Posts Tagged ‘Bermuda Triangle’

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Becca Mancari returns with her new album The Greatest Part. Mancari explores her childhood experiences on the single “First Time,” and it focuses on her religious upbringing. The lyrics are raw and intrepid, peeling back old scars to explore the emotional and psychological turmoil Mancari weathered growing up gay in a fundamentalist Christian home, while at the same time examining the ties that continue to bind her to the family she loves. This image is the opening line of Becca Mancari’s “First Time,” a somber song that takes an intimate look at the true story of Mancari’s coming out to her parents. A lot of people were introduced to Becca Mancari as a member of Bermuda Triangle alongside Brittany Howard, but Becca had also released her debut solo album Good Woman right around the same time Bermuda Triangle put out their first single, and Good Woman proved Becca was a worthwhile artist in her own right. It’s one of the past few years’ true gems; an alt-country record with an indie rock edge and truly timeless songwriting.  Becca hasn’t abandoned her folk/country roots, though, and the fusion of all of these sounds makes for an album that breaks down even more musical boundaries than Good Woman did. The sounds that Becca experiments with on this album are new, but what hasn’t changed is how impactful her song writing and delivery is. She still has a knack for wrapping powerful storytelling in warm melodies, and delivering each word in a way that captures your attention and doesn’t let it go.

Powerful and explicit, yet warm and nuanced, the song is an excellent encapsulation of the record it’s from: Mancari’s sophomore album, The Greatest Part, which dropped on June 26th via Captured Tracks. Recorded with producer Zac Farro (of Paramore fame) at The Fatherland Studio in Nashville, the record is a tremendously beautiful, intimate and expressive personification of Mancari’s artistry as a whole.

Mancari first splashed onto the indie scene as a solo artist in 2017 with the release of her debut record, Good Woman. At the same time, she was a member of Bermuda Triangle, a supergroup featuring Mancari along with Jesse Lafser and Alabama Shakes’ Brittany Howard. At that point in time, Mancari was going hard and fast — she was doing a ton of touring and was fighting a seemingly uphill battle trying to sustain her career. There’s backing vocals on “First Time” and “I’m Sorry” by Julien Baker.

The instrumentals echo hesitantly until the steady guitar solo offers something concrete in all her wandering. The music video then cuts to shots of same-sex couples, symbolizing that she found chosen family with people like her The Greatest Part is more of an exercise in joyous catharsis. The meaningful lyrics are expertly juxtaposed by charmingly catchy melodies and ethereal indie rock dreamscapes. In short, if you listened to this record without paying too close of attention to the lyrics.

Captured Tracks debut from Becca Mancari.

 

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Divine, dreamy indie-pop with from New York-born, Nashville-based artist Becca Mancari. She’s got that ultra-honest approach to her lyrics. She doesn’t shroud her tales in metaphor, preferring to flat-out tells us about how it felt to come out, how her super religious family reacted and how it’s affected her. Honest and beautiful songwriting. Becca Mancari is a traveler. She’s lived everywhere — Staten Island, Florida, Zimbabwe, Virginia, India, Pennsylvania — and she’s collected plenty of tales along the way, spinning the sounds and stories of the modern world into songs. Expanding beyond the homespun rootsiness of her critically acclaimed debut to incorporate a grittier, more experimental palette, Becca Mancari’s captivating new collection, ‘The Greatest Part,’ lives in a liminal space between grief and joy, pain and forgiveness, sorrow and liberation. The record, produced by Paramore drummer Zac Farro, marks a significant sonic and emotional evolution, balancing unflinching self-examination with intoxicating grooves and infectious instrumental hooks fueled by explosive percussion and fuzzed out guitars.

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A lot of people were introduced to Becca Mancari as a member of Bermuda Triangle alongside Brittany Howard, but Becca had also released her debut solo album Good Woman right around the same time Bermuda Triangle put out their first single, and Good Woman proved Becca was a worthwhile artist in her own right. It’s one of the past few years’ true gems; an alt-country record with an indie rock edge and truly timeless songwriting.

For its follow-up The Greatest Part, Becca signed to Captured Tracks — an indie pop label who at this point are probably best known for signing Mac DeMarco — and she produced it with Paramore drummer Zac Farro, who also makes Tame Impala-esque psych-pop as Halfnoise. (Plus, there’s backing vocals on “First Time” and “I’m Sorry” by Julien Baker.) The Greatest Part is probably the first album to ever make “Captured Tracks,” “country,” and “Paramore” one degree of separation from each other, and you can hear the center point of that unique venn diagram in the sound of these songs as much as you can see it on paper. Zac’s influence is felt in the psych-pop guitar work that pops up from time to time, and much more so than Good Woman, this album has an indie/dream pop side that sounds right at home on Captured Tracks. Becca hasn’t abandoned her folk/country roots, though, and the fusion of all of these sounds makes for an album that breaks down even more musical boundaries than Good Woman did. The sounds that Becca experiments with on this album are new, but what hasn’t changed is how impactful her song writing and delivery is. She still has a knack for wrapping powerful storytelling in warm melodies, and delivering each word in a way that captures your attention and doesn’t let it go.

Her new album The Greatest Part will be out at the end of June.

Becca Mancari first popped up on my radar due to her being involved with Brittany Howard’s side-project, Bermuda Triangle. Soon thereafter I caught wind of the lead track off of her debut LP and I was hooked. On her debut, the Nashville based artist does a fantastic job of adding some indie pop flourishes to her Americana sound. It really made me stand up and take up notice.

The second track, Waiting So Long, is a real winner. It has some tasty guitar, including some unconventional use of pedal steel. The track centers around Mancari asking how she can get her interest reciprocated. Golden is a beautiful break-up track where both sides still seem be able to find the beauty in each other despite the dysfunction. The penultimate track, Kitchen Dancing, is another beauty; using subtle pedal steel to create atmosphere.

“Good Woman” is a great debut by someone who clearly has a great future ahead of her.