Posts Tagged ‘The Afghan Whigs’

The Afghan Whigs release their first studio album in five years, “How Do You Burn?”. the ninth studio album from The Afghan Whigs, finds the band in peak form, making the most vaulting and thrilling music of their lives. The album is virile, ready-for-action, and finds frontman Greg Dulli as swaggering, enigmatic and darkly charismatic as ever, and singing up a storm. The album reaches corners of sound that, twenty-six years after the band’s inception, find them at an apex. Referencing Warren Zevon, Prince, and Zeppelin all while plugging in to the soul and R&B influences that have always set them apart, The Afghan Whigs are at a precipice of greatness. Says Dulli, “I’m beginning to see there are a million places we can go. I feel virile, ready for action, and I want to keep stalking greatness.”

The Afghan Whigs‘ new album “How Do You Burn?” is released this Friday, and just ahead of that they’ve shared the video for “A Line of Shots.” Directed by Patrick Pierson, it sets the widescreen, anthemic song to a roller disco setting, complete with some cool choreography.

the forthcoming album “How Do You Burn?” out 9/9/22.

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For the last 30 years, Greg Dulli, has been the frontman of The Afghan Whigs and The Twilight Singers, He has been the poet laureate of the bizarre whims and cruel tangents of desire. A foremost authority on the sell-your-soul rewards of carnal lust, the high voltage epiphanies of chemical enhancement, and the serotonin lows left in their wake. Therein lies “Random Desire”, the first solo album under Dulli’s own name, via Royal Cream / BMG.

The album opener. Pantomima, sets the tone from the sardonic taunts of the album’s first bars: desolation, come and get it. Random Desire started in the aftermath of the last Whigs record, 2017’s In Spades, which Pitchfork named one of the best rock records of the year, hailing it as a “heavy, menacing work of indie rock majesty…thrilling and unsettling.” Drummer Patrick Keeler was about to take a short sabbatical to record and tour with his other band, The Raconteurs. Dulli’s longtime collaborator, bassist John Curley went back to school, and there was the tragic death of the band’s guitarist, Dave Rosser. In response, Dulli returned to his teenage bedroom roots, finding musical inspiration via the model of one-man-band visionaries Prince and Todd Rundgren.

The Los Angeles-by-way-of-Hamilton Ohio native wrote nearly every part of the record from piano lines to drums to bass riffs. As always, the music came first and the lyrics were completed later. Recording and writing way stations included his home in Silver Lake, the village of Crestline high up in the mountains above San Bernardino, and New Orleans. But the bulk was finished amidst the arid beauty and stark isolation of Joshua Tree (at the studio of engineer Christopher Thorne). Dulli handled most instrumentation, but an all-star cast of characters appear across the track-listing including The Whigs’ guitarist Jon Skibic and multi-instrumentalist Rick G. Nelson, Mathias Schneeberger (Twilight Singers), pedal steel wizard, upright bassist, and physician Dr. Stephen Patt, and drummer Jon Theodore (Queens of the Stone Age, The Mars Volta).

Clocking in at a lean 37 minutes, Random Desire is a clinic put on by a veteran master operating at the height of his powers, offering evidence of the hard-fought and weary wisdom learned from setbacks and victories alike. A lucid, confident and self-assured document of the songs of experience, the perils of existence, and the possibilities that offer themselves anew with each breath. Another death and rebirth from an outlaw who has seen it all and somehow lived to tell.

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From the album ‘Do to the Beast’, out now on Sub Pop Records, Reunion albums suck. And reunion albums with only two original members plus hired hands and special guests really suck, right? Not always. Do To The Beast is the first Afghan Whigs album in 16 years, and features just singer Greg Dulli and bassist John Curley from their ’90s lineup. But it’s as vital as Congregation, Gentlemen or anything else from the halcyon days. The bruising guitar riffs of “Parked Outside,” “Matamoros” and “Royal Cream” prove the band’s swagger is seemingly inexhaustible. Beast is also an eclectic work, reflecting Dulli’s love for all things cinematic. “It Kills” and “Lost In The Woods” are darkly dramatic piano ballads. “Algiers” heads into spaghetti-Western territory. Throughout, Dulli finds new angles for his pet themes of obsessive love, Catholic guilt and deadly crimes. (“If my desire for your company/Made this motherfucker point his gun at me” is a pretty typical lyric.) The band subtly blends in its soul and hip-hop influences through the assertive strut of the rhythms and the alpha-male vulnerability in Dulli’s voice.