Posts Tagged ‘Basia Bulat’

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“Way before I even started recording I had written an e-mail to Jim (James) saying ‘I want to make this album about compassion and empathy’. It was early 2017 so there had been a lot of major shifts, planetary and energy shifts all over the place. I had no idea how much I would need this record for myself when I was working on it. Just to put this positive vibration out into the world but also to hear and sing these songs back to myself was more important than I could have ever imagined.

I realized I had been writing all these songs with so many questions. Every single song on the record has a question in it except for the last one, which I had started initially as a bit of a mantra or meditation, a George Harrison influenced kind of thinking. Here’s a statement to choose love over fear, or over negativity, or over borders and walls. Even when it feels like the world is ending in the darkest place I’m going to promise myself that that’s what I’m going to choose. I didn’t even realize how much singing it would have that effect on me as well as that reminder. So it felt good to have that at the end after all these questions.

It’s really fun to play when it goes off into outer space in the rock section! Like I’m very insistent on this statement, like I mean it for real. Especially since we were working on it in the Joshua Tree it kind of feels like that moment of the day where everything’s quiet but all of a sudden the song has gotten down and everything goes straight off into the stars at that point. I had this idea for a crazy space rock solo at the end and that’s played by Jim. One of the benefits of having him around!” . Basia Bulat

Basia Bulat “Love Is At The End Of The World” from the album “Are You In Love?

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“Your Girl” is a wistful folk-pop song in the tradition of Natalie Merchant and 10,000 Maniacs – crisp and clean in structure, but earthy and wholesome in aesthetics. Basia Bulat’s perspective is somewhat ambiguous in this song, shifting between a first-person testimonial about how she’s become hesitant to fall in love after some difficult experiences and choruses in which she’s addressing someone else about how they’ve let down their girl. It could just be that she’s talking to the one who wronged her, but there’s a suggestion of elapsed time. It could be advice to a friend, a warning to an ex that they’re keeping up the same mistakes, or maybe it’s just her reliving the same old traumas. But it’s notably that the song isn’t bitter or angry, just resigned to the seemingly inevitable catastrophes of people getting close to each other.

I wrote “Your Girl” during one of those classic Montreal snowstorms (mon pays c’est l’hiver!) and recorded it under the warmest desert sun in Joshua Tree. Then we added some beautiful harmonies in the springtime. So of course it only made sense to film a video for the song in the autumn rain. The song is about getting free from a painful situation, when there’s joy but there’s also heartbreak – and trying to understand why those storms came through your life the way they did feels impossible. So you to the wind and dance with the memory instead.

Basia Bulat’s new album Are You In Love? is due out March 27th via Secret City, and she’s shared another early taste of it, “Already Forgiven.” Speaking about recording in Joshua Tree, Basia says, “one day Andrew recorded the wildest wind outside and sent the signal through a path of electronics and the swirling feeling of those floating melodies that drift through the song are as important as the lyrics to me. The harmonies are there even if you can’t hear them at first listen. It can take years to say it, but you’re already forgiven.”

Every song has elements of wild abandon, as if Basia Bulat’s shaking something free, and pushing herself at every turn. Lyrically, Bulat is still exploring darkness, and still wrestling with some kind of heartbreak and grief — the very things that made her last album, Tall Tall Shadow, so compelling and resonant — but she’s reframing these themes through pop. Good Advice is the sound of Basia Bulat at her most daring while still being true to herself

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Canadian singer songwriter Basia Bulat has unveiled a brand new track, “Fool”.

The song sticks to Bulat’s previously well established folk template, but she takes that as a starting point and allows “Fool” to soar out in its own direction. Bulat’s talents as an instrumentalist are utilised to full effect, leading to a track that’s upbeat and infectious in its approach.

“Fool” is taken from the excellent album “Good Advice”. For the album’s production, Bulat teamed up with friend and collaborator Jim James of My Morning Jacket, driving 600 miles from her home in Montreal to La La Land recording studio in James’ hometown of Louisville, Kentucky.

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Good Advice is due to mark a departure from Bulat’s previous work, with her voice backed up by drums, bass, electric guitar and keys. James plays electric guitar, synth, saxophone and bass on the album.

“Pop songs can take all those big statements and those big feelings that you have,” Bulat says. “You don’t need to necessarily have everything so detailed because everybody understands. Everybody understands those feelings.”

Of the sessions for the album James recalls, “The entire process was so amazing. Hearing her voice just exploding out of her soul brought us all to tears in the control room. Watching Basia come out of her shell with great power was an extraordinary thing to witness. ”

Basia Bulat,

Canadian Folk Singer-Songwriter known for her use of Autoharp check out her third album “Tall Tall Shadow”

https://www.youtube.com/watch?v=stsClmHLlkc#t=848

BASIA BULAT, this is a definate listen she does not tour very often here in the UK, but this is an incredible performance from Massey Hall in support of her acclaimed album “Tall Tall Shadow”, Canadian songwriter and musician Basia Bulat makes her Massey Hall debut. Basia Bulat, is a Canadian folk singer-songwriter. She is known for performing with an autoharp.

gegsy's avatarGegsy

Sounds like: The Head and the Heart, Agnes Obel, Ron Pope

Right out of Etobicoke (suburb of Toronto), Basia Bulat has worked to get to where she is now, though I feel she needs to get much more attention. I remember being awe-struck seeing her interviewed in a cineplex premovie show. The fact that an artist I discovered through the indie waves is getting national attention is shocking. She’s released 3 full length albums with her trusty autoharp (I have a copy of them all!). Her latest album, Tall Tall Shadow is oddly chilling, but hits you right where it hurts, the heart. I’ll put a link to the title track, but all of the tunes off the album are perfect reflecting/jamming on the subway music. Never Let Me Go grasps me and holds tightly around my neck. Keep it up Basia! I’m looking forward to seeing you perform live.

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