Posts Tagged ‘Austin Texas’

New additions to the LEVITATION 2016 lineup have been released along with the lineups per day and Single Day Tickets!  Check out the good news below, looking forward to seeing you all at #Levitation2016!

Weekend Passes, Single Day Tickets, Deluxe Passes, and Camping Passes & Rentals are available now:

The Reverberation Appreciation Society is proud to announce 15 new additions to the Levitation 2016 lineup:

WEEN
COURTNEY BARNETT
THE ARCS
MELODY’S ECHO CHAMBER

DAVID J AND THE GENTLEMEN THIEVES
HOLY WAVE
WALL OF DEATH
NOTS
CHRISTIAN BLAND & THE REVELATORS
MAGIC WANDS

GOLDEN DAWN ARKESTRA
BAYONNE
FEDERALE
KLAUS JOHANN GROBE
KAITLYN AURELIA SMITH

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The lineups per day have been announced and Single Day Passes have been released:

FRIDAY APRIL 29th

SLOWDIVE • FLYING LOTUS • THE ARCS • THE BRIAN JONESTOWN MASSACRE • NICOLAS JAAR • DUNGEN • ONEOHTRIX POINT NEVER • UNCLE ACID & THE DEADBEATS • SHABAZZ PALACES • BOOGARINS • TWIN PEAKS • LA LUZ  • PURSON • HOLY WAVE • MILD HIGH CLUB • IMARHAN • WALL OF DEATH • CHRISTIAN BLAND & THE REVELATORS • THE GOLDEN DAWN ARKESTRA • FANTASMES • KLAUS JOHANN GROBE

SATURDAY APRIL 30th

BRIAN WILSON PERFORMING PET SOUNDS • ANIMAL COLLECTIVE • COURTNEY BARNETT • SLEEP • THE BLACK ANGELS • SUNN O))) • BORIS • THE THURSTON MOORE GROUP • BLACK MOUNTAIN • PARQUET COURTS • WOODS • LEE RANALDO • DAVID J & THE GENTLEMEN THIEVES • HERON OBLIVION • ISRAEL NASH • ASTEROID #4 • NOTS • ULTIMATE PAINTING • BAYONNE • LA MECANICA POPULAR • FEDERALE • KAITLYN AURELIA SMITH • FLAVOR CRYSTALS

SUNDAY MAY 1st 

WEEN • CARIBOU • SUPER FURRY ANIMALS • LEE SCRATCH PERRY • TY SEGALL & THE MUGGERS • ROYAL TRUX • MELODY’S ECHO CHAMBER • ALLAH LAS • KING GIZZARD & THE LIZARD WIZARD • CHICANO BATMAN • THE MURLOCS • DELICATE STEVE • QURAISHI • WALL OF DEATH • MAGIC WANDS • PROMISED LAND SOUND • BLONDI’S SALVATION • JJUUJJUU • CELLAR DOORS

Formerly known as Austin Psych Fest and now called LEVITATION, the ninth edition of this annual festival, which takes place April 29th – May 1st at Carson Creek Ranch in Austin, TX, attracts reverb-loving fans from around the world. Unlike bigger mainstream festivals, the folks behind LEVITATION have carved out a niche by bringing together bands that may not tour much as well as bands that would never be booked at festivals like Coachella and Bonnaroo. Generally speaking, these are acts that, in some way, seem to have a psychedelic quality to their music. The festival was founded by Austin psych rockers The Black Angels, who wanted to create an event that would honor the city’s trippy musical legacy that produced acts like the 13th Floor Elevators and Shiva’s Headband. As LEVITATION has grown, the standard of psych rock has broadened with bigger headliners coming in and a more diverse array of acts, but at its core the festival has always stayed true to keeping things far out. In other words, LEVITATION is part of an increasingly rare group of festivals booked by people who not only love music, but seek to present bands on the margins just because they love them.

This year’s lineup is massive and undoubtedly one of the strongest festival lineups of 2016, period. There are big names like Brian Wilson (playing The Beach Boys’ Pet Sounds in its entirety) and Animal Collective, as well as more obscure fare like the Allah-Las, Heron Oblivion, and Imarhan. 10 acts not to be missed at this year’s LEVITATION.

Dungen (Friday, April 29 @ 9:15PM, Elevation Amphitheatre)

The name of this band translates as “The Grove” in Swedish, which is the language of all the lyrics from this Prog-psych rock band. Though lead singer Gustav Ejstes plays most of the instruments on the albums, Dungen tours as a four piece. They are currently touring on their newest album Allas Sak. Having been one of the pioneers of the modern psych-rock renaissance, their influence can be heard across many of the bands that have played Levitation over the years.  Essential album: Ta Det Lugnt

Lee “Scratch” Perry (Sunday, May 1 @ 7:35PM, Elevation Amphitheatre)

Perry is the pioneer of dub reggae. By combining effects and remixing, Perry created new mixes of existing reggae songs. Founding his own band in the late 60’s, The Upsetters, named after his record label, he also continued to work with other acts like Bob Marley and The Wailers, the Congos and many others. Essential album: Super Ape

Courtney Barnett (Saturday, April 30 @ 6:05PM, Reverberation Stage)

After a successful SXSW in 2015, Melbourne native Courtney Barnett has been touring incessantly in support of her debut LP Sometimes I Sit and Think, Sometimes I just Sit. With her witty lyrics, grungy guitar licks, and stage energy, her shows are not to be missed. Most recently she contributed her version of “New Speedway Boogie” for The National’s curated Grateful Dead tribute album. Essential album: Sometimes I Sit and Think, Sometimes I Just Sit

Black Mountain (Saturday, April 30 @ 10:45PM, Elevation Amphitheatre)

The Vancouver-based band have been putting out albums for the past decade and are currently touring in support of their newest album IV. Frequently employing nostalgic sounds of the 60’s and 70’s, their newest output comes across as a mix of Pink Floyd and Black Sabbath. Given Black Mountain’s range across their discography, their set is bound to impress. Essential album: Black Mountain

Slowdive (Friday, April 29 @ 11:25PM, Reverberation Stage)

Reuniting after a twenty year hiatus, the English pioneers of shoegaze are back on the road and playing songs from their late 80’s-early 90’s discography. After the band went their separate ways in 1995, lifelong friends and founding members Neil Halstead and Rachel Goswell formed the band Mojave 3. Now all the original members are back and ready to play their brand of ambient dream pop for a nostalgic audience.Essential album: Souvlaki

Ween (Sunday, May 1 @ 9:15PM, Reverberation Stage)

After a 28 year career, Ween disbanded in 2012 after releasing an extremely diverse and wonderfully oddball catalogue of music. Though never having much commercial success, Ween cultivated a major cult following later in their career. Originally only announcing a three show reunion in Colorado, the overwhelming ticket sales led Dean and Gene Ween to the formation of a full fledged reunion tour. Catching their set is a must as there is no guarantee that there will be any more shows following this tour.Essential album: Chocolate and Cheese

Israel Nash (Saturday, April 30 @ 3:05PM, Reverberation Stage)

This long-haired troubadour is the kind of solemn character you can picture wandering through the Texas Hill Country on some mystic peyote trip. In fact, Israel Nash calls the Hill Country home (Dripping Springs to be exact), and it is there that the singer-songwriter and his band have cultivated a style of music that they describe as “desert folklore”. On albums like Rain Plans and most recent Silver Season, Nash backs his philosophical lyrics with a cacophony of twangy sounds that fall somewhere between Neil Young, Pink Floyd and an Ennio Morricone score. Essential album: Rain Plans

Woods (Saturday, April 30 @ 9:00PM, Elevation Amphitheatre)

Brooklyn-based Woods have never had any trouble tapping into a kaleidoscopic array of psychedelic sounds. Most recently, this can be heard on the band’s ninth album City Sun Eater In The River Of Light, which finds them exploring the groovy terrain of Ethiopian jazz and Afrobeat placed in the context of sun-washed, poppier songs. The album is loaded with flourishes of horns, and it will be interesting to see how much of that they bring to the stage at Levitation. Regardless, Woods’ return to Levitation will be ideal for spacing out to on Saturday night. Essential album: City Sun Eater In The River Of Light

Sleep (Saturday, April 30 @ 11:45PM, Levitation Tent)

It’s safe to say that the multitude of acts playing stoner doom metal today would not exist without Sleep. With badass motherfucker Matt Pike at the helm, the group has spent two decades shredding their way through sprawling songs that are as heavy as it gets. Whereas Pike’s other band High On Fire is fast, brutal, and closer to Black Sabbath, Sleep is sludgy and slow-burning like a fat joint. They are unquestionably one of the heaviest bands playing Levitation this year, and since their live appearances are somewhat of a rarity, you’ll want to smoke some dope and saddle up for the dark, glorious journey that is Sleep. Essential album: Dopesmoker

Promised Land Sound (Sunday, May 1 @ 2:00PM, Reverberation Stage)

On their 2012 debut Stoned Eagle and 2013 self-titled follow-up, this gang of Nashville youngsters embraced what Gram Parsons once referred to as Cosmic American Music. Despite their age, the members of Promised Land Sound seemed to posses a natural talent for applying a laid back stoner aesthetic to country rock, a feat that may seem easy enough but has produced tons of cliché joke bands. Their latest effort For Use And Delight takes the country rock sound in an impressive new direction as the band drifts towards indie rock and a catchier pop sound. That authentic 70’s feel is still there, but these guys are not afraid to try out new things, and the result is beautiful. Promised Land Sound may not fit the “psych rock” mold per se, but they are absolutely worth catching. Essential listening: Promised Land Sound

This song is performed by Stevie Ray Vaughan and appears on the album “In Step” (1989) This is a soulful instrumental. After a full day of recording material for the album, Stevie Ray asked his producer to leave the tape running and to turn down the lights. All alone, he recorded the guitar track on his Fender Strat. Double Trouble added the backing later, including an organ foundation from Reese Wynans.

There’s nothing quite like listening to Stevie Ray Vaughan jam by himself in a dark studio, kept company only by his guitar rig and the producer in the booth recording him. ‘Riviera Paradise’ is a gorgeous song, one that was featured on Stevie’s final album “In Step”.

This instrumental piece is incredibly special; not just because it was Stevie improvising after a hard day of recording, but because it feels like we’re being given a sneak peek into Stevie’s soul.

‘Riviera Paradise’ has an incredibly intimate feel – as if we as listeners stumbled across a private moment between Stevie and his guitar, and are torn between leaving because it wasn’t for us to hear, and staying because it’s one of the most beautiful things we’ve ever heard.

It honestly doesn’t even need the backing provided by Double Trouble, but it definitely adds to the song’s ambiance!

Stevie Ray Vaughan – ‘Riviera Paradise’ (STUDIO) | Train Fanatics Videos

Austin’s Levitation Festival—formerly the Austin Psych Fest—is one of the gems in the Austin festival calendar. It brings big-name headliners in a low-pressure environment, and this year, with the fiftieth-anniversary reunion performance of the legendary psych-rock band the 13th Floor Elevators, it will be an international attraction.

But if you needed another reason to get excited about the festival, they’ve got an exclusive mixtape that blends the big names at the top of the bill—the Flaming Lips, Austin’s Black Angels, Mac Demarco—with some of the down-ticket acts fans may not know. “Since 2012, we’ve been commissioning San Francisco producer Al Lover to create mix tapes for our festival lineups, and they’re a great way to discover new music and bands on the lineup that you might not be familiar with,” said Rob Fitzpatrick of the Reverberation Appreciation Society, the record label behind the festival.

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Levitation takes place at the Carson Creek Ranch May 8-10. The full lineup and schedule info can be found here. Take a listen to the mixtape above, and check out the full track listing:

The Black Angels – Diamond Eyes
The Goastt – Too Deep
Fuzz – Fuzz’s Fourth Dream
Fat White Family – I Am Mark E Smith
Dallas Acid – The Battle of Zama
The Flaming Lips – Look… The Sun Is Rising
The 13th Floor Elevators – Levitation
A Place to Bury Strangers – We’ve Come So Far
Nothing – Bent Nail
Mac DeMarco – Chamber of Reflection
Baby Robots – Hallowedwiener
The Myrrors – Dome House Music
Eternal Tapestry – Echo Sounder
Tele Novella – Trouble in Paradise
Melody’s Echo Chamber – You Won’t Be Missing That Part of Me
The Paperhead – Eye for Eye
Follakzoid – Feuerzeug
Samsara Blues Experiment – Army of Ignorance
ZZZ’s – Drippin’
Mugstar – Technical Knowledge as a Weapon
Los Mundos – Como Si Importara
Ryan Sambol – A Human Being

Live at House of Vans at the SXSW festival in Austin Texas. 

Members of Speedy Ortiz are beginning to hit their stride.  This band of Western Massachusetts guitar music heroes The band — singer/guitarist Sadie Dupuis, new guitarist Devin McKnight , and drummer Mike Falcone  It’s a rare moment in the life of Speedy Ortiz — a day off. Over the last year, and 2014, in particular, they’ve been Road Dogs of the Highest Order, schlepping out on tours that have taken them all over the United States, Canada, Europe, and back. They’ve been on some impressive bills along the way: Stephen Malkmus & the Jicks, the Breeders, Los Campesinos, Joanna Gruesome, and Bonnaroo. shared a stage with Dinosaur Jr., Mac DeMarco, Those Darlins, and many more) on Saturday, July 12th, it’s out on the road again. One of the gigs on their upcoming tour will be at Chicago’s Pitchfork Festival, the eponymous live-music extravaganza of the site that, it can’t be argued, kicked the band into high demand in the first place when it rightly named their album Major Arcana Best New Music a year ago.

Major Arcana takes the guitar acrobatics and straightforward swing of many a ’90s band — Pavement, Helium, Polvo, Dinosaur Jr. — and wraps them all in Dupuis’s powerful, quivering voice and wry lyrics. Sadie Dupuis’s crunchy guitar histrionics are joined by the beefy chords of former guitarist Matt Robidoux (who took an indefinite hiatus from the band in May, replaced now by McKnight), and songs like “No Below” and “Tiger Tank” get their hooks in you on first listen. Falcone’s thundering drums and Ferm’s steady back end tie the whole thing up. Major Arcana is a major success, and it’s only now, with this bit of time off, that Dupuis and company have had time enough to work on any new material.

https://www.youtube.com/watch?v=nF4-uj82XhM

Call it post-Americana. Bee Caves’ six-song debut “Animals With Religion” is a haunting, atmospheric offering that builds slowly into a layered madness. Opener “Running Home To You” mixes in hints of muted trumpet over atmospheric acoustic and electric guitars. “I Remember Now” sounds like it’s as influenced by fellow Texans Explosions in the Sky as much as bands like Lambchop.

 

 

Our music encompasses the passion, the modern survival of winged tipped shoes, seahorse androgyny, moon-rivers and bingo, and is heavily influenced by beer, The Coasters, The Stooges and Velvet Underground.There’s a lot about Austin’s A Giant Dog
My first exposure to AGD was when “Fight” came out last year, and it has dominated my car-listening time since. Bone only strengthens. There’s something extremely infectious about everything this band has to offer. The melodies are absolutely astounding. I didn’t know there was so much uncharted territory left in the realm of the guitar-bass-drums trinity. It’s not just vocal melody either. The band fires on all cylinders, with every member seemingly adding a great deal to the sound.

Photo: Press

Their songs build and changes as it goes. The drums employ the tambourine and varying crashes, the guitars both hold the weighty opening riffs and trail off into later riffs, and even the bass gets to choose what note to hit. I can only imagine the process by which a thought and a hum turns into an AGD track.

The lastest album Bone stands at a scant 25-ish minutes in length and at least 4 of its 13 tracks are re-recorded from previous releases.
A Giant Dog is all over the place with sound and they’re doing things that no other band is.

Go see Wild Child stomping around their local grounds! This Austin-based six piece indie folk outfit charms with their sweet though never saccharine lyrics. From ballads like lullabies that sway you into a dream-space in the clouds to more danceable stompers, their love laden tunes will surely help spring air fill you with giddy exuberance. Fiercely independent road warriors Wild Child, an “indie powerhouse,” has spent the past year stepping into that spotlight, playing stages as major as Austin City Limits Music Festival, Wakarusa, Firefly Music Festival, Bonnaroo, Osheaga, and Savannah Stopover. Incorporating violin, ukulele, cello, piano, bass, banjo, and horns in ways that few bands could conceive of today, Wild Child has broken through as one of the preeminent bands in one of the most storied music cities in the world, winning back-to-back honors as the city’s Best Indie Band

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https://www.youtube.com/watch?v=usTyoBJdkC8#t=23

Austin’s own Holy Wave made strides in 2014. They released a new album, “Relax”, via The Reverberation Appreciation Society with a cassette co-release via Burger Records, which premiered on Paste Magazine and was highlighted on Pitchfork’s . Holy Wave expanded to a five-piece for the album, recording with producer Erik Wofford (Explosions in the Sky, My Morning Jacket, The Black Angels) at Cacophony Studios. This was followed by the band’s European debut, where their surf sounds, droning riffs and Nuggets-esque hooks were greeted with affection. Holy Wave also just made their TV debut on Last Call with Carson Daly in February of 2015.

The Black Angels are the reigning champions of Austin psych rock, go big on “Waterloo Waltz” from the upcoming Scion AV compilation, Riley Hawk: Northwest Blow Out EP. The group is one of four selected by pro skater Riley Hawk for the EP whose release is tied to the forthcoming video follows Hawk and the Shep Dawgs as they travel to their skateparks in the Pacific Northwest.

Fort Romeau is Mike Greene, a London producer whose bright, glimmering form of house music is both forward-thinking and physical in that old-school Chicago way. Greene released his debut album Kingdoms in 2012, and it’s been a steady stream of one-offs and remixes ever since. Soon, he’ll be back with a sophomore album called Insides. Its title track is also its first single, and it’s a glassy, composed six-minute instrumental.

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