Posts Tagged ‘Partisan Recordings’

May be a closeup of one or more people, hair, outerwear and text that says 'AERIAL EAST TRY HARDER FEBRUARY12 ON PARTISAN RECORDS'

Aerial East’s life as well as her new album “Try Harder”, released this week on Partisan Records (IDLES, Fontaines DC), is infused with a sense of disconnectedness and alienation. The daughter of a military family, East moved around a lot in her early years, including living in Germany for six years from the age of nine until fifteen. “We went to an American school and lived in American neighbourhoods,” she explains. “So I didn’t learn German or anything, it was a very small and isolated community, there were like 300 kids in my school. There weren’t any malls, any popular culture that we would get would come late! I was a teenager and I wanted to go to malls and see boys that weren’t the 150 boys that were available to me.”

Yet when it came time to leave Germany and move to Abilene in West Texas, she was initially hesitant: “When I lived in Germany and found out I was moving to Texas, I was like ‘oh no, guys with pickup trucks everywhere’, but it wasn’t really like that.” Her fondness for her time in West Texas soon becomes clear. “It was beautiful,” she says, smiling. “I learned how to drive there which is such a big deal, when you suddenly are so free. We drove around a lot – if you drive 30 minutes toward Buffalo Gap, you get to the middle of nowhere, you turn after the second gas station, you drive up this rocky hill and you get to this secret campsite that we used to go to. It was like that mostly, we’d just drive around and explore.”

It was being a musician that East only ever wanted to do – the alienated American in a foreign land, dreaming of the glitz and glamour of the pop stars from back home she would hear belatedly about. When she returned to the US, she did talent shows, she got professional voice lessons, she sung the national anthem at a major league baseball training game. East then lets out a surprise revelation: she also auditioned for American Idol. “It was in 2004,” she explained, somewhat shyly. “I didn’t get past the first round and my mum was really upset, it was more her dream than mine.”

Wanderlust and aimlessness provoked her move to New York aged eighteen but it was mostly inspired by am Abilene high school friend Katharine, who she sings about in the touching song of the same name on the album. “My best friend Katherine moved to New York to go to fashion school and be a model. My family was moving away from Texas and I was living with my ex boyfriend at the time and she needed a roommate and I just thought why not?” Katharine was the first person East shared her songs with and she insisted that East share them with others too. “She’s still an important figure in my life even though we haven’t seen each other in a while,” adds East.

Once I moved to New York City, I quickly met a bunch of artists and musicians who showed me that there was this other possibility.” Shortly after arriving in the big city, she also underwent a formative musical experience. “I saw Sharon Van Etten play in Brooklyn and it blew my mind and opened up my world,” she explains. It’s been a long time since we last heard from East. Her debut album Rooms was released back in 2016. “I had been working on this album pretty quickly after Rooms came out but not in a focused way until after I signed the deal with Partisan, which was around 2017 or 2018,” she explains. “It takes me a long time to write and record. I also did a full pendulum swing, I really wanted it to be different. I loved Rooms, I wanted it to be really big and orchestral and loungey but I wanted this record to be the opposite, very minimal, very quiet, very direct, very intentional.”

And Try Harder reflects this swing. Her lyrics are simple but meaningful, songs of heartbreak, coming-of-age, and the beauty of small things all whispered beautifully. It’s not surprising that it’s all so hushed and intimate when you realise that there are no drums behind her on the record, reflecting East’s anxious state when she was recording. Any accompanying instrumentation – swooning strings or wilting guitars – is sweetly minimal, delicately sparse. It all feels precise and intentional, and it allows the soft beauty of East’s spellbinding voice to suspend and transport the listener.

East is a very serious person; ponderous in reply and thoughtful with her answers. It feels authentic: she isn’t trying to put on any pretensions for the purposes of our conversation. East is also now 32, having had to wait patiently for her time, something that just doesn’t happen on such reality shows.

East shares with me a playlist of the songs that she listened to during the recording of Try Harder. Despite Spotify once informing her that the genre she most listened to was art pop, it’s indie folk that dominates: Angel Olsen, Big Thief, Cat Power, Julia Holter, and Jessica Pratt are some of the prominent names. It was a lesser-known Ethiopian artist that unexpectedly provided the biggest inspiration though. “I really wanted the album to sound like this solo piano album made by Tsegue-Maryam Guebrou (Ethiopiques, Vol. 21: “Emahoy (Piano Solo)”). I heard her at the restaurant I was working at. I became obsessed with it, it’s so beautiful and charming. 

Texan characters – former flames and lost friends – and places – “San Angelo”, Abilene, Amarillo – populate the record. It was a sincere and pointed act, to portray a better side to the state. “Everything is so politicised now,” she sighs. “There’s shadow and light to that. I definitely did want to tell stories about people that my New York social bubble don’t have any idea about. 

Perhaps this memorialisation is an act of necessity for East herself. Having lived in New York for so long now, this new sense of permanence is perhaps daunting for someone whose life was so aimless and itinerant before it. Remembering West Texas, then, becomes about acknowledging the temporality from which she emerged; a message to Katharine, to ex-partners, to the small towns that they won’t be forgotten.

Everything happens for a reason: Try Harder was supposed to come out last September but it was pushed back because of Covid. East, forever used to temporality and fragility, adapted as she’s always done. “I remember Jessica Pratt’s record (Quiet Signs) came out in January or February in 2019 and everyone I knew was listening to that record because those were the darkest days of the year and it’s such a pretty, introspective record. And I think that Try Harder is a good winter record so it actually feels better being released now.” In a time where many are locked in our homes, thinking of old and better times, East’s record, a remembrance of things past, is comforting, for both her and us.

“Katharine” from her new album, “Try Harder” is released on 12th February via Partisan Recordings.

Dilly Dally release haunting ‘The Touch’ video

Thought November 1st meant all the scares were gone for another year?  Dilly Dally are upping the fear factor with their new video for ‘The Touch’.

While the phrase itself means “to move or act too slowly,” the rise of this Toronto based band Dilly Dally has been anything but. On their debut album, Sore, the band transform their love of ’90s bands like The Pixies and Nirvana into a dynamic, powerful set of songs, punctuated by the ragged, raw vocals of frontwoman Katie Monks.

Today’s KEXP Song of the Day is particularly special. Monks explained to Stereogum, “I wrote this song for a friend of mine who was having suicidal thoughts. I felt this huge sense of urgency, and wanted to nurture him in anyway I possible could: sexually, emotionally, and then finally realized that I could help him through music. It was all very instinctual. The song attempts to reach him in his dark place, and then lure him away from there. The chorus in this song is very sweet and gentle. It is meant to be comforting and remind him of romance and the softness of a woman’s touch. If that isn’t enough to live for, than I don’t know what is.”

Dilly Dally were just in Seattle last month, and will be heading to the UK in early 2016. check out this video, directed by David Waldman, a Toronto-based music photographer of over ten years.

Shaky, blown-out, black-and-white footage of the band’s raw-as-sushi performance is intercut with that of black cats, pointy nails, black lingerie and whips.

‘The Touch’ is taken from Dilly Dally’s debut album ‘Sore’, out now on Partisan. Read DIY’s 4-star review of the record, and catch up with our recent chat with the band, where they talk about egging ex-boyfriends’ houses. Charming.


Singer/songwriter Mackenzie Scott, better known as Torres, has announced her follow-up to 2013’s self-titled debut release. The nine-track offering is titled  “Sprinter”, and it’ll be out May 5th in the U.S. and May 18 in the UK/Europe via Partisan Recordings. Listen to the album opener “Strange Hellos” . It was produced by Rob Ellis (known for his work with PJ Harvey), with a backing band featuring Portishead guitarist Adrian Utley and PJ Harvey’s bassist Ian Oliver.

Here’s what Scott had to say about the album’s lyrical concerns, which reflect the experiences of her family. (Both Scott and her mother were adopted):

Whether it be abandonment, or fear of rejection, or perhaps inability to connect with people, comes down to that fear of isolation, of not being good enough. Those are themes that have cropped up in my personal life, in my writing, and my mom can definitely understand that herself.

This spring, Torres will be heading out on tour to celebrate the release of the new LP.

Photo: Press

Tipped by Sharon Van Etten: “I got to see Torres’ first show in New York at Cake Shop a while back. She was so nervous – she shyly said where she was from and that it was her first show, but as soon as she started playing you could feel that nervousness go away. It reminded me of when I first came to New York. She’s been kicking ass recently though, and I’m really excited for her.”