Posts Tagged ‘Peach’

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Ever so pleased to inform you that we are dropping a new record on September 14th!!! It is called ‘The Pact’. It is the longest we have ever gotten to spend making a record and we are so excited to release it. Here is the first track we have to share with you . It is called “Peach”.

The LA-by-way-of-New York power trio is a juggernaut of cannonball riffs and lyrical intrigue. They’ve got a new album on the way and its lead single “Peach” features frontwoman Leah Wellbaum leading up to the big chorus with after-school mad libs like this: “Silly sandbox, stupid scarecrow; Jack-o-lantern, chupacabra; sick menorah, candelabra.”

“I’m a very playful person,” the vocalist-guitarist tells us this week. “Childhood really appeals to me, the way one’s inner child can look at the world with curiosity, as opposed to the hardness of adults.” Wellbaum challenged herself with stream-of-consciousness, automatic writing exercises in the making of “Peach,” all the while cranking up funhouse-mirror guitars toward an absolute wrecker of a chorus.

Elsewhere on The Pact  which istheir fourth LP since 2012 —  you’ll find bruising blues-rock, surrealistic balladry and clouds of spastic saxophone and keyboards floating among the lightning hooks. It’s a weird record, but it’s also very catchy, pop sensibility out in the open. Wellbaum points out the myriad Pixies and Nirvana comparisons the band has gotten in the past; for The Pact, Slothrust teamed with producer Billy Bush, who’s probably best known for his extensive studio work with Garbage, beginning with 1998’s Version 2.0. Comparisons to Shirley Manson and company are more apt for Slothrust 4.0, as well as PJ Harvey and Fiona Apple, whom Wellbaum names as particular convention-shaking inspirations. After all, Slothrust is following a 2017 EP in which it covered Marcy Playground, Black Sabbath, Louis Armstrong, Britney Spears, The Turtles, Al Green and Sam Cooke. No one said they had to start making sense.

Alongside bassist Kyle Bann and drummer Will Gorin, Guitarist Vocalist Wellbaum is on a hot streak.

Official lyric video for “Peach” from the Slothrust album THE PACT, out September 14th. Dangerbird Records.

Culture Abuse’s debut album, “Peach”, kicks off with a proclamation: “Let there be peace on earth. Let love reign supreme.” Those two sentences, which are also written in giant letters across the record’s insert booklet, serve as the album’s mantra, a theme that runs through every one of its ten songs. That sort of flowery cheerleading might come off like naïve hippie bullcrap from most bands, but not the way Culture Abuse sings it. The band’s outlook on life is instead one of optimistic nihilism seeing the shit the world routinely dishes out and smiling through it all.

“Chinatown” opens the album with fuzzy chords riding behind the idea of living the way you want to, sounding a bit like what would happen if Tom Petty decided to distort his sound and utilize more aggressive beats. “Jealous” is a fun in the sun tune with glorious guitar leads breaking the chord progression laden record. It’s a bit like 90s alternative rock, except lensed through a fun loving and carefree atmosphere, “cause at the end of the day I’ve been dying to be here.” It’s an honest approach to every aspect of Peach. Culture Abuse pulled off a record that is both dreamy and heavy, full of tangible hooks and popping rhythms.

Culture Abuse "Peach" LP

Frontman David Kelling is no stranger to life’s bad deals. In his time of writing and recording “Peach”, he saw a couple of friends pass away, tended to his mother ill in the hospital, and got pushed out of San Francisco by the area’s gentrification, living out of the band’s 15-by-15 practice space with four other people. Not to mention he has cerebral palsy. But rather than complain and wallow in misery, Kelling flips it on its head and embraces it. Their sound is kinda grunge, kinda punk, kinda hardcore, definitely a good time.

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I was super excited when I recently saw that Late Cambrian released a new music video for the song Lover’s Point, the opening track from their most recent album Peach. It happens to be one of my favorite songs from the album!

The video opens with the band in separate areas of what appears to be a junk yard of some sort. The animal pelt costumes were a unique twist as you saw chalk images being made on containers. My favorite part of the video is towards the end when you see what all the chalk drawings turned into on the container as it was really cute!

I definitely enjoyed the video for its unique concept as it fit the song well. I look forward to seeing more Late Cambrian videos especially from their upcoming album Golden Time .

Late Cambrian

When we first heard a few songs from the Brooklyn band Late Cambrian, we knew that we were listening to one of the great new under-the-radar indie bands of the year. Beginning with the latest songs from their newest release, we eagerly listened to the band’s back catalog of enjoyable singles, brimming with glorious power pop hooks, driving rhythms and harmony-lush choruses.

It’s the music that ultimately matters, and Late Cambrian have proven themselves, after four years of hard work and a growing discography, as a band to watch in 2015. Their latest album, “Golden Time”, released in January, is busting at the seams with amazingly melodic, uptempo songs. The title track is a great example thanks to a collision of blazing guitars and rhythms, soaring synths and perfectly delivered vocals.

Since its release last fall, the “Golden Time” single has received over 10,000 plays and more than 120 hearts on Soundcloud alone and scored a No. 1 spot on OurStage. The video for “Golden Time” was also the featured video of the month. Those are pretty good indications of the band’s trajectory as they win one fan at a time.

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Late Cambrian’s frontman, songwriter and vocalist, John N. Wlaysewski, says the title track of their new album is really starting to catch on not just for how terrific it sounds, but also because of the lyrics. “It’s a song about a teenager’s perspective on clubs, looking from the outside in,” he said.

Another track, “Throwing Shade,” leaps right out of the speakers and demands attention. It’s fantastic guitar riff is one that Wlaysewski had been working on for some time, and waiting for just the right song to pair it to. “I’ve been wanting to make a slower groove-oriented song for a while,” he said, “and this is the first one.” “Throwing Shade,” he said, tells the story about “the weird mind games couples play with each other as a relationship is ending,” adding, “sometimes people see they have mental and emotional control over the other partner, and then use it to screw with their emotions.”

 

Golden Time marked a huge leap forward for the band sonically, Wlaysweski said. “The album was a big sonic departure for us. I really wanted to incorporate more modern sounds, synths and samples. I wanted the band to experiment more with structure. I’d been listening to a lot of Phoenix’s Bankrupt while we recorded this.” He said that the band members are all big fans of Weezer, Pinkerton, The Strokes and other acclaimed bands.

The band’s well-honed power pop energy, interesting and existential lyrics and soaring melodies accompanied by sweet vocal harmonies and fuzzy guitar riffs became more apparent on their sophomore release, PEACH, with songs like “Lovers Point” and “Ryan Gosling.”

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Wlaysewski said that “Ryan Gosling,” named after the famous actor, is one of the band’s most well-known tracks, which is not surprising since it has a catchy, infectious melody and “woah-oh-oh” chorus, making it a perfect sing-along track. The song “details the struggle to make a meaningful connection with another human being in a fleeting New York City night life,” Wlaysweski said, while “Lover’s Point,” his personal favorite from PEACH, is “an incredibly romantic song for me…it’s about young love and having that feeling again when you’re older.”

The band’s discography offers one musical highlight after another. Taken all together, it’s easy to see why they were voted the best new artist of 2014 in a listeners’ poll. Late Cambrian has all of the makings of a breakout band that should kick up another notch in 2015 as more indie rock listeners in the U.S. hear their tracks.