Posts Tagged ‘Bob Dylan’

The New Basement Tapes – “When I Get My Hands On You” with Lyrics by Bob Dylan & Lead Vocals by Marcus Mumford from Mumford & Sons taken from the album by the collective known as The New Basement Tapes and a track on the “Lost On The River” album with lost lyrics found recently by Bob Dylan. A Music Event 47 Years In The Making with a release Date: November 10, 2014
Produced by T Bone Burnett, Lost On The River was written and performed in creative collaboration by The New Basement Tapes, comprised of Elvis Costello, Rhiannon Giddens (Carolina Chocolate Drops), Taylor Goldsmith (Dawes), Jim James (My Morning Jacket) and Marcus Mumford (Mumford & Sons). The New Basement Tapes and Burnett gathered in Capitol Studios in March to write and create music for a treasure trove of recently discovered lyrics handwritten by Bob Dylan in 1967 during the period that generated the recording of the legendary Basement Tapes.
there is an exclusive box set now, which includes an album cover lithograph, 5 lyric sheets printed from original Bob Dylan handwritten lyrics, 6 photos of the band taken during the Capitol Studios recording sessions, the deluxe CD and deluxe double vinyl album, exclusive fan poster and deluxe digital album. All pre-orders will unlock instant downloads of five extra songs before release: “Nothing To It,” “Married To My Hack,” “When I Get My Hands On You,” “Spanish Mary” and “Liberty Street.”

An all-star collection of including My Morning Jacket’s Jim James, Mumford and Sons’ Marcus Mumford, Elvis Costello, Dawes’ frontman  Taylor Goldsmith, and Carolina Chocolate Drops’ Rhiannon Giddens recently came together to bring life to a collection of previously lost lyrics by Bob Dylan. The resulting LP,”Lost on The River”  hit the record stores this week, and the collective is supporting the release with a jaunt through the US TV circuit. Earlier this week, The New Basement Tapes made their live debut on The Tonight Show Starring Jimmy Fallon, with Costello singing lead on “Lost on the River”. On Friday, it was Mumford’s turn to serve as frontman, as he sang “Kansas City” on the Ellen Show.

It seems This is the year of the Basement Tapes. Recorded in 1967 and first reported in a 1968,  the legendary collaborations between Bob Dylan and The Band were partially released in 1975 and have been bootlegged for nearly 50 years. Now, The full Session of 138 songs is coming out on November 4th. One week later,The New Basement Tapes collective releases ” Lost On The River” , featuring a collective of musicians tackling lost Dylan lyrics titled “The Lost Tapes” . Watch Elvis Costello , Marcus Mumford, Jim James and Taylor Goldsmith and the rest of this new band take on “Six Months in Kansas City (Liberty Street),” one of the final tracks to appear on the album, right here. With a trio including Carolina Chocolate Drops singer Rhiannon Giddens nailing the back-up vocals and almost outshining the rest of the unit, Costello and company roll through the track, building to stunning close that finds them repeating the title again and again. T Bone Burnett sits behind the mixing board, nodding and smiling.

 

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“Lost On The River” the album from the  collective band called “The New Basement Tapes” produced by T Bone Burnett with Taylor Goldsmith, Elvis Costello, Rhiannon Giddens, Jim James and Marcus Mumford. The collective of Musicians got together to perform some of the large amount of handwritten songs unearthed by Bob Dylan that were written during the period known as the Basement Tapes. T Bone Burnett reported that there have been some 48 tracks recorded.

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October 25th 1968 saw the release of the third Hendrix album, Electric Ladyland a double album and produced by Jimi Hendrix, described as one of the best double albums released in rock music recorded at Olympic Studios in London and the Record Plant in New York City between July and December in 1967 and April to August in 1968. the album is amixture of sounds of Blues Rock, Hard Rock and Psychedelia sonically speaking the sounds were ahead of their time with Hendrix searching for new sounds with its musical vision  . The album included a Bob Dylan song “All Along The Watchtower”  which became the  Experience’s biggest selling single.

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In June of 1968, there were rumours circulating around tracks of 13 tracks recorded with Dylan and the band in upstate New York. over the years the songs  known as the Basement Tapes were issued on the 1975 CBS double album of the same name  and various bootlegs including the famous “The Great White Wonder”,  but Dylan fans have always been totally obsessed with these recordings. On November 4th Dylan will finally release the legendary tracks in their entirity 138 tracks on 6 cd’s including 30 songs that the Dylan fans did’nt know existed. The highlights a rocking  “Wild Wolf ” early draft of “I Shall be Released” a cover of the Hank Williams Song “My Bucket’s Got A Hole In It” country versions of  “Blowin In The Wind” , It Aint Me Babe” and “One Too Many Mornings” tracks only heard on bootlegs “Sign On The Cross” and “Bourbon Street” plus “I’m Your Teenage Prayer” and “See You Later” .

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The Basement Tapes were recorded after the tour to promote the album “Blonde On Blonde” had to be called off after Dylan had injured himself in a motorcycle  accident, he retreated with the members of the band his young family up to Woodstock to Dylans home but then moved to a house not far away known as the Big Pink. Dylans team sent the tapes to various bands Manfred Mann had a big uk hit with “The Mighty Quinn” , The Byrds sang “You Ain’t Goin Nowhere” but everyone wanted to hear Dylan’s Versions.

Reproduction allowed only with written agreement from Elliott Landy

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Described as one of the most Important Bootlegs releases of all time, A very young Bob Dylan, already a very confident performer plays a collection of his own songs mixed with traditional Folk and Blues covers, playing mostly songs unknown to the small audience, as the second album had still not been released at this time, the set includes Bob Dylans Dream, Ballad of Hollis Brown, Walls of red Wing, Boots of Spanish Leather, Blowin in the Wind,A hard Rain is Gonna Fall,highway 51, With God On Our Side, Masters of War, ends with a long poem called “Last thoughts on Woody Guthrie” to date there have been 4 songs released on the Dylan Bootleg series of recordings.
thanks to the site Joanna’s Visions

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Today 55 years ago, on 22nd March 1965, living legend BOB DYLAN released his fifth LP BRING IT ALL BACK HOME. A game-changing album as it was his first longplayer with electric music on, recorded with a rock ‘n’ roll band. Narrow-minded fans experienced
this move as a betrayal of his folk and protest roots.

It was Dylan at its sixties best just doing what he wanted to do and do it brilliantly.
This record is just one of his all-time best in my book, musically and lyrically. All killers,
no fillers. Despite the controversy, it was the living legend’s first top ten album in the US, peaking at #9 and his first No 1 in the UK with monumental lead-single Subterranean Homesick Blues as one of his greatest hits.
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Rolling Stone wrote: “When Bob Dylan entered Columbia Records’ Studio A in mid-January 1965 and blew out an 11-song LP in three days, he didn’t merely go electric, invent folk rock and transition from an acoustic troubadour to a boundary-pushing rock & roller. He conjured performances that would completely reimagine how pop music communicated – not just what it could say, but how it could say it.” Full feature here.
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David Crosby said: “The thing about Bringing It All Back Home was his words. That’s
what Bob stunned the world with. Up until then we had ‘oooh, baby’ and ‘I love you, baby’
Bob changed the map. He gave us really, really good words.”

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Top Tracks (actually all of them): Subterranean Homesick Blues / On The Road Again / Maggie’s Farm

Bringing It All Back Home signaled the the start of a new era, released 49 years ago in March 1965 moved Dylan from a folk singer to a rock artist. A truly remarkable album it was Dylans 5th studio release, divided by a electric side which Alienated Dylan from his folk community audience and a acoustic side with songs more of a personal nature that the previous Protest style songs. Described as the most Influential album of its era the cover art was shot by Eddie kramer and featured Albert Grossman’s then Dylan’s manager wife Sally Grossman on armchair in the background also sitting forward Dylan is holding his cat called “Rolling Stone” also of interest the sleeve “King of The Delta Blues Singers” by Robert Johnson is featured.

June 9,1964: During an evening session Bob Dylan recorded “Mr. Tambourine Man” at Columbia Recording Studios in New York City. This was the first session for “Bringing It All Back Home”, which saw Dylan recording fourteen original compositions that night. The Byrds later recorded a version of Mr. Tambourine Man that was released as their first single and reached No.1 on both the US & UK Chart. The Byrds’ recording of the song was influential in initiating the musical subgenre of folk-rock, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single’s success.