METZ – ” Atlas Vending “

Posted: August 18, 2020 in Classic Albums, MUSIC
Tags: , , ,



Metz shared the video for the second single off Atlas Vending, “Hail Taxi.” If Metz’s current mission is to mirror the inevitable struggles of adulthood, they’ve successfully managed to tap into the conflicted relationship between rebellion and revelry with the song’s tactics of offsetting their signature bombast with anthemic melodic resolutions. “‘Hail Taxi’ is about looking back. The lyrics deal with the idea of reconciling or coming to terms with who you were and who you’ve become,” shares frontman Alex Edkins. The stunning video, directed by A.F. Cortes, heightens these themes and expertly captures the same intensity as the alternately brutal verses and beguiling choruses of “Hail Taxi.” Of the video, Cortes says, “I wanted to tell a simple story that captures the song’s overarching theme. The idea of longing for the past creates many visual motifs and I wanted to create a piece that feels timeless and conveys a sense of isolation, highlighting that while we can hide our feelings, we can’t run from them.”

Check out the stunning video for “Blind Youth Industrial Park,” the latest track from Atlas Vending. The beautifully dystopian video depicts a woman dragging an injured companion on a stretcher through an alien landscape as the pair are tracked by a squad of armed soldiers, and provides sharp contrast to the song, which is an ode to the naivety of youth and the freedom of being unburdened by the world around you.

Shot in Queenstown, on the South Island of New Zealand, “Blind Youth Industrial Park” was directed by Dylan Pharazyn. Here’s Pharazyn on his inspiration for the video: “I started thinking of the feeling of war or samurai films, beautiful but dark and violent… but then I had this idea to work up a more unique world… I started to think of a more futuristic setting — more unusual and dream-like with the story set on a distant planet where there is future technology and some kind of alien magic… like a futuristic fable. I loved the idea of the hero Ayeth on this nomadic walk through an epic landscape… I loved the strength in her and the pairing of her with a wounded companion, something really human and vulnerable… I wanted that emotive warmth countering the cold military images.”

Atlas Vending, the band’s most dynamic, dimensional, and compelling work of their career will be released on October 9th. Bolstered by the co-production of Ben Greenberg (Uniform) and the engineering and mixing skills of Seth Manchester (Daughters, Lingua Ignota, The Body) at Machines with Magnets in Pawtucket, Rhode Island, Atlas Vending, the band’s fourth full-length album, sounds massive, articulate, and earnest.

Preorders of Atlas Vending are now available from Sub Pop Records.

“Hail Taxi” by METZ from their album Atlas Vending (Release Date: 10/09/2020)

“Change is inevitable if you’re lucky,” according to Metz frontman and principal songwriter Alex Edkins. And there’s no doubt that the music composed by the Toronto trio is difficult to pin to a specific genre, constantly moving, growing and changing with each album.

“I think what I was trying to say is when you’ve been working with the same people for as long as we have and you’ve been doing music together, it’s easy to get stuck in conventions and ruts and not progress,” he reveals. “I think this record, more than any for us, is something that feels like a really nice progression into new territory. It’s still very much us. We didn’t intentionally set out to change who we are or what we sound like, but I think the production and the songwriting have taken it to a new spot that we’re really proud of.”

Despite being written and recorded prior to the global pandemic, Atlas Vending feels immediate in its response to 2020, clearly poised to attack its themes of social anxiety, isolation and paranoia caused by modern media head on. “Songs like Pulse, and songs like The Mirror, are just so connected to how I’m feeling right now,” Edkins admits, coyly. “It’s [COVID-19] truly shifting the meaning of a lot of the songs for me at least, and I don’t know how people will perceive it. But that’s kind of all you hope, that people take it in, they work it through their situation and maybe it will connect to where they’re at.”

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