Posts Tagged ‘Capitol Records’

Beck

Beck has announced the upcoming release of his new album “Hyperspace”, accompanied by the release of a brand new single ‘Saw Lightning’.  The track is an eclectic, percussive-heavy alt-pop ditty with some lovely slide guitar, riddled with melancholic harmonica and schizophrenic lyricism – another incredible addition to Beck’s extensive back catalogue of experimental jams.

Co-produced by Pharrell, who also contributed drums and mumbles, the track sets a seriously hyper-energetic tone and will satiate the hunger of any Beck fanatic in the lead up to the album release.

Hyperspace will mark Beck’s 14th album release, following the success of his Grammy-winning 2017 record Colours. No release date is set yet however, you can expect it to arrive at “some point in the space-time continuum”, according to Capitol Records

The Decemberists  have shared the second single from their forthcoming eighth studio album, I’ll Be Your Girl, out on March 16th via Capitol Records.

Their first single, “Severed,” saw the band taking on a radical new electronic, synth-pop sound as they name dropped unexpected influences like Roxy Music, New Order and Depeche Mode, and they even said it started as a punk song. Synths follow the band into their new single “Once In My Life” though the acoustic guitar-led intro and outro give off the familiar comfort of a traditional Decemberists track. However, sandwiched in between the song’s edges is a spacey, synth-driven track that somehow manages to coexist with the indie-folk balladry of front man Colin Meloy’s lead vocals.

Meloy said the track was elevated by the band in the studio and he commented, “We were playing that on the road as a folk-rock anthem thing, but bringing in that obliterating synth really took it somewhere different. The whole band really stepped up and transformed these arrangements.”Image may contain: shoes

New album ‘I’ll Be Your Girl’ available March 16th:

This thing, this molten piece of spectacular extravagance, is available for pre-order now and will ship no later than June 15th, 2018. No fear: each pre-order will come with a digital download of the album that can be redeemed on March 16 (the four extra tracks will be available for digital download on the shipping date).

FEATURES:
• Sixteen songs — all eleven of the album tracks + four exclusive tracks from the IBYG sessions
• Eight  7” vinyl records, each a different color
• Nine sleeve pinwheeling, heavy duty cardstock book with slide-out record jacket pockets, full color art from Carson Ellis and paper engineered pop-up elements
• Full color booklet SIGNED BY THE BAND
• Lives tidily inside a hefty chipboard slipcase.

(Plus a few special secrets)

“Once In My Life” is the first song on I’ll Be Your Girl. I imagine you’ve felt this way, or are maybe feeling this way right now. It’s a pretty universal sentiment, I think. Embrace it. Hope you enjoy the song. – Colin Meloy

The Decemberists are back! Their band members include drummer Joen Moen, guitarists Chris Funk and Colin Meloy who takes lead vocals, multi-instrumentalist Chris Funk and Nate Query playing bass.

This year sees the release of their latest album; I’ll Be Your Girl. And so, you can catch them showing off their new material Fans are all very excited to get their hands on The Decemberists tickets,

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Quicksilver Messenger Service Follow The ‘Happy Trails’

This was the day 49 years ago that San Francisco rock band Quicksilver Messenger Service unveiled their finest hour, at least in commercial terms. March 17th, 1969 marked the release of ‘Happy Trails,’ their second album for Capitol Records and their one LP to win gold certification in America. When it comes to groups graced with two lead guitarists, one often earns more ardor than the other. Sometimes that’s understandable, like when one player takes more of the solos. But in a case like Quicksilver Messenger Service, it’s a mystery. In their heyday, John Cipollina tended to get more attention than Gary Duncan, though they both made dazzling contributions to their albums and concerts.

Cipollina’s distinctly ringing tremolo, a kind of sonic special effect that achieved a shivery resonance on the highest notes. In fact, Duncan has his own distinct tone and his overall work showed nearly as much invention and scope as his partner’s. You can hear their interplay best in the band’s oceanic jams,

Quite unusually for a sophomore record, ‘Happy Trails’ was a live album, taken from performances by the band at the famed Fillmore East and Fillmore West venues. Even more ambitiously, the first side of the disc was a suite of songs, running more than 25 minutes in total, based around the theme of Bo Diddley’s ‘Who Do You Love?’, in no fewer than six episodic interpretations. Quicksilver’s version divided into seven sections, with different sub-titles. One dubbed When You Love, featured a long, and highly creative, five-minute jaunt from Duncan that drew from jazz as well as psychedelia, underscored by a Latin-influenced bass line. It’s forceful and ruminative at once. Cipollina took the reins during the How You Love segment, letting his chilling tremolo spin through loop-de-loops, broken by distinct cries phased to shoot back and forth between the speakers.

The first and last of these were versions of the song itself, with notable roles for the band’s guitarists John Cipollina and Gary Duncan. The first even nudged into the Billboard Hot 100, reaching No. 91. But the middle passages were all written by the members of QMS themselves, titled (with a hint of humour) ‘When You Love, ‘Where You Love,’ ‘How You Love’ and ‘Which Do You Love.’

Quicksilver goes into it at full speed,” wrote Greil Marcus in his Rolling Stone review at the time, “John Cipollina’s guitar alternately harsh and sweet, clashing with Gary Duncan’s rhythm, Greg Elmore’s drumming simple and solid, never an iota of sloppiness, not a note missed.”

Who do you love and Mona are excellent examples of QMS live , the audience interaction is exciting and enervating, Cipollina’s guitar playing is ecstatic and moving. Calvary is like a psychedelic spaghetti western and is quite in place and a good ol’ boys yippee ay yay ending in Happy Trails means a great trip is guaranteed for all you heads out there

This is simply the San Francisco live,’acid rock’, sound at its best. Obviously comparisons with the Dead will be made but for reasons well expressed by the other reviewers here they are pretty meaningless. I can understand why opinions are divided over this album, It is one of the great, maybe the greatest, guitar album(s) flowing in a way that no other has ever equalled. Don’t look for structured songs here just, to quote the Airplane,”ride the music”. One of the two or three albums that would be in my top ten whenever you asked me.

The second side of ‘Happy Trails’ started with another gem from the Bo Diddley catalogue, ‘Mona,’ and three more band compositions including Duncan’s 13-minute instrumental ‘Calvary.’

The album artwork was designed by Globe Propaganda, described as “an advertising agency specializing in hip, progressive material.” Soon afterwards, Globe designed covers for the Charlatans and It’s A Beautiful Day. 23 years after its release, in 1992, ‘Happy Trails’ went gold, testament to the lasting contribution of Quicksilver Messenger Service as was the fact that it landed at No. 189 on Rolling Stone’s all-time top 500 albums.