Posts Tagged ‘Paul Weller’

This is an outstanding video of Paul Weller and his (then) support band ‘The Movement’. Mr Weller, having had a short break from the Style Council comes crashing back into the music scene with a self financed album. To support this he brings a band together and carries out one of the most colourful and moving musical events the 90’s had seen. The opening song, happens to be a Small Faces number ‘Tin Soldier’. Weller had found out minutes before coming on stage that one of his many mentors (Steve Marriott) had died and did an off the cuff tribute. The song sheet is long and fantastic to say the least with songs such as Magic Bus (The Who) and Tin Soldier (Small Faces)and a few old Style Council numbers, Weller shows that he is back and with full force. Overall this is an amazing video that shows the true talent of a man who, then, couldn’t even get a record deal. If you are new to Paul Weller and have never seen the great man live then buy it, You will not regret one minute of this amazing piece of musical history.

Paul Weller plays Respect to Steve Marriott with this cover, a nice tribute to the Small Faces,and the irriplaceable Steve Marriott with this classic cover .The Small Faces classic Tin Soldier live during his “Movement” tour at Brixton Academy. taken from the VHS Paul Weller Movement Live 1991

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The Gift’ was The Jam’s final studio album,  the follow-up to The Jam’s critically and commercially successful 1980 album “Sound Affects”. When The Jam finished recording their sixth album, in the winter of 1982, none of the members knew the band would cease to exist by the end of the year. Although frontman Paul Weller has, in retrospect, recognized that the trio was “winding down,” at the time the singer-guitarist was merely trying to find a way to merge his increasing interest in funk and R&B with the Jam’s powerful sound.

What had begun as a British punk (or at least punk-adjacent) outfit in the mid-’70s had become a more mainstream rock outfit by the turn of the ’80s, integrated into the new wave. The Jam had tinkered with the mod revival and neo-psychedelia, but for The Gift, Weller began drawing inspiration from styles rooted even further in the past.

“We got into soul again,” Weller said in 1998. “We started backtracking. I was into soul as a kid. I was on a big learning curve.”

The band’s primary songwriter was particularly inspired by Northern Soul, ’60s R&B: Stax/Volt singles, James Brown chestnuts and Tamla Motown compilations. Bruce Foxton funked up his Rickenbacker bass (“Circus”). Horn sections blurted in the background (“Precious”). The backbeat from the Supremes  “You Can’t Hurry Love” was re-purposed (“Town Called Malice”).

Paul Weller would more fully explore Northern soul/R’n’B and jazz in his next band, the Style Council, but for now he was exploring black American music within the confines of a power trio. “The influence of soul music pointed in the direction of where I was going to go after that,” Weller recalled to the NME in 2012, “but it was very much our sound, we were trying to expand it and do something else with the Jam sound.”

Although the Jam were drawing on old records to expand the band’s sonic playground, Weller was often being inspired by present political circumstances in his lyrics. As a result, The Gift is also a celebration of the working class in Margaret Thatcher-era Britain.

“I was thinking about the times we were living in,” Weller said about “Town Called Malice.” “It wasn’t the height of Thatcherism but she was well into her stride by that time. The country was being depleted and the working classes were being s— on. It was a very desolate time. You couldn’t help but be touched by the politics of the time, you were either for or against it and I was reflecting what I saw around me.”  The message is not altogether negative though and the song stands as a potent rallying call to roll with the changes. One of the quintessential “state of the nation” songs in the band’s catalogue it is still frequently performed by Weller in concert as a rousing finale to the set.

On “Just Who is the 5 O’Clock Hero?” Weller drew on his memories of his father to honor the folks who endure the working grind every day.

“My dad had been a hod carrier [bricklayer’s assistant] most of his life,said ” Weller . “It was tough work. He’d come home looking like he’d been sandblasted, covered in cement. I liked the irony of that. But he always had a smile on his face. You could hear him arriving home, whistling down the funny little alleyway that ran beside our funny little house in Woking. He was the ‘5 O’Clock Hero’. He made the money and fed and clothed us.”

Whether it was the political statements, the Jam’s new soul-rock sound or just the irresistible catchiness of “Town Called Malice,” The Gift became the trio’s first U.K. No. 1 LP after it was released on March 12th, 1982. The double-a-side of “Malice” and “Precious” became a massive hit, debuting at No. 1 in Britain and becoming the group’s sole chart success in North America.

Despite the Jam’s increasing success, Weller was feeling artistically constricted by the band. In the summer of ’82, he made the decision to break up the band following a farewell tour on the ‘Trans-Global Express Tour’. The news was met with confusion from fans, bandmates Foxton and drummer Rick Buckler and even Weller’s own “5 O’Clock Hero.”

“My dad thought I was bonkers,” Weller remembered. “Rick was quite philosophical about it. But Bruce was devastated. … But if you look at the photos of the final gigs, you can see us smiling, all three of us. A load had been lifted. I didn’t shed a tear at the final gig. I felt a sense of relief. I was 24. My life was just starting.” Their biggest hit of the album was “Town Called Malice”.

The Jam
There’s a reason Paul Weller is so respected by his fans despite his shifts in musical styles over the years. Weller follows his heart and his tunes stay true to the times and his age. I first heard him in 1977, when I saw the band at Rebeccas nightclub in Birmingham , A few weeks laterI bought a 45 and later an album, each called “In The City”, by The Jam. Inspired by The Who, the music of The Jam was infused with urgency and melody. Then Weller wanted more from music and began The Style Council with a bit of R&B, ballads and even jazz. For nearly 25 years, Paul Weller has been recording under his own name. Now he has new songs for us all and an album called Saturns Pattern. Here at the Tiny Desk he brings this humble collection of songs acoustically and includes a tune from what may be his best known record, his 1995 album Stanley Road. It’s a pretty heartwarming moment  especially for longtime followers of his shifting but consistent quality music.

Set List

  • “Dusk Til Dawn”
  • “I’m Where I Should Be”
  • “Out of the Sinking”
  • “Going My Way”

Punk rock to new wave, British folk to deep funk, New York garage style to heavy soul; for over four decades Paul Weller has done it all. He’s fronted two bands: The Style Council and The Jam, and embarked on a long solo career that’s been every bit as inventive. His latest album is called Saturns Pattern (without the apostrophe for aesthetic reasons). The record is adventurous, tight and of course, it rocks.

In addition to his latest album, Weller has also released a book of photographs taken by Lawrence Watson; the book is called Into Tomorrownamed after his 1992 album. The photos follow Weller through his 20 year solo career, with hand-written captions.

Today the man known to British rock fans worldwide as The Modfather talks about how and when you realize you’ve written a great song; how kids today (specifically his own—he has seven) don’t appreciate really loud music; and threatens host John Schaefer with a fashion makeover.

Paul Weller says he’s written three perfect songs in his career:

“Wings of Speed” from Stanley Road“Strange Town” with The Jam:”Going My Way” on Saturns Pattern

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Paul Weller has, by and large, managed to keep me interested and attuned to what he does during his now 24-year solo career.  Like his previous two musical lives, its had its ups and downs, but he roared back, louder and harder than before with this year’s Saturns Pattern, itself a leap forward from the groundbreaking Sonik Kicks.  A new label, a greater American audience than before and a tour  with a performances that have left me in joyful tears these were Paul Weller’s most energetic and career-spanning shows I’ve seen .

PAUL WELLER – ” Live Tour ” 2017

Posted: January 27, 2017 in MUSIC
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Paul Weller

Paul Weller’s first ever film score is set for release Friday 10th March on vinyl LP, CD, download and stream.

A former youth boxing champion, Jimmy McCabe (Johnny Harris), is a man desperately in search of hope, but looking in all the wrong places. When he hits rock bottom he turns to his childhood boxing club and the only family he has left: gym owner Bill (Ray Winstone) cornerman Eddie (Michael Smiley) and promoter Joe (Ian McShane). In a battle between fear and faith, Jimmy risks his life, as he tries to stand tall and regain his place in the world.

‘Jawbone’ hits UK cinemas on 17th March.

Paul would constantly send through any new ideas, demos, or recordings, and what was unique and beautiful about this approach was that Paul’s new compositions were now inspiring and influencing the story as I was re-writing it. I’d also send Paul through new drafts of the script, or any new ideas as they were forming along the way, and a beautifully collaborative process evolved”
Johnny Harris

‘The Ballad Of Jimmy McCabe’ is available now

The Jam: Live At Reading University - Exclusive Pressing

Live At Reading University – Exclusive Pressing,

The Jam at Reading University, playing material from their breakthrough album ‘All Mod Cons’, was The Jam’s first live appearance of 1979, and found the band in a radically different place to their showcase at the Music Machine 12 months before. In that time, their third album, ‘All Mod Cons’, had been released to critical acclaim, and their status as one of the New Wave’s most musically substantial and exciting bands had been secured. And Paul Weller was still only 20 years old…

The Jam: Live At The Music Machine

Live At The Music Machine ,

A Music Machine show from 1978, featuring most of the 2nd album – ‘This Is The Modern World’. The show was The Jam’s sixth live show of the year and one of four low-key shows in the capital to fanfare their new ‘News Of The World’ single under the banner ‘The London Blitz’.

The Jam: Live at The 100 Club - Exclusive Pressing

Live at The 100 Club – Exclusive Pressing ,

Continuing The Jam exclusive live vinyl releases, we now have the concert from London’s 100 Club September 1977 for you, this is a double LP on 180g heavyweight vinyl and very limited.

  • Double LP packaged in exceptionally stylish gatefold sleeve with printed inner bags.
  • Re-mastered at Abbey Road and pressed on heavyweight vinyl.
  • Includes period photos and rare memorabilia.
  • Featuring stunning live versions of all the band’s classic hits and favourites.

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New Weller documentary “ONE”, filmed by Andy Crofts, is available to watch online now at www.PaulWeller.com or the link below. “ONE is one year in the life of Paul Weller and his band. It’s a montage of sights and sounds we have witnessed on our travels around the world. I wanted to make something real for the fans that they haven’t seen before.” – Andy Crofts

Paul Weller is rounding off an incredible 2015 by unveiling new behind the scenes documentary ONE over the festive period.

Head to http://www.PaulWeller.com or visit Weller’s YouTube channel from 10am on Boxing Day to see more than an hour of footage shot by live keyboardist Andy Crofts, capturing a year on the road with Paul Weller and his band.

Saturns Pattern, the latest album by Paul Weller, is out now.

Capturing a year on tour with Weller and his band, the film follows his tours of the UK, Europe, North America, and Japan and includes candid interviews with Weller, his band and other team members, It’s a rare glimpse into the tour bus and dressing room, live and rehearsal footage and backstage jams.

 

All the details on the 6CD “Fire and Skill” Jam box, which features six previously unreleased concert recordings

Named after the legendary sign painted on Paul Weller’s amp, Fire And Skill is a superb six disc boxed set – featuring six previously unreleased concerts, one from each year of The Jam’s major-label career.

Starting with an incendiary early gig at London’s famous 100 Club from 1977, A Music Machine show from 1978, featuring most of the 2nd album – ‘This Is The Modern World’, Reading University show in 1979 – playing material from their breakthrough album ‘All Mod Cons’, Newcastle City Hall in 1980 – previewing songs from forthcoming album ‘Sound Affects’, London’s legendary Hammersmith Palais show in 1981 – part of The Jam’s four consecutive nights, previewing material from the forthcoming final album ‘The Gift’ and one of the band’s final ever gigs at Wembley Arena in 1982.

Packaged in mini, lift-off lid box this set includes a separate hard-back book and individual gatefold wallets for the discs, as well as new essay, period photos and rare memorabilia. All audio has been remastered at Abbey Road.

‘Fire & Skill: The Jam Live’, a 6 CD deluxe box set, will be released on Universal/Polydor on 30th October 2015.

It’s 40 years since classic The Jam line-up first started touring. The band had a phenomenal impact on pop music and wider youth culture. In their short career, they influenced a generation with their music, style, politics and inspiration.With Somerset House’s current exhibition and Universal Music’s recent CD ‘About The Young Idea’ which both trace the band’s story in hits and images – Universal/Polydor now announce a live box set that follows the journey through incendiary concert recordings.

1.) Starting with an early gig at London’s famous 100 Club from 1977, the show featured took place 10 months after they first played the venue in November 1976, and was recorded for broadcast on American radio ahead of the trio’s inaugural visit to US in October 1977 for a six-date tour.

2.) A Music Machine show from 1978, featuring most of the 2nd album – ‘This Is The Modern World’. This was The Jam’s sixth live show of the year and one of four low-key shows in the capital to fanfare their new ‘News Of The World’ single under the banner ‘The London Blitz’.

3.) Reading University – Feb 1979. Playing material from their breakthrough album ‘All Mod Cons’, this was The Jam’s first live appearance of 1979, and found the band in a radically different place to their showcase at the Music Machine 12 months before. In that time, their third album, ‘All Mod Cons’, had been released to critical acclaim, and their status as one of the New Wave’s most musically substantial and exciting bands had been secured. And Paul Weller was still only 20 years old…

4.) Newcastle City Hall – October 1980, previewing songs from forthcoming album ‘Sound Affects’. In the time between the show at Reading University (on Disc 3) and this appearance at Newcastle City Hall 20 months later, there had been more extraordinary developments in the group’s world. ‘Setting Sons’, their fourth album, had given them a Top 3 hit with ‘The Eton Rifles’, which was followed in February 1980 with the stirring Number 1 single, ‘Going Underground’. After three years on Polydor, The Jam had finally become the biggest group in the UK.

5.) London’s legendary Hammersmith Palais – December 1981. Part of The Jam’s four consecutive nights, previewing material from the forthcoming final album ‘The Gift’. The shows took in the form of a ‘60s soul revue, showcasing new acts including Bananarama, Department S and TV21.

6.) One of the band’s final ever gigs at Wembley Arena – December 1982. Late in 1982 The Jam announced they were splitting up – there would, though, be a final chance for fans to experience The Jam’s astonishing live shows, with a 14-date ‘farewell’ tour announced. The centrepiece was a five-night stand at Wembley Arena, the 10,000-capacity shed next to the London football stadium (the recording here is from the second date), the biggest live venue in the capital.

* Packaged in mini, lift-off lid box with 72-page, colour hard-back book.* Individual gatefold wallets for the discs, designed as facsimiles of the original tape boxes.

* Includes new essay, period photos, rare memorabilia and set of five postcard prints.* Remastered at Abbey Road.* Featuring stunning live versions of all the band’s classic hits and favourites of which only 11 tracks previously released.

 

Another stand out track from PAUL WELLER’S unanimously critically acclaimed recent album “Saturns Pattern” the track “I’m Where I Should Be” will released as a single on September 25TH.

“I’m Where I Should Be” finds Weller in a reflective mood, explaining: “It’s probably just me saying I’m happy with my place in the world. I don’t really crave much more. It’s only taken me 55 years to get there. Even in a much bigger way, my place in the universe”

“I’m Where I Should Be” is released as a two-track download, with the extra track being a brand new song “Open Road” plus a vinyl 7” single with “Open Road” on the flipside.

The single will also be released as a special bundle via Weller’s site which includes the single on 7″ vinyl as above, plus a download of both tracks, an art print and a sticker.

Just ahead of his upcoming west coast tour, Paul Weller and band have just confirmed a live performance of the title track from the new album, “Saturns Pattern,” live on CONAN on Monday October 5th, During 2015 Weller has been touring nearly non-stop since his last US visit this past June plus a short tour of the UK follows.