Posts Tagged ‘Bill Reynolds’

Image may contain: 1 person

Clem Snide was a character created by William S Burroughs and adopted by Eef Barzelay as the name of the band that he created in 1991. Burroughs’s writing was often informed by personal tragedy. These included a lifelong heroin addiction and a conviction for the manslaughter of his second wife, who died in a gun accident. Like his inspiration, Barzelay has suffered more than his fair share of misfortune. Beginning with the collapse of his band and subsequently his marriage, Barzelay then lost his house and was declared bankrupt. Now, five years on from the last Clem Snide record, Barzelay is back with quite possibly the best album that he’s ever made, and there have been some very good ones along the way.

Whilst at his lowest ebb, a fan sent Barzelay a video of the Avett Brothers peforming one of his songs and an interview with Scott Avett in which he states that he is a big fan of Clem Snide. From this Barzelay contacted Avett, with the result that he agreed to produce the new Clem Snide album. Avett actually ended up co-writing some of the songs and also plays and adds harmony vocals on it. He brought in Avett Brothers drummer Mike Marsh and Band of Horses bassist Bill Reynolds.  This quartet then put down the majority of the album at Avett’s North Carolina farm. The album was then concluded in Nashville with finishing touches from Old Crow Medicine Show fiddler Ketch Secor and Avett Brothers cellist Joe Kwon.

Scott Avett’s simple arrangements and minimal instrumentation allow Barzelay’s songs to live, breathe and flourish as their words are expressed by the compelling idiosyncrasies of his voice. This back-to-basics approach is the perfect platform for Barzelay. Shaped by his difficult experiences, the songs deal with issues of depression, identity, mortality, God and the afterlife. However, this is not an album of hopeless self-pity. The songs also raise the prospect of hope, discovery, reinvention and regeneration. The very personal nature of the songs underline that although it carries the Clem Snide name, to all intents and purposes this is an Eef Bazerlay solo record.

The album’s opening track ‘Roger Ebert’ serves as a prologue to the whole album. Based around the celebrated film critic’s last words “It’s all an elaborate hoax” Barzelay contemplates the nature and meaning of life, spirituality and God. Boy meets girl it isn’t. Subsequent songs investigate, contemplate and reflect upon similarly weighty themes. In ‘Don’t Bring No Ladder’ Barzelay recalls that “I thought to ask the voice inside my head/if it would still be there once I was dead” and in ‘The Stuff of Us’ he notes that “to be blessed is always to be cursed as well” Yet, despite all the darkness, at the end of ‘The Ballad of Eef Barzelay’ he concludes that “ As I kept falling/I came to realise/I finally realised/that there was no ground” thus raising the possibility of a turnaround and new beginnings.

The intensity is punctuated by three co-writes. ‘Sorry Charlie’ is a song about reaching middle age (Barzelay recently turned 50) in which he offers reflections on leaving the wildness of younger days behind “Sorry Charlie/We can’t party anymore” and the acceptance of responsibilities and a steadier existence “I’ve got a good job now”. The album concludes with‘Some Ghost’ another co-write which offers some hope “after we stumble/we’ll find a path”. We can only hope that the path that Eef Barzelay is now on is a straight and steady one. Plans to tour the album have, in the present circumstances, been shelved. For a man who has been in such a perilous financial state, this will come as a major blow. We could all help out by buying this album. I suggest that not as an act of charity, but because you will be getting one of the best albums you’re likely to hear this year.

“I think we always feel like we’re falling through life? Desperately grabbing at whatever little snappy branch we can but if there is no ground then there is no fear and then we’re flying or least floating… And in the end, a leap of faith is inevitable. Like the song says ‘to live is to fly’.

Also, it satisfies the rhyme of job and kebob and advocates for ‘the secret’. I named it after myself to be cheeky but it is an accurate expression of what I believe.” Eef Barzelay

Forever Just Beyond / Ramseur Records marketed and distributed by Thirty Tigers Released on: 2020-03-27



As Dave Mason reflects in a statement, “I’ve played these songs for the better part of 50 years because I love them. I re-recorded the whole album because I still feel inspired by the music. This makes “Alone Together Again” a true labour of love. Some things I know for sure; music is relationship and love is best when shared. That is the whole conceptual play of Alone Together.” Here, he performs the album in its original sequence with members of his touring band and special guests such as Jonathan McEuen, Gretchen Rhodes, and Doobie Brothers multi-instrumentalist John McFee.
Now, unlike some re-recordings, the reimagined versions aren’t a ploy to land a sync deal or to bury the classics we’ve come to love. Rather, these talented artists are drawing on a fifty-year vantage point with new experiences and perspectives to inform their compelling interpretations. Both Yusuf (Cat Stevens) and Mason seek to build on their legacies with new performances that complement the original albums rather than replace them. Arriving as they do at a time when we’re truly alone together again, living in a wild world that’s tackling many of the same questions from 50 years ago, the words remain pertinent to our current times, while the performances remain spirited.

“Alone Together” was my first solo album. Like all firsts, they are special. The original tapes that burned in the 2008 Universal fires was heart-breaking. But it occurs to me, the Music never dies.

I’ve played these songs for the better part of 50 years because I love them.  I re-recorded the whole album because I still feel inspired by the music.

We allowed ourselves to have some fun with the presentation of this CD, which is marbled and multicoloured, just like the original vinyl. And true to the original album, it’s a three part fold out. We tried to find the exact spot in Joshua Tree to reshoot the photo, but, well, it has been over fifty years ago and we couldn’t be sure. But we think we recaptured the spirit, nonetheless.

I hope you’ll enjoy listening to Alone Together Again as much as I had in making it. And I hope you’ll feel the love when you have it in your hands, and when the music hits your heart.

Alone Together included a tri-fold die-cut design and what might be the first example of marbled colour vinyl on a mass scale. Thankfully, these visual elements remain in their reimagined versions. The tillerman in the new edition has returned from a space expedition while the children enjoy music through headphones and gaming on a cell phone. – Dave Mason

Wait! There’s More! You’ll hear great music, but you’ll also have something awesome to look at. Encased in a tri-fold jacket, complete with die cut image of Dave Mason in a top hat and collaged behind a rocky outcrop. The interior pocket holds your marbled CD, an homage to the legendary original record.  Alone Together Again will bring you joy both for the ears and the eyes.

Featured on this CD is the Dave Mason Band: Johnne Sambataro on guitar, Alvino Bennett on drums, Anthony Patler on bass & keyboards, and special musical guests John McFee, Jason Roller, Jonathan McEuen, Gretchen Rhodes, Bill Reynolds, Jesse Siebenberg, Teddy Jack Russell and Billy Mason.

“Alone Together Again” will ship out July 27th.

See the source image