Posts Tagged ‘Ani Ivry-Block’

No photo description available.

We are excited to announce that Palberta’s single, “Something in the Way,” is out now. Since the release of the acclaimed Roach Goin’ Down, Ani, Lily, and Nina have been busy touring the U.S., releasing a live benefit album and opening for Bikini Kill at Brooklyn Steel. All the while, they have been writing and perfecting new songs, a few of which entered the band’s sets before the global pandemic shut live music down and postponed their first U.K./Europe tour, originally scheduled for April.

“Something in the Way” marks the first Palberta release tracked in a professional studio environment. They found a great recording partnership with Matt Labozza (Palm, Shimmer) and took easily to putting down their new material in a studio setting while still experimenting with song-structure, as they do on the outro of “Something in the Way,” a repeating motif from John Coltrane’s “A Love Supreme.”

The recording of “Something in the Way” achieves a clarity not heard on past Palberta releases. From the harmony vocals to the guitars that chime and caterwaul, Palberta’s singular sound is brought into focus in Matt Labozza’s recording. New York art-punk trio Palberta has been forging ahead over the last several years, dropping impressive album after impressive album. “Palberta5000” might be the most intriguing of all the band’s releases to date, with Steven Hyden praising the band for finding “the middle ground between minimalist, deconstructionist indie and the danceable grooves and relentless rhythms of funk and R&B”

http://

“Something in the Way” started as many Palberta songs do, with one person playing a drum, guitar, or bass riff and then the other two building off of that initial feeling. As usual, we frantically but carefully guided each other to the end of the song. When we got there, we found ourselves fading into a tricked-out looped fragment of John Coltrane’s “A Love Supreme.” Coltrane’s melody has a direct connection for us to our beautiful friend Pablo Ramirez, who passed in 2019. His view on life—”LIFE IS BEAUTIFUL LIFE IS IN COLOR LIFE IS A W A Y”—impacted us all in such a positive way, and his beauty and genuine LOVE of life lives on through the thousands of people that he blessed through meeting. We dedicate this song to Psplifff and his mother, the amazing Mammasplifff, and all the beautiful people on the right side of history showing up right now. We love you! – Palberta

Palberta have have been regulars in Brooklyn’s DIY scene for most of the last decade, cranking out jagged indie rock over four albums and a bunch of singles, a constant presence at tiny clubs like Alphaville and Silent Barn, but occasionally at bigger shows too, like getting to open for heroes Bikini Kill at Brooklyn Steel. The band have never been lacking in catchy melodies, as anyone who’s seen them live can attest, but previous records often masked that under murky, low-fi production.

Art-punk trio Palberta recorded their fifth album “Palberta5000” in Peekskill, New York. The follow-up to 2018’s Roach Goin’ Down is, at least partly, pop-inspired, with Lily Konigsberg saying , “I kind of only listen to pop music.” Ani Ivry-Block added, “The way we play and our production will always be weirder than mainstream pop allows.

Two years removed from their triumphant 2018 LP ‘Roach Going Down,’ which Pitchfork described as “a leap to another level” from the beloved NYC trio, Palberta are returning to deliver their clear-eyed fifth album, ‘Palberta5000,’ a collection of adventurous, hyper-melodic songs that will excite their devoted following while welcoming new fans along for the ride. While long heralded as one of the most original and idiosyncratic bands in the East Coast DIY scene, earning regular comparisons to ESG, Captain Beefheart (Pitchfork) and CAN (FADER), on Palberta5000, Ani Ivry-Block, Lily Konigsberg, and Nina Ryser max out traditional pop forms—creating hits that catch in listeners’ brains while blowing the genre out into lush, kinetic extensions that morph into absurdist outros and haptic breakdowns—to create their own hardcore style of popular music. In doing so, they have made their most accessible album by a far measure—one that is bursting at the seams with vocal hooks and exuberant playing. ‘Palberta5000’ was recorded with Matt Lambozza (PALM, Shimmer), whose Peekskill, New York, studio is located in the original home and family lamp-store of Paul Reuben (Pee Wee Herman). Fueled by carrots, celery, radishes, and peanut-butter-and-jelly bagels, they diligently tracked ‘Palberta5000’s well-rehearsed songs in four days, never putting down more than three takes. Lambozza’s recording and mix capture the band’s rollicking instrumentation and vocal precision.

The first single, “Before I Got Here,” features a charging and emotionally chaotic intro verse—building to the frantic ear-worm lyrics “if you want to talk about it / then we can talk about it / I’m just so sick about it / don’t blame me”—that stops on a dime for a three-part vocal harmony breakdown, then seamlessly rushes off again. The song conveys the raw emotions that can accompany letting someone into your life before pumping the brakes and settling into a hypnotic krout-surf outro, garnished with horns from Matt Norman that reinforce and swell the melody. “High speed, fast track, slow prose.” ‘Palberta5000’ punctuates its jagged edges with ebullient cries of “Hey!” and rounds its corners with angelic harmonies, while marching-band snares propel the album forward with a metronomic intensity that belies the sixteen tracks’ diverse time signatures and fevered pacing. Hardcore fans will recognize the band’s live staple “Corner Store,” whose heart-melting harmonies layer over irresistible croons of “I meet you anywhere you are”—a promise kept by an album that meets listeners where they are. “Big Bad Want,” another notable piece from the band’s pre-COVID sets, is Palberta’s version of fast punk, with a zig-zag bassline and a call-and-response nursery-rhyme chorus that returns for the song’s outro, stretching defiantly past the three-minute mark with the repeated mantra “Yeah (yeah) I can’t pretend what I want.”

Although Palberta have toyed with repetition and longer song structures on past recordings, ‘Palberta5000’ masterfully digs into a groove and transforms repeated phrases with a cult-like frenzy to hypnotic effect. On their slow waltz, “The Way That You Do,” and the enchanting “Red Antz,” Palberta bring the tempo down for lavish slow jams only hinted at on past efforts like ‘Bye Bye Berta’s “Why Didn’t I.” Such tracks add a variation to ‘Palberta5000’s well thought-out song cycle and contribute to a full album experience that will leave listeners breathless. In the fitful sleeper “Cow,” Palberta sing, “I will be there with my hand on your chest / I feel your rumbling internal mess.” In a time of exhausting disappointment, ‘Palberta5000’ is an album that sees our internal and external messes, openly displays its fragile places, and acts as an energetic complement to the movement for positive change.

While punk music was our first love, pop music has become our fixation. Throughout the making of ‘Palberta5000,’ we were focused on making music that people could not only sing along to but get stuck in their heads… that and attempting to make songs longer than 50 seconds…While our melodies have gotten more melodic and our singing less harsh, we haven’t strayed too far from who Palberta is, defiantly Palberta. And no one will shape us to be otherwise.” – Palberta

Two years removed from their triumphant 2018 LP Roach Going Down, described as “a leap to another level” from the beloved NYC trio, Palberta are returning to deliver their clear-eyed fifth album, ‘Palberta5000,’ a collection of adventurous, hyper-melodic songs that will excite their devoted following while welcoming new fans along for the ride. While long heralded as one of the most original and idiosyncratic bands in the East Coast DIY scene, earning regular comparisons to ESG, Captain Beefheart (Pitchfork) and CAN (FADER), on ‘Palberta5000,’ Ani Ivry-Block, Lily Konigsberg, and Nina Ryser max out traditional pop forms—creating hits that catch in listeners’ brains while blowing the genre out into lush, kinetic extensions that morph into absurdist outros and haptic breakdowns—to create their own hardcore style of popular music. In doing so, they have made their most accessible album by a far measure—one that is bursting at the seams with vocal hooks and exuberant playing.

‘Palberta5000’ was recorded with Matt Labozza (PALM, Shimmer), whose Peekskill, New York, studio is located in the original home and family lamp-store of Paul Reuben (Pee Wee Herman). Fuelled by carrots, celery, radishes, and peanut-butter-and-jelly bagels, they diligently tracked ‘Palberta5000’s well-rehearsed songs in four days, never putting down more than three takes. Labozza’s recording and mix capture the band’s rollicking instrumentation and vocal precision.

The first single, “Before I Got Here,” features a charging and emotionally chaotic intro verse—building to the frantic ear-worm lyrics “if you want to talk about it / then we can talk about it / I’m just so sick about it / don’t blame me”—that stops on a dime for a three-part vocal harmony breakdown, then seamlessly rushes off again. The song conveys the raw emotions that can accompany letting someone into your life before pumping the brakes and settling into a hypnotic krout-surf outro, garnished with horns from Matt Norman that reinforce and swell the melody.

“High speed, fast track, slow prose.” ‘Palberta5000’ punctuates its jagged edges with ebullient cries of “Hey!” and rounds its corners with angelic harmonies, while marching-band snares propel the album forward with a metronomic intensity that belies the sixteen tracks’ diverse time signatures and fevered pacing. Hardcore fans will recognize the band’s live staple “Corner Store,” whose heart-melting harmonies layer over irresistible croons of “I meet you anywhere you are”—a promise kept by an album that meets listeners where they are. “Big Bad Want,” another notable piece from the band’s pre-COVID sets, is Palberta’s version of fast punk, with a zig-zag bassline and a call-and-response nursery-rhyme chorus that returns for the song’s outro, stretching defiantly past the three-minute mark with the repeated mantra “Yeah (yeah) I can’t pretend what I want.”

http://

Although Palberta have toyed with repetition and longer song structures on past recordings, ‘Palberta5000’ masterfully digs into a groove and transforms repeated phrases with a cult-like frenzy to hypnotic effect. On their slow waltz, “The Way That You Do,” and the enchanting “Red Antz,” Palberta bring the tempo down for lavish slow jams only hinted at on past efforts like Bye Bye Berta’s “Why Didn’t I.” Such tracks add a variation to ‘Palberta5000’s well thought-out song cycle and contribute to a full album experience that will leave listeners breathless. In the fitful sleeper “Cow,” Palberta sing, “I will be there with my hand on your chest / I feel your rumbling internal mess.” In a time of exhausting disappointment, ‘Palberta5000’ is an album that sees our internal and external messes, openly displays its fragile places, and acts as an energetic complement to the movement for positive change. 

Releases January 22nd, 2021