Posts Tagged ‘Soundwalk Collective’

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The sounds of Himalayan winds, sacred mantras and water rippling in the holy river Ganges, invite us to “Peradam”, the transcendent new album by Soundwalk Collective with Patti Smith. The album, which features guests including Anoushka ShankarTenzin Choegal and Charlotte Gainsbourg, will be released 4th September via Bella Union Records.

Peradam takes as its entry point René Daumal’s early 1940s novel Mount Analogue: a Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing, in which the French writer, critic and poet mapped a metaphysical journey to “the ultimate symbolic mountain” in search of meaning. In it, Daumal introduced the idea of the “peradam”, a rare, crystalline stone – harbouring profound truths – that is only visible to seekers on a true spiritual path. The band have shared a hypnotic video to the title track, directed by Stephan Crasneanscki and with editing and visual collage by Jenn Ruff.

Peradam arrives as “the final stone”, says Soundwalk Collective’s Stephan Crasneanscki, in The Perfect Vision, a triptych of albums that evoke and explore the sainted spaces of thought and creativity opened by the three French writers and poets. After albums devoted to Antonin Artaud (The Peyote Dance) and Arthur Rimbaud (Mummer Love), Peradam expands on “the living space”, says Smith, that Daumal left for future seekers to enter and create out of.

Daumal’s spiritual quests ranged wide and deep. Part-influenced by Rimbaud, he also identified with the Pataphysicians, followers of the avant-garde absurdist Alfred Jarry. Daumal experimented with hallucinogens to the detriment of his health, though he would later transfer his passions to the purity of work as he nurtured a fascination with Hindu philosophies and taught himself Sanskrit; Peradam features some of his translations.

While Daumal embraced the idea of self-abnegation as the key to internal awakening, he was also drawn to the syntheses of Eastern/Western thought in Greek-Armenian philosopher GI Gurdjieff’s teachings. Daumal’s greatest works include the novels A Night of Serious Drinking and Mount Analogue, which – though unfinished at the time of his death from TB at 36 in 1944 – inspired psychedelic magus Alejandro Jodorowsky’s 1973 film The Holy Mountain as well as the creative journeys undertaken by Soundwalk Collective and Patti Smith.

Peradam will be released 4th September via Bella Union

Patti Smith’s fascination with the work of poet Arthur Rimbaud is such that she once bought his reconstructed home in the small French town of Roche. On the second of her Perfect Vision triptych with field recording and soundscape specialists Soundwalk Collective, she is joined by Phillip Glass, Mulatu Astatke, and the Sufi Group of Sheikh Ibrahim. Exploring Rimbaud’s fascination with Ethiopia, levels of sonic and conceptual intricacy run deep here, and the record even features recordings made under the tree where Rimbaud photographed the shrine of Sheik Abadir Umar ar-Rida al Harari, the founder of the holy city Harar. While also featuring a Patti Smith poem on title track ‘Mummer Love’, it’s the process of second-hand reading which is central to the project. As Smith describes: “Because we are working with other people’s work, and not just reading it but channelling these people, they become a fourth mind. We are Rimbaud, you, I, and the work.

“We go as far as we can to honour their work”… Take two celebrated poets and add inspired music for a stunning listen. Soundwalk Collective With Patti Smith – Mummer Love,

Soundwalk Collective with Patti Smith featuring Philip Glass and the Sufi group of Sheikh Ibrahim. Taken from ‘Mummer Love’, the second album in the Perfect Vision triptych collaboration between Soundwalk Collective and Patti Smith. Released 8th November via Bella Union,

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“IVRY” is a new song with lyrics written by Patti Smith and inspired by Antonin Artaud’s time in the mental hospital in Ivry ,The song is part of our new album with Patti Smith ‘The Peyote Dance’, to be released by Bella Union on May 31st.

Soundwalk Collective with Patti Smith THE PEYOTE DANCE ,The sound of walking in a Mexican canyon transforms into the distinct beat of the heart, distant chants, sticks, stones, and the whistle of blowing wind: Featuring Patti Smith, and produced in collaboration with Leonardo Heiblum and Nicolas Becker a soundtrack of elements that invites us to explore a sacred space. The album takes as its starting point Antonin Artaud’s book ‘The Peyote Dance’, a work inspired by his revelatory experiences with the Rarámuri in 1936, 

Featuring original footage by Stephan Crasneanscki, Lelio Moehr and Sylvie Marchand. Courtesy, Association Temps Réel, Collectif Gigacircus, France (www.gigacircus.net/fr/) Lyrics by Patti Smith, copyright / © (2019) (Patti Smith) All music produced by Soundwalk Collective in Mexico City and NYC in collaboration with Leonardo Heiblum and Nicolas Becker with original instruments from the Rarámuri Indians of the Sierra Tarahumara, Mexico Voice: Patti Smith Traditional Guitars: Joel Cruz Castellanos Traditional Drums, Chapareke Snare, Chihuahua Bells: Leonardo Heiblum Foley: Nicolas Becker Recorded at Audioflot Studios in Mexico City and Hobo Sound in New Jersey

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Soundwalk Collective, Jesse Paris Smith, and Patti Smith have shared a new video for “Fearfully In Danger”, taken from their upcoming collaborative album “Killer Road”, an album of reinterpretations of Nico’s songs and poetry. The album is out September 2nd on Bella Union. The video features footage of the ensemble performing the song live at Volksbühne in Berlin, and was filmed and edited by Barbara Klein.

The song, originally recorded by Nico on her final album Camera Obscura, begins with field recordings, a trademark of Soundwalk Collective’s music, before fading into a droning bed of harmonium, synthesizer, and singing bowl, with a chilling arrangement of the song’s lyrics performed by Patti Smith. It is a remarkable collaboration, showcasing not only Smith’s talent for embodying the words she’s reading but Soundwalk Collective’s talent for creating immersive soundscapes. It is a worthy tribute to the music and legacy of Nico.

A shimmering ambient tone, an electronic underlay to the lulling chatter of crickets, makes way for the unmistakable voice of Patti Smith, quietly intoning, ominously, “The killer road is waiting for you / like a finger, pointing in the night.”

Smith was already a fan of Nico’s unique performance, and her half-spoken, halfsung delivery: “that was interesting and instructive for me when I was young because I had no ambition to be a singer – I was simply trying to deliver my poetry – as she did – in a unique way,” Patti Smith was able to repay the spiritual debt by paying to rescue Nico’s beloved harmonium – which underpinned so much of her work – from the pawnshop in 1978.

And that lonesome drone of Nico’s harmonium makes a late appearance in Killer Road, as part of the haunting electro-organic weave, like an aural heatwave, pulsing and sweltering. Sometimes you hear ocean waves and footsteps, or the thrum of honeybees; the panoply of sound subtly shifts as Nico’s view would have changed as she cycled that day. But then she had a heart attack, fell and hit her head, and was lying by the sound of the road, to a backdrop of crickets, before she was discovered and taken to hospital, only to pass on later that night. “That captivated me,” said Smith, “the idea of merging her language with what was perhaps the last sound she might have heard, besides her own breathing.”

Behind the music and concept of Killer Road is international trio Soundwalk Collective – Stephan Crasneanscki, Simone Merli, and Kamran Sadeghi – who, alongside Patti Smith’s daughter, Jesse Paris, conceived an immersive exploration of the tragic death of Christa Päffgen. Better known as Nico, the Velvet Underground chanteuse, Päffgen died while riding her bike on the island of Ibiza in the summer of 1988.

The roots of Killer Road lie in a fortuitous meeting on an airplane bound for New York. One passenger was Smith; the other was Soundwalk Collective founder Crasneanscki. Soundwalk had previously been a collaborative series of idiosyncratic walking guides to cities, before evolving into musical frameworks for field recordings and sight specific sound installations and performances using a variety of texts and themes.

Killer Road was initially a live audio-visual experience, at the French Institute Alliance Francaise in New York as part of 2014’s Crossing the Line festival. Finally, we now we have the recorded version, a poignant, profound, imaginative exploration and tribute nearly 30 years after that fateful summer’s day.

Killer Road will be released September 2nd 2016 via Bella Union.

Fearfully in Danger (Live at Volksbühne, Berlin) from the album “Killer Road – A Tribute To Nico”
Killer Road is a sound exploration of the tragic death of Nico, Velvet Underground vocalist and 60s icon.

Patti Smith Avant-Garde Nico Tribute 'Killer Road'

Patti Smith performed a unique and mysterious tribute to late singer Nico two years ago with ambient backing music from her daughter, Jesse Paris Smith, and a trio called Soundwalk Collective. It featured sounds from Nico’s own harmonium and sounds that approximate what the former Velvet Underground collaborator might have heard when she collapsed while bicycling in Ibiza in 1988, an event that preceded her death in a hospital later that day. Now Smith’s morbid homage, “Killer Road” – culled from Nico’s poetry – is getting a proper release on Soundwalk Collective’s Killer Road album, due out September 2nd.

The four-and-a-half-minute–track opens with bug-like sounds that give way to chilly, sighing atmospherics. “The killer road is waiting for you,” Smith speaks, “like a finger, pointing in the night … Who’s to blame?” She whispers, “I have come to die with you,” as new sound effects and field recordings crescendo around her.

The Smiths and the Soundwalk Collective first performed the work as part of the Crossing the Line festival at the French Institute Alliance Française in 2014. Nine tracks appear on the Killer Road LP, each containing Nico’s poetry.

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Nico once recalled apprehension when thinking about her first impressions of Smith. “The first time I ever saw Patti was at Andy’s,” she said, according to Dancing Barefoot: The Patti Smith Story. “She was skinny, like a rat, but she was from New Jersey and so was Lou [Reed], so that was all right. She didn’t speak much; she just stood and watched the people. I don’t know if I even knew her name.”

She’d later go on to praise Smith: “She was a female Leonard Cohen when she moved from writing to singing, and I liked her because she was thin and strong.”

Smith later played an important role in Nico’s life, buying back the singer’s harmonium at “an obscure shop” in Paris, as Nico put it, after it had gone missing. “I was so happy and ashamed,” Nico recalled. “I said, ‘I’ll give you back the money when I get it,’ but she insisted the organ was a present … I cried.” Nico would play the harmonium again on her final album, 1985’s Camera Obscura.