Posts Tagged ‘New West Records’

All Reissues on Vinyl (Shipping as it's released)

Throughout 2017, New West Records is proud to be reissuing Vic Chesnutt’s albums from the Texas Hotel years, along with his New West Records albums, all on exclusive heavyweight 180g colored vinyl. Each of these albums is painstakingly remastered from original source material, and come in colored editions not available anywhere else!

James Victor “Vic” Chesnutt (November 12, 1964 – December 25, 2009) Singer songwriter from Athens Georgia. His first album, Little, was released in 1990, but his breakthrough to commercial success didn’t come until 1996 with the release of Sweet Relief II , which was a charity record of alternative artists covering his songs.

Chesnutt released 17 albums during his career, including two produced by Micheal Stipe Of R.E.M and a 1996 release on “About To Choke” . His musical style has been described as a “skewed, refracted version of Americana that is haunting, funny, poignant, and occasionally mystical, usually all at once”.Injuries from a 1983 car accident left him partially paralyzed; he used a wheelchair and had limited use of his hands. Kristen Hersh wrote a book entitled, Don’t Suck, Don’t Die: Giving Up Vic Chesnutt, which was released on October 1st, 2015

Little, produced by Michael Stipe (January 2017)
Drunk (February 2017)
Is The Actor Happy? (March 2017)
MYSTERY RELEASE (April 2017)
Silver Lake (May 2017)
Ghetto Bells (June 2017)
MYSTERY RELEASE (Late 2017)

We’re so excited to finally put these phenomenal Vic Chesnutt vinyl releases out into the world. Thank you for being a part of it.

'Keep It Together'

‘Keep It Together’, is the third album in just over three years by Indianapolis-based sisters Lily & Madeleine, is released via esteemed New West Records.

This spellbinding ten-song statement is the dynamic product of two distinct musical personalities, bound by kinship, melding seamlessly into one ephemeral and dreamy collection.  The sisters have come a long way since they began making YouTube videos in 2012, releasing two critically acclaimed albums on Sufjan Stevens’ Asthmatic Kitty Records and selling out myriad shows both in the US and overseas.

Having already delivered two fine collections of pop-tinged folk in quick succession, the Jurkiewicz sisters’ third arrives in similar haste. Built on two wonderfully direct and effortlessly emotive voices, Lily & Madeleine were a striking force when they emerged in 2013. ‘Keep It Together’ is curiously unmoving. There’s no doubting that their sound has evolved, with a more electronic tinge applied as part of consistently heftier production. However, nothing seems to lodge in the memory and everything feels a bit too mid-paced to warrant return visits.

The majority of ‘Keep It Together’ is a pleasant enough listen but the choruses often feel under-cooked and the scale of the production seems to have suppressed some of the majesty in the duo’s performances. almost lumbering, percussion sets the tone for too many of these songs and despite multiple listens it’s hard to find much to enthuse about. Their voices remain a delight .

It simultaneously confirms that the duo’s sound can yet develop in a fascinating direction and hints at what the album could have been. When it’s good, it’s very, very good, but for most of the time it’s really quite bland.

New Madrid landed splat in the middle of Athens’ musical consciousness with their 2012 debut, “Yardboat”, and proceeded to dominate the local music award ceremony that year, which is no small feat in a town where the branches of the music scene are virtually sagging with ripe fruit. Now with New West Records, New Madrid have grown “Yardboat’s” jammy Southern rock into a psych-tinged sophomore album,“Sunswimmer”, with the help of producer David Barbe (Deerhunter, Animal Collective) at Chase Park Transduction studios. There’s something about “Sunswimmer” that feels instantly comfortable, like a pair of shoes from the thrift store that someone already wore in for you. Opener “All Around the Locust” reveals singer Phil McGill, drawling with a lazy-tongued twang amid washes of reverb and effects-laden guitar.