Posts Tagged ‘Eagles’

Live From The Forum MMXVIII 4LP

Live Album And Concert Film Captures Definitive, 26-Song Performance Recorded Live Over Three Nights At The Forum In Los Angeles In September 2018

The Eagles spent most of 2018 on the road with an extensive North American tour that found Don Henley, Joe Walsh, and Timothy B. Schmit joined by two new bandmates: Deacon Frey and Vince Gill. Earning rave reviews from fans and critics alike, the quintet was firing on all cylinders when they arrived at the Forum in Los Angeles for three sold-out, hometown shows on September 12th, 14th, and 15th. Highlights from all three shows have now been compiled for a new 26-song live album and concert film LIVE FROM THE FORUM MMXVIII.

LIVE FROM THE FORUM MMXVIII captures definitive live performances of the band’s most iconic hits (“Hotel California,” “Take It Easy,” “Life In The Fast Lane,” “Desperado”) and beloved album tracks (“Ol’ 55,” “Those Shoes”), along with some of the individual members’ biggest solo smashes (Don Henley’s “Boys Of Summer,” Vince Gill’s “Don’t Let Our Love Start Slippin’ Away,” Joe Walsh’s “Rocky Mountain Way”).

The band: Guitar, Vocals: Deacon Frey Drums, Vocals: Don Henley Producer: Don Henley Guitar, Vocals: Joe Walsh Piano: John Corey Backing Vocals: John Corey Supervisor: Richard F.W. Davis Drums, Percussion: Scott F Crago Guitar, Mandolin: Steuart Smith Backing Vocals: Steuart Smith Bass, Vocals: Timothy B. Schmit Guitar, Vocals: Vince Gill Keyboards: Will Hollis Backing Vocals: Will Hollis

A brand new Eagles concert film, Live From the Forum MMXVIII, will debut on ESPN on Sunday.

The 26-song collection, complied from three September 2018 shows at the Los Angeles Arena, will be the band’s first official release since the death of co-founding member Glenn Frey, When Glenn Frey passed away in 2016, many wondered about the future of the Eagles. Happily, the band persevered and celebrated Frey’s legacy

in 2016, and mark the recorded debut of new members Deacon Frey and Vince Gill.

“Music and sports fans have been shut out from live events for more than three months,” said Eagles manager Irving Azoff. “The premiere of Live From the Forum MMXVIII, this July 4th weekend on ESPN, is the Eagles’ gift to their fans. We are honoured to be part of ESPN’s Sunday night programming, the home of such acclaimed shows as 30 for 30 and The Last Dance.”

Director Nick Wickham shot the concert utilizing fourteen 4K cameras. Don Henley, Joe Walsh, Timothy B. Schmit, Deacon Frey, and Vince Gill delivered the goods in a marathon show drawing on every one of their original albums from Eagles (1972) to Long Road Out of Eden (2007) and such indelible hits as “Take It Easy,” “Peaceful Easy Feeling,” “I Can’t Tell You Why,” “Heartache Tonight,” “Life in the Fast Lane,” and “Take it to the Limit.” Album favourites weren’t ignored either, including “Ol’ 55” and “Those Shoes.” Additionally, the concert featured some of the group members’ biggest solo hits including Henley’s “Boys of Summer,” Walsh’s “Rocky Mountain Way” and “Life’s Been Good” (as well as “Funk # 49” and “Walk Away” from his old band The James Gang), and Gill’s “Don’t Let Our Love Start Slippin’ Away.”

Vinyl, CD, Blu-ray and DVD versions of the show will be released on October. 16th. They are available for pre-order now at the Eagles‘ official website.

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Eagles bassist Timothy B. Schmit has released a new song titled “The Good Fight” that features Sheryl Crow.

The track runs nearly eight minutes. Schmit didn’t reveal whether the release is connected to an upcoming album. “I recorded a new song, “The Good Fight,” with my friend Sheryl Crow,” he said. “There couldn’t be any better time than right now to release this.”

Speaking in 2017 about his attitude toward songwriting, Schmit said that “there’s less time in front of me now than there is behind me, and I do think about my mortality a lot more. It’s those age-old questions, and I just try and put them into some kind of song form and hope that it resonates with others.”

He said with Eagles that he thinks “the friction was part of the creativity. I’m sure it was. … I was the guy just trying to make things okay. I did what I can to keep the peace. Sometimes there’s not much you could do with outside situations, and you just have to go with it.”

Earlier this year, Crow also collaborated with Schmit’s Eagles bandmate Joe Walsh, bringing him in for her song “Still the Good Old Days,” which is featured on Threads, a duets album with other big names.

“Many of these people, I owned their records when I was seven and eight years old,” she said. “Who would have thought a young girl from a tiny town in Missouri would wind up working with these people and having relationships with them?

Timothy B. Schmit’s new song “The Good Fight” with Sheryl Crow Available Now

“I’m not a particularly fast songwriter,” admits Timothy B. Schmit, whose new release “Leap of Faith” an album of unhurried folk-pop and soft-spoken roots-rock – marks the Eagles bassist’s second solo release since 2001.

Written and tracked during breaks in the Eagles‘ touring schedule, the new record shines a light not only on Schmit’s voice, which remains remarkably untouched by the decades that have elapsed since he sang his band’s final hit, “I Can’t Tell You Why,” but also the songwriting chops of an Americana pioneer. Long before that genre had a name, Schmit helped glue the nuance of country and bluegrass to the noise of rock. If the music on Leap of Faith sounds somewhat familiar, it’s because Schmit now shares the marketplace with songwriters who grew up studying his work with Poco and the Eagles.
With Leap of Faith’s “Red Dirt Road,” , Schmit proves he’s more than willing to break the rules of a genre he helped launch. He’s not singing about the Red Dirt scene in Oklahoma and Texas. Instead, he’s paying tribute to the soil of the Hawaiian island of Kaua’i, which gives an appropriate setting to a song about slowing down and taking stock of your surroundings.
“There’s some rich, deep soil there,” he says. “You have a good chance of growing a plumeria tree by just sticking a branch of a plumeria into the ground. It’s unbelievable. That was the motivation. It’s a song about trying to enjoy your life. You can go about your daily business and see it from sunup to sundown – and see it in the best light possible, too – and then just enjoy yourself.”
Firing twin barrels of bluegrass and Cajun – the latter influence coming from guest artist and longtime buddy Van Dyke Parks, who played accordion on the track – “Red Dirt Road” was recorded at Schmit’s home studio, with the Santa Monica Mountains in the distance and a large stretch of state-preserved land just outside the studio window.
“I grew up in studios — ‘proper’ recording studios — that never had any windows,” says Schmit, who co-produced the 11-song set with Hank Linderman. “I always wondered about that. I understand the thing about creating perfect sonics, but nobody listening to the album in their living room or car has the perfect space. My wife and I built the studio together, and the vibe there simply feels like going over to somebody’s house and hanging out and doing music. It overlooks a meadow. It’s beautiful.”
Leap of Faith makes its big jump on September 23rd, during the peak of this year’s Americana Music Festival. Schmit is playing two performances in Nashville that week, and he’ll present at the Americana Music Awards on September 21st, as well. He’s never been to the festival, but when asked if he’s honored to appear at an event that owes much of its existence to his own music, Schmit shrugs off the compliment.
“This is just what I do,” he says. “And I’ve definitely been doing it for a long time.”

Timothy B. Schmit’s “Red Dirt Road” from his new album, Leap of Faith, out September 23rd, 2016.

Clearwater, FL
First Concert after Glenn Frey’s Death

Jackson Browne honored the late Glenn Frey with an intimate acoustic performance of the Eagles’ 1972 folk-rock anthem “Take It Easy.” Browne performed the track, which he co-wrote with Frey, during a January 19th concert in Clearwater, Florida – one day after Glen Frey’s death at the age 67,

“Here’s a song that I’ve been singing every night for a while,” Browne told the audience in the above fan-shot video. “I didn’t always sing it because it was such a famous song, I figured, you know, if people heard me sing it they’d come away thinking, ‘nah, and then he sang an Eagles cover.'”

“I wrote this song with Glenn Frey,” the singer-songwriter continued. “It’s a song that I started, but I didn’t finish it. Even if I had finished it by myself, it wouldn’t be the song that it is and it wouldn’t be the song that we all love.” Browne strummed along, leading a massive sing-along that culminates with the audience handling all the vocals (harmonies and all) on the wordless bridge.

Browne wrote the bulk of “Take It Easy” in 1971, with plans to include it on his first LP. After Frey, his friend and then-neighbor, shared his enthusiasm for the track, the Eagles guitarist finished off the lyrics and included the breezy track on his band’s self-titled 1972 debut. Browne then recorded a version for his second album, 1973’s For Everyman. 

Glenn Frey; Obit

Glenn Frey, Eagles guitarist and Rock and Roll Hall of Fame inductee, passed away Monday. He was 67. “It is with the heaviest of hearts that we announce the passing of our comrade, Eagles founder, Glenn Frey, in New York City on Monday, January 18th, 2016. Glenn fought a courageous battle for the past several weeks but, sadly, succumbed to complications from rheumatoid arthritis, acute ulcerative colitis and pneumonia,” the Eagles wrote in a statement Monday.

“The Frey family would like to thank everyone who joined Glenn to fight this fight and hoped and prayed for his recovery,” the statement continued. “Words can neither describe our sorrow, nor our love and respect for all that he has given to us, his family, the music community & millions of fans worldwide.”

In a separate statement, Don Henley said of Frey, “He was like a brother to me; we were family, and like most families, there was some dysfunction. But, the bond we forged 45 years ago was never broken, even during the 14 years that the Eagles were dissolved. We were two young men who made the pilgrimage to Los Angeles with the same dream: to make our mark in the music industry — and with perseverance, a deep love of music, our alliance with other great musicians and our manager, Irving Azoff, we built something that has lasted longer than anyone could have dreamed. But, Glenn was the one who started it all. He was the spark plug, the man with the plan.”

Henley continued, “He had an encyclopedic knowledge of popular music and a work ethic that wouldn’t quit. He was funny, bullheaded, mercurial, generous, deeply talented and driven. He loved is wife and kids more than anything. We are all in a state of shock, disbelief and profound sorrow. We brought our two-year History of the Eagles Tour to a triumphant close at the end of July and now he is gone. I’m not sure I believe in fate, but I know that crossing paths with Glenn Lewis Frey in 1970 changed my life forever, and it eventually had an impact on the lives of millions of other people all over the planet. It will be very strange going forward in a world without him in it. But, I will be grateful, every day, that he was in my life. Rest in peace, my brother. You did what you set out to do, and then some.”

The Detroit-born Glen Frey performed with groups in the Motor City area before relocating to Los Angeles in the late Sixties. Frey would eventually meet and live with J.D. Souther — his partner in the short-lived duo Longbranch Pennywhistle — and singer-songwriter Jackson Browne. It was Souther who encouraged Linda Ronstadt, his girlfriend at the time, to hire Frey and three other artists – drummer Don Henley, bassist Randy Meisner and guitarist Bernie Leadon – to serve as her backing band during a 1971 tour. When the trek concluded, the Eagles were born.


A year later, the Eagles‘ inaugural lineup released their  debut 1972 album, featuring the Frey– and Browne-penned “Take It Easy” and the Frey-sung “Peaceful Easy Feeling.” set the band on a trajectory toward being one of the biggest selling acts ever, a reputation cemented the following year with the arrival of Desperado , The latter album featured multiple hit singles co-written by Frey, including “Tequila Sunrise” and the title track.

Frey also had a hand in writing the Eagles’ “One of These Nights,” “Take It to The Limit” and “Lyin’ Eyes,” with the guitarist contributing lead vocals to the latter. The Eagles would reach their peak in 1976 with their landmark album “Hotel California”, with the title track – penned by Frey, Henley and guitarist Don Felder – winning the Grammy for Record of the Year; “Hotel California” .

here is a list of Frey greatest songs

“Take It Easy”: With its glittering guitar opening and touch of country twang, “Take It Easy” was the Eagles’ first single in 1972 and became one of the band’s signature songs. It was mostly written by Jackson Browne, but Frey added a line and sings lead vocals.

 “Tequila Sunrise”: Co-written with Henley and sang by Frey, this heartbreaking song was the first single off the band’s 1973 album, “Desperado.” Frey and Henley also co-wrote the album’s equally heartbreaking title track.

“One of These Nights”: Another hit written with Henley, Frey said in 2003 that “One of These Nights” was his favorite Eagles tune, calling it “a breakthrough song.” It was the title track of the band’s 1975 album and its second single.

“New Kid in Town:” The first single off of 1976’s “Hotel California,” ”New Kid in Town” features Frey’s lead vocals and Henley’s harmonies. They co-wrote the song with frequent collaborator J.D. Souther.

“Heartache Tonight”: A late ’70s-early ’80s anthem, “Heartache Tonight” appeared on the 1979 album “The Long Run” and won a Grammy Award for best rock vocal performance by a duo or group. Frey, Henley and Souther wrote the track with Bob Seger. Frey sang lead vocals.

“Hotel California”: Frey wrote the lyrics to what is probably the best known Eagles song. “Hotel California” won the 1977 Grammy Award winner for record of the year