Posts Tagged ‘Florida’

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Snowdonia’s rubbery lead single, Six Flags in F or G.” “I really wanted to contrast one part that was sort of dark and sort of anxious, and kind of feels like a march, maybe a polka even,” Pitts says. “There is something that’s so rigid and … a part that’s really loose and free and American (he laughs), with the wah pedal guitar solo. I was listening to a lot of the Breeders for the second part — specifically a Breeders song called ‘Divine Hammer’ which I may or may not have ripped off a little bit.”

When Surfer Blood came on the scene with 2010’s Astro Coast, they wore their ’90s alternative fan badges with no shame. Those mighty detuned guitars have evolved on this fourth outing into multiple-act epics, reflections on aging and tweaking of common instruments like organs through vintage speakers to birth a new whole species of indie rock. And if Pitts has learned anything over his seven years in the spotlight, it’s to let go and trust his gut.

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From the album ‘Snowdonia’, available here: joyfulnoi.se/SurferBloodSnowdonia

 

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“I feel like this is the first record where I’ve actually been willing to talk about the lyrics and songs and where they come from. Honestly, I’m a pretty reserved person and pretty gun-shy about sharing my work with people,” quoted Surfer Blood’s John Paul Pitts . He’s reflecting on new album “Snowdonia”  to be released February. 3rd on Joyful Noise, Its the band’s fourth full-length and first in a new era for the Florida foursome. Its eight jagged, adventurous songs embrace experimentation while bidding a reverent farewell to founding guitarist Thomas Fekete, who died in 2016 after battling cancer.
Pitts has dared to post Snowdonia’s lyrics on Surfer Blood’s website, peeling back the layers of the glass onion of his creativity.

In past releases, he played his cards close to his chest, especially since his 2012 arrest on suspicion of domestic battery against his then-girlfriend. The charges were dropped once he completed an anger management program. The experience led to the vague 2013 album “Pythons”, which critics and even some fans held at arms’ length — for its possible references to the arrest and because it was seen as a sellout move when they signed to Warner Bros. Two LPs later,
“What can I say? 2016 was a pretty awful year. It started with my mom getting cancer, and somewhere in the middle, Thomas passed. Then we had the election,” he laments while discussing “Carrier Pigeon,” the album’s Monkees-meets-Wilco closer. But then he perks up. “My mom’s doing a lot better now. I’ve been able to spend a lot of time with her. It seems like things are really looking up for her. But it was really scary when I first heard that news.”

When Surfer Blood came on the scene with 2010’s Astro Coast, they wore their ’90s alternative fan badges with no shame. Those mighty detuned guitars have evolved on this fourth outing into multiple-act epics, reflections on aging and tweaking of common instruments like organs through vintage speakers to birth a new whole species of indie rock.
Snowdonia is Pitts shedding his skin. The remnants of Astro Coast, Pythons and 1000 Palms are still there. Fekete’s memory is still there. The major-label trials and the tribulations with former lovers are still there. But there’s a new freedom and more agility to this version of Surfer Blood.

The road that “Motorcycle Song” travels down is one of the Jesus & Mary Chain, The Shop Assistants, and recent acts like Dum Dum Girls, The Raveonettes, and Veronica Falls have all worn into the minds of the music-listening public of today. But that’s okay, cause not everyone makes their own path, and sometimes it’s nice to see the landscape through another’s eyes. Get rid of the angst and anger of some of the above influences and add a straightforward drum beat, echo chamber-recorded female vocals, and a wall built of jigsawed layer guitar textures and you have the formula that built the top 40 heights reached by The Bangles and Primitives, which most of the above never reached. The sunny disposition of Seafang isn’t all that surprising, as the band comes from St. Petersburg, Florida, which never really gets a winter and stays sunny and warm where you can enjoy the beach almost the entire year. “Motorcycle Song” is the standout track from their debut single, but any of the three songs on it are radio-ready. If only it was 1985 and not 2016 .

This single is an undeniable combination of the Bangles, Shop Assistants and Primitives. Pop that goes straight to the pleasure center of the brain.

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Members
Heidi: vocals
Susan: guitar
Stacey: guitar, vocals
Gary: bass, vocals
Paul: drums

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Robert Chaney is an American performing artist, heir to the songwriting traditional style of Townes Van Zandt, Hank Williams, and Judee Sill. His Highly anticipated ten track debut album Cracked Picture Frames . Written in the bleached out swamps of South Florida and recorded in London, ‘Cracked Picture Frames’ is a hard-core and stripped-down survey of ballads, blood, and bone song after song stuns the listener. The album is “Sharp, intelligent, thoughtful and moving.”

Produced and recorded by Ken Brake at Regal Lane Studio, London

 

Its an impressive debut – it has the sensibilities of a bygone era without sounding out of date.

There’s very few artists these days that will get you thinking in the likes of Woodie Guthrie, Bob Dylan, Billy Bragg, or any of the other great folk artists of the past (and present). But Robert Chaney is definitely one of those. Right there with Vikesh Kapoor and Luke Redfield, a few other modern troubadours carrying the torch today.

From “Cracked Picture Frames” released April 26, 2015. Buy it now at robertchaney.bandcamp.com/

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uvtv

 

As a rule I generally despise split singles, but Florida’s UV-TV are so good they have me making an exception this year. Killer Shop Assistants style of buzzing pop!

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UV-TVs vinyl debut contains C86/Shop Assistants-esque melodies coupled with pounding toms and soaring dark angular post-punk guitar

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This compilation is a love letter to the community of Orlando, FL. Following the tragic events at Pulse Nightclub on June 12th, we wanted to show our support and love for our LGBT community the best way we knew how; through music.
The tracks on this album were all individually contributed by the bands and artists themselves; artists from Orlando, New York, California, England, and all over the globe.

All proceeds from this compilation will be donated to support the victims of the Pulse shooting as part of the OneOrlando Fund (www.oneorlando.org) as a symbol of solidarity as our city rebuilds.

The price of this album is whatever amount you would like to donate to this cause.

released June 17, 2016

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Radical Face – The Family Tree: The Leaves, started this project inthe year 2000, when 18 years old. I got the name from an advertfor plastic surgery. I’d seen it on a telephone pole somewhere in Jacksonville, Florida, my hometown. The top right corner was torn offand it featrured a smiling older woman. The full message actually read “Radical Face Lifts”, but I didn’t discover that untillater. It looked like it was an advert for a woman’s face. I thoughtit was funny, and now I’m forever stuck with this weird little name.

I write and record the albums for thisproject on my own. The first three albums were recorded in the toolshed behind my family’s house, but these days I record more in myliving room and garage. I’ve always used this moniker for the songs Idon’t intend to collaborate on, or the ones that delve into much morepersonal subject matter. It is now my main project, but it didn’tstart that way. I think it started more as a make-shift therapist.But here we are.

Albums: The Junkyard Chandelier (2003 –unreleased), Ghost (2007), The Family Tree: The Roots (2011), TheFamily Tree: The Branches (2013), The Family Tree: The Bastards(2015), The Family Tree: The Leaves (2016)

EPs: Touch The Sky (2010), Always GoldEP (2012)

 

Surfer Blood are a magnificent indie rock band from West Palm Beach, Florida that formed when guitarist/vocalist John Paul Pitts and drummer Tyler Schwarz started playing better-than-great musical notes together in Dreyfoos High School. New members Mikey McCleary and Lindsey Mills also attended the same high school.

Surfer Blood began recording and touring immediately behind their infectious debut, Astro Coast (2010) and quickly took over almost the entire world (except for the deepest realms of the ocean and really, really cold places).
The group followed suit with the Tarot Classics EP (2011), Pythons (2013) and 1000 Palms (2015). In their Rider flip flops, Surfer Blood have performed in 5 continents, toured with heroes like The Pixies and Guided By Voices, played on TV, at Coachella and giant festivals throughout the world, while also occasionally plugging in their amps at all-ages house parties. Surfer Blood are the cleanest and nicest band in existence.

http://www.surferblood.com

NAPS – ” Social Skills “

Posted: February 4, 2016 in MUSIC
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Naps is Jeremy Probst, Katryn Macko, Laura Hicks, and Ryan Stanley,  Completely enamored by Naps‘ new single. This is how you evolve as a bedroom pop band.  with a new Naps song called “social skills” it’s the first single they are releasing from a tape that we’ll be putting out with Yikes and co-releasing through Viridian Sounds and It Takes Time Records. it’s also the first installment of the lavender sounds digital single series that we’re doing thru Viridian

There are those that say this generation is fucked — probably because we can’t go ten minutes without engaging with some sort of screen — and, a lot of the time, I feel that way myself. That’s basically the premise of Naps’ newest single, “Social Skills” (“Generation propped up on pills/ We ain’t got social skills”), but the sweltering humanity and sincerity on display in every warm note from the Tallahassee best new band suggests to me that maybe we’re all gonna be just fine. “I don’t know what I’m supposed to feel,” Ryan Stanley admits before conceding: “We’ll let them do what they will.” The song’s more muted sound is a bit of a departure from the ragged bedroom pop of their debut EP, You Will Live In A Cool Box — all sliding circular loops and music box-esque accompaniment — but it keeps the same kind of accessibility and open heart.

“Social Skills” is part of a new digital singles imprint, Lavender Sounds, an off-shoot of the band’s own label Viridian Sounds. It will also be featured on an upcoming split EP with fellow Tallahasee band Yikes, which will be released later this year via Viridian Sounds and It Takes Time Records.

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Ancient River is the ‘sonic brainchild’ of one James Barreto, a veteran of the Florida psych scene and former member of the Ohm. Barreto has been steadily putting out material under this handle for a few years, essentially as a studio-based artist. Since 2011, however, the band has been operating as a performing duo, with Alex Cordova holding the sticks. The album opens up with a track called This Is The Time and as soon as the lead guitar kicks in, it becomes apparent that Ancient River propagate a sound that is uncannily similar to what Tame Impala used to do. This doesn’t do them any favours – but, to be fair, the foundations of all psychedelic music rest on nostalgia for the 1960s.

What Barreto and Co. have to offer becomes evident later. Like travelling salesmen who peddle miracle balms to chicken-faced farmers in rural communities, Ancient River adopt a distinctly American vocabulary. They embrace models of fortitude on tracks such as Mother of Light and Journey Into the Light of Darkness that recall tumbling hooves pulverising a bed of cattle skulls, smoke snaking out of revolvers and sands soaked with the blood that once ran through the veins of a man with proud, red skin. This approach is reminiscent of Eyes Like The Sky by King Gizzard and the Lizard Wizard. Both albums use a romantic Americana backdrop for their sonic surveys. Yet, whereas the aforementioned album requires attentive listening due to its dominating spoken word narrative, Keeper of the Dawn is happy for you to kick back and drift.

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In contrast to this sympathy for the Wild West, the title track has a spectral trip hop feel, helped in part by wistful backing vocals and lazy organ chords. Even though the 1990s are very in at the moment, especially in the murky realms of electronic music, on paper this sound should prove uncharacteristically uncouth within a psychedelic context. This isn’t the only time where the band’s flavour for other sounds come into play, however. Specks of blissful cool float in and out on other parts of the record too. Cordova and Barreto manage to traverse genre boundaries effortlessly, stitching seams with melodies where once there were islands of disparate exoticism.

Ancient River are a psychedelic band for a psychedelic time. Unsustainable economics and political tensions pave the way for creative introspection. This, in turn, creates protest music which has the potential to inspire powerful insurrectionist movements. Ancient River do not incite revolution, but they do attempt to steer past tired cliches associated with the psychedelic style, and instead encourage you to embrace the Other: Americana over motorik; synth-laden soundtracks to space westerns over overdriven guitar assault; fading photographs of fickle nature over hypnotising geometric design, etc. Like a lizard staying still in the static heat, or a polyp that grows quietly inside of you, Keeper of the Dawn produces a fountain of emotions that are difficult to describe. It is an engaging listen and a pleasant promise of further fire.