In Splendor” has been met with mass critical acclaim on both sides of the Atlantic. And rightly so. fuelled with a knowing understanding of ‘the classics’, Held In Splendor is a never ending source of discovery – This has been my favourite album for the last few months its full to the brim of quirky chord progressions, off kilter harmonies and fantastic song writing and great production

Quilt have been one of my favourite listens these last few months, taken from the second album ” Held In Splendour” Quilt are a three-piece psychedelic indie-rock band from Boston consisting of Anna Fox Rochinski, Shane Butler, and John Andrews. They have released through Mexican Summer two albums, an EP, and a handful of singles.

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Out Now on Beyond Beyond is beyond Records a split 10″ vinyl titled “New Hampshire Freaks” EP with the band MMOSS who have I believe split but look out for some music from MMOSS frontman vocalist Doug Tuttle. QUILT are a psychedelic folk quartet from Boston they are touring following the second album “Held In Splendour”. here also is a song recorded in Camden for the Line Of Best Fit Session.

 

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American Psych Folk-Rock band QUILT from Brooklyn via Boston have issued a few live tracks, The band have been touring their second album “Held In Splendour” throughout the year and after playing the songs live the band have adapted and extended the songs throughout the live process, these tracks recorded live in Marfa, Texas in the middle of the Texan desert includes a 26 minute version of “Milo” and a suite of songs “Mary Mountain” , “The World Is Flat”, and “As We Follow” which was originally a B side.

and a nice new album out as well

Midday Records's avatarMidday Records

Quilt – Held In Splendor (Mexican Summer)
https://www.facebook.com/quiltmusic

QuiltWith Held In Splendor, Boston trio Quilt modernize their early-seventies psych-pop sound with contemporary production. The influence of Revolver-era Beatles and Rumours/Tusk-era Fleetwood Mac are still readily apparent throughout but with layer upon layer of vocal effects, guitar pedals and droning loops, it is impossible to mistake Held In Splendor as anything but a thoroughly modern creation.

Across 13 tracks and 40-plus minutes there is not a down moment. “Arctic Sharks” opens the record with Anna Rochinski’s breathy vocal riding a middle-easternized, country-tinged rhythm. “Tied Up In Tides” sounds like a tripped out Abba tune with the cheese-pop trimmed off by Hammond-sounding organs. “Mary Mountain” and “Tired & Buttered” crank up the psych-rock with their fuzzed out girl/guy harmonies and tinny, distorted, clanging guitars. “I Sleep In Nature” is a 5-plus minute mind-journey that comes in waves. Warbling affected…

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and now my favourite band this year so far check out their DAYTROTTER session

Fred Knittel's avatarFolkadelphia



Welcome to a historic Folkadelphia Session. Before this point, we have never recorded a repeat session with any artist. Sure, they always say that they will write or call, but bands get wrapped up in being in a band, hitting that dusty road. We’re just a transitory frequency on their dial en route to another city. Truly we’d like to think that we’re the “going steady” type, but thus far we have had only “one session stands.” That all changes today. Enter Boston-based psych-rockers Quilt, officially a trio of Shane Butler, Anna Rochinski, and John Andrews, but who tour as a quartet featuring Keven Lareau on bass. They finally got us to settle down – at least for an encore session. They told us they were going out for cigarettes and would be right back, and they actually came back! Less than a year passed between our sessions…

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